UPC · Release
Hommage à Heinrich Schiff
Heinrich Schiff
4260063216022
164 tracksReleased 2017-01-01Neos
Last verified:
4260063216022 is the Universal Product Code (UPC barcode) for the release “Hommage à Heinrich Schiff” by Heinrich Schiff, released 2017-01-01 on Neos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 164 tracks, each with its own ISRC. Tracks include NLA508214307, NLA508214308, NLA508214309.
Format
426GS1 prefix
0063Company prefix
21602Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCHommage à Heinrich Schiff
ISRC25 recordings
ISWC4 works
IPI1 songwriter
Track List (164)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Suite no. 1 in G major, BWV 1007: I. Prelude | — | ||
| 2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | — | ||
| 3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | — | ||
| 4 | Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | — | ||
| 5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuets I & II | — | ||
| 6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | — | ||
| 7 | Cello Suite no. 4 in E‐flat major, BWV 1010: I. Prelude | — | ||
| 8 | Cello Suite no. 4 in E‐flat major, BWV 1010: II. Allemande | — | ||
| 9 | Cello Suite no. 4 in E‐flat major, BWV 1010: III. Courante | — | ||
| 10 | Cello Suite no. 4 in E‐flat major, BWV 1010: IV. Sarabande | — | ||
| 11 | Cello Suite no. 4 in E‐flat major, BWV 1010: V. Bourrées I & II | — | ||
| 12 | Cello Suite no. 4 in E‐flat major, BWV 1010: VI. Gigue | — | ||
| 13 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | — | ||
| 14 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | — | ||
| 15 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | — | ||
| 16 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | — | ||
| 17 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavottes I & II | — | ||
| 18 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | — | ||
| 19 | Cello Sonata in A minor, op. 5 no. 6, H. 108: I. Adagio - II. Allegro assai - III. Grave | — | ||
| 20 | Cello Sonata in A minor, op. 5 no. 6, H. 108: IV. Allegro | — | ||
| 21 | Concerto for Cello in B minor, RV 424: I. Allegro non molto | Heinrich Schiff, Academy of St Martin in the Fields, Iona Brown | T-910.793.958-2 | |
| 22 | Concerto for Cello in B minor, RV 424: II. Largo | Heinrich Schiff, Academy of St Martin in the Fields, Iona Brown | — | |
| 23 | Concerto for Cello in B minor, RV 424: III. Allegro | Heinrich Schiff, Academy of St Martin in the Fields, Iona Brown | — | |
| 2-1 | 12 Variations in F major on Mozart’s Ein Mädchen oder Weibchen, op. 66 | — | ||
| 2-2 | Beethoven: 26 Welsh Songs, WoO 155: No. 25 The Parting Kiss | Dietrich Fischer-Dieskau, Yehudi Menuhin, Heinrich Schiff, Hartmut Höll | — | |
| 2-3 | Beethoven: 26 Welsh Songs, WoO 155: No. 26, Good Night | Dietrich Fischer-Dieskau, Yehudi Menuhin, Heinrich Schiff, Hartmut Höll | — | |
| 2-4 | Beethoven: 25 Irish Songs, WoO 152: No. 1, The Return to Ulster | Dietrich Fischer-Dieskau, Yehudi Menuhin, Heinrich Schiff, Hartmut Höll | — | |
| 2-5 | Beethoven: 25 Irish Songs, WoO 152: No. 3, Once More I Hail Thee | Dietrich Fischer-Dieskau, Yehudi Menuhin, Heinrich Schiff, Hartmut Höll | — | |
| 2-6 | Beethoven: 25 Irish Songs, WoO 152: No. 4 The Morning Air Plays on My Face | Dietrich Fischer-Dieskau, Yehudi Menuhin, Heinrich Schiff, Hartmut Höll | — | |
| 2-7 | Cello Sonata no. 3 in A major, op. 69: I. Allegro non tanto | — | ||
| 2-8 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 2-9 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 2-10 | Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 2-11 | Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con moto sentimento d’affetto | — | ||
| 2-12 | Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 2-13 | Der Saitenriss (The String Breaks) | — | ||
| 3-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 3-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 3-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 3-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 3-5 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 3-6 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 3-7 | Violin Concerto in D major, op. 61: III. Rondo. Allegro | — | ||
| 4-1 | Symphony no. 36 in C major, K. 425 “Linz”: I. Adagio - Allegro spiritoso | — | ||
| 4-2 | Symphony no. 36 in C major, K. 425 “Linz”: II. Poco adagio | — | ||
| 4-3 | Symphony no. 36 in C major, K. 425 “Linz”: III. Menuetto | — | ||
| 4-4 | Symphony no. 36 in C major, K. 425 “Linz”: IV. Presto | — | ||
| 4-5 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 4-6 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 4-7 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto | — | ||
| 4-8 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 4-9 | Rondo in C major, K. 373 | — | ||
| 5-1 | Cello Concerto in A minor, op. 129: I. Nicht zu schnell | — | ||
| 5-2 | Cello Concerto in A minor, op. 129: II. Langsam | — | ||
| 5-3 | Cello Concerto in A minor, op. 129: III. Sehr lebhaft | — | ||
| 5-4 | Adagio & Allegro, op. 70: Adagio | — | ||
| 5-5 | Adagio & Allegro, op. 70: Allegro | — | ||
| 5-6 | Fantasiestücke, op. 73: No. 1, Zart und mit Ausdruck | — | ||
| 5-7 | Fantasiestücke, op. 73: No. 2, Lebhaft, leicht | — | ||
| 5-8 | Fantasiestücke, op. 73: No. 3, Rasch und mit Feuer | — | ||
| 5-9 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai | — | ||
| 5-10 | Symphony no. 2 in C major, op. 61: II. Scherzo | — | ||
| 5-11 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | — | ||
| 5-12 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | — | ||
| 6-1 | Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 6-2 | Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto | — | ||
| 6-3 | Cello Sonata no. 1 in E minor, op. 38: III. Allegro | — | ||
| 6-4 | Cello Sonata no. 2 in F major, op. 99: I. Allegro vivace | — | ||
| 6-5 | Cello Sonata no. 2 in F major, op. 99: II. Adagio affettuoso | — | ||
| 6-6 | Cello Sonata no. 2 in F major, op. 99: III. Allegro passionato | — | ||
| 6-7 | Cello Sonata no. 2 in F major, op. 99: IV. Allegro molto | — | ||
| 6-8 | Clarinet Trio in A Minor, Op. 114: I. Allegro | Sabine Meyer, Rudolf Buchbinder, Heinrich Schiff | — | |
| 6-9 | Clarinet Trio in A Minor, Op. 114: II. Adagio | Sabine Meyer, Rudolf Buchbinder, Heinrich Schiff | — | |
| 6-10 | Clarinet Trio in A Minor, Op. 114: III. Andantino grazioso | Sabine Meyer, Rudolf Buchbinder, Heinrich Schiff | — | |
| 6-11 | Clarinet Trio in A Minor, Op. 114: IV. Allegro | Sabine Meyer, Rudolf Buchbinder, Heinrich Schiff | — | |
| 7-1 | Piano Trio no. 1 in B major, op. 8: I. Allegro con brio | — | ||
| 7-2 | Piano Trio no. 1 in B major, op. 8: II. Scherzo. Allegro molto | — | ||
| 7-3 | Piano Trio no. 1 in B major, op. 8: III. Adagio | — | ||
| 7-4 | Piano Trio no. 1 in B major, op. 8: IV. Allegro | — | ||
| 7-5 | Concerto for Violin & Cello in A minor, op. 102: I. Allegro | — | ||
| 7-6 | Concerto for Violin & Cello in A minor, op. 102: II. Andante | — | ||
| 7-7 | Concerto for Violin & Cello in A minor, op. 102: III. Vivace ma non troppo | — | ||
| 8-1 | Cello Concerto in B minor Op. 104 - Allegro | Heinrich Schiff, Wiener Philharmoniker, André Previn | T-070.160.313-5 | |
| 8-2 | Cello Concerto in B minor Op. 104 - Adagio ma non troppo | Heinrich Schiff, Wiener Philharmoniker, André Previn | — | |
| 8-3 | Cello Concerto in B minor Op. 104 - Finale | Heinrich Schiff, Wiener Philharmoniker, André Previn | — | |
| 8-4 | Silent Woods Op. 68 No. 5 for cello and piano | André Previn, Heinrich Schiff | — | |
| 8-5 | Rondo in G minor, op. 94, B. 171 | — | ||
| 8-6 | Polonaise in A major, B. 94 | — | ||
| 8-7 | Carnival, op. 92, B. 169 | — | ||
| 9-1 | Symphony no. 4 in E‐flat major, WAB 104 “Romantic”: I. Bewegt, nicht zu schnell | — | ||
| 9-2 | Symphony no. 4 in E‐flat major, WAB 104 “Romantic”: II. Andante quasi allegretto | — | ||
| 9-3 | Symphony no. 4 in E‐flat major, WAB 104 “Romantic”: III. Scherzo. Bewegt | — | ||
| 9-4 | Symphony no. 4 in E‐flat major, WAB 104 “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 9-5 | Kol nidrei, op. 47 | — | ||
| 10-1 | Symphony no. 1 in D major “Titan”: I. Langsam, schleppend | — | ||
| 10-2 | Symphony no. 1 in D major “Titan”: II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 10-3 | Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 10-4 | Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt | — | ||
| 10-5 | Totenfeier | — | ||
| 11-1 | Cello Concerto no. 2 in B minor, op. 50: I. Allegro | — | ||
| 11-2 | Cello Concerto no. 2 in B minor, op. 50: II. Adagio | — | ||
| 11-3 | Cello Concerto no. 2 in B minor, op. 50: III. Allegretto con moto | — | ||
| 11-4 | Cantabile (arr. Heinrich Schiff for Cello and Piano) | Heinrich Schiff, Samuel Sanders | T-909.880.720-6 | |
| 11-5 | Introduction and Variations on "Dal tuo stellato" from Rossini's opera "Mosè" (arr. Maurice Gendron for Cello and Piano) | Heinrich Schiff, Samuel Sanders | — | |
| 11-6 | Valse sentimentale, Op.51, No.6 (arr. Leonard Rose for Cello and Piano) | Heinrich Schiff, Samuel Sanders | — | |
| 11-7 | Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: I. Adagio - Allegro non troppo | — | ||
| 11-8 | Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: II. Allegro con gracia | — | ||
| 11-9 | Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: III. Allegro molto vivace | — | ||
| 11-10 | Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: IV. Finale. Adagio lamentoso | — | ||
| 12-1 | Romeo & Juliet Suite no. 2, op. 64ter: I. Montagues & Capulets | — | ||
| 12-2 | Romeo & Juliet Suite no. 2, op. 64ter: II. The Young Juliet | — | ||
| 12-3 | Romeo & Juliet Suite no. 1, op. 64bis: II. Scene | — | ||
| 12-4 | Romeo & Juliet Suite no. 1, op. 64bis: V. Masks | — | ||
| 12-5 | Romeo & Juliet Suite no. 1, op. 64bis: VI. Romeo & Juliet | — | ||
| 12-6 | Romeo & Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt | — | ||
| 12-7 | Romeo & Juliet Suite no. 2, op. 64ter: VII. Romeo at the Grave of Juliet | — | ||
| 12-8 | March for Children (arr. Gregor Piatigorsky for Cello and Piano) | Heinrich Schiff, Samuel Sanders | — | |
| 12-9 | Waltz in A Major, op. 48 no. 2 | — | ||
| 12-10 | 3 Duos for Violin & Cello, op. 63: I. Allegro deciso | — | ||
| 12-11 | 3 Duos for Violin & Cello, op. 63: II. Adagio | — | ||
| 12-12 | 3 Duos for Violin & Cello, op. 63: III. Allegro moderato | — | ||
| 12-13 | Cello Sonata in D minor, op. 40: I. Allegro non troppo | — | ||
| 12-14 | Cello Sonata in D minor, op. 40: II. Allegro | — | ||
| 12-15 | Cello Sonata in D minor, op. 40: III. Largo | — | ||
| 12-16 | Cello Sonata in D minor, op. 40: IV. Allegro | — | ||
| 13-1 | Cello Concerto no. 1 in E‐flat major, op. 107: I. Allegretto | — | ||
| 13-2 | Cello Concerto no. 1 in E‐flat major, op. 107: II. Moderato | — | ||
| 13-3 | Cello Concerto no. 1 in E‐flat major, op. 107: III. Cadenza | — | ||
| 13-4 | Cello Concerto no. 1 in E‐flat major, op. 107: IV. Allegro con moto | — | ||
| 13-5 | Cello Concerto no. 2 in G major, op. 126: I. Largo | Heinrich Schiff, Symphonie-Orchester des Bayerischen Rundfunks, Maxim Shostakovich | T-005.005.728-7 | |
| 13-6 | Cello Concerto no. 2 in G major, op. 126: II. Allegretto | Heinrich Schiff, Symphonie-Orchester des Bayerischen Rundfunks, Maxim Shostakovich | — | |
| 13-7 | Cello Concerto no. 2 in G major, op. 126: III. Allegretto | Heinrich Schiff, Symphonie-Orchester des Bayerischen Rundfunks, Maxim Shostakovich | — | |
| 14-1 | Concerto grosso no. 1: I. Preludio. Andante (Live) | — | ||
| 14-2 | Concerto grosso no. 1: II. Toccata. Allegro (Live) | — | ||
| 14-3 | Concerto grosso no. 1: III. Recitativo. Lento (Live) | — | ||
| 14-4 | Concerto grosso no. 1: IV. Cadenza (Live) | — | ||
| 14-5 | Concerto grosso no. 1: V. Rondo. Agitato (Live) | — | ||
| 14-6 | Concerto grosso no. 1: VI. Postludio. Andante - Allegro - Andante (Live) | — | ||
| 14-7 | Cello Sonata no. 1 | — | ||
| 14-8 | String Trio: I. Moderato | — | ||
| 14-9 | String Trio: II. Adagio | — | ||
| 15-1 | Cello Concerto (1986 Munich Recording) | — | ||
| 15-2 | Cello Concerto (2004 Freiburg Recording) | — | ||
| 15-3 | Muzyka żałobna | — | ||
| 16-1 | Music for Orchestra (1912) | — | ||
| 16-2 | Cello Concerto en forme de pas de trois: I. Introduzione | — | ||
| 16-3 | Cello Concerto en forme de pas de trois: II. Allegro | — | ||
| 16-4 | Cello Concerto en forme de pas de trois: III. Adagio | — | ||
| 16-5 | Cello Concerto en forme de pas de trois: IV. Tempo di marcia | — | ||
| 16-6 | Cello Concerto en forme de pas de trois: V. Blues e Coda | — | ||
| 16-7 | Cello Concerto: I. Ouverture | — | ||
| 16-8 | Cello Concerto: II. Idylle | — | ||
| 16-9 | Cello Concerto: III. Cadenza | — | ||
| 16-10 | Cello Concerto: IV. Menuett | — | ||
| 16-11 | Cello Concerto: V. Finale alla marcia | — | ||
| 17-1 | Oberon, J. 306: Overture | — | ||
| 17-2 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 17-3 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 17-5 | 6 Deutsche Tanzweisen, op. 65 | — | ||
| 17-6 | Cello Sonata in D minor, L. 135: I. Prologue | — | ||
| 17-7 | Cello Sonata in D minor, L. 135: II. Serenade - Finale | — | ||
| 17-8 | Vocalise, op. 34 no. 14 (Arr. for Cello & Piano) | — | ||
| 17-9 | Le Carnaval des animaux: XIII. Le Cygne | Heinrich Schiff, Samuel Sanders | — | |
| 17-10 | Scherzo tarentelle, op. 16 | Samuel Sanders, Heinrich Schiff | — |
Cello Suite no. 1 in G major, BWV 1007: I. Prelude
—
Cello Suite no. 1 in G major, BWV 1007: II. Allemande
—
Cello Suite no. 1 in G major, BWV 1007: III. Courante
—
Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande
—
Cello Suite no. 1 in G major, BWV 1007: V. Menuets I & II
—
Cello Suite no. 1 in G major, BWV 1007: VI. Gigue
—
Cello Suite no. 4 in E‐flat major, BWV 1010: I. Prelude
—
Cello Suite no. 4 in E‐flat major, BWV 1010: II. Allemande
—
Cello Suite no. 4 in E‐flat major, BWV 1010: III. Courante
—
Cello Suite no. 4 in E‐flat major, BWV 1010: IV. Sarabande
—
Cello Suite no. 4 in E‐flat major, BWV 1010: V. Bourrées I & II
—
Cello Suite no. 4 in E‐flat major, BWV 1010: VI. Gigue
—
Cello Suite no. 5 in C minor, BWV 1011: I. Prelude
—
Cello Suite no. 5 in C minor, BWV 1011: II. Allemande
—
Cello Suite no. 5 in C minor, BWV 1011: III. Courante
—
Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande
—
Cello Suite no. 5 in C minor, BWV 1011: V. Gavottes I & II
—
Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue
—
Cello Sonata in A minor, op. 5 no. 6, H. 108: I. Adagio - II. Allegro assai - III. Grave
—
Cello Sonata in A minor, op. 5 no. 6, H. 108: IV. Allegro
—
Heinrich Schiff, Academy of St Martin in the Fields, Iona Brown
Concerto for Cello in B minor, RV 424: II. Largo
Heinrich Schiff, Academy of St Martin in the Fields, Iona Brown
—
Concerto for Cello in B minor, RV 424: III. Allegro
Heinrich Schiff, Academy of St Martin in the Fields, Iona Brown
—
12 Variations in F major on Mozart’s Ein Mädchen oder Weibchen, op. 66
—
Beethoven: 26 Welsh Songs, WoO 155: No. 25 The Parting Kiss
Dietrich Fischer-Dieskau, Yehudi Menuhin, Heinrich Schiff, Hartmut Höll
—
Beethoven: 26 Welsh Songs, WoO 155: No. 26, Good Night
Dietrich Fischer-Dieskau, Yehudi Menuhin, Heinrich Schiff, Hartmut Höll
—
Beethoven: 25 Irish Songs, WoO 152: No. 1, The Return to Ulster
Dietrich Fischer-Dieskau, Yehudi Menuhin, Heinrich Schiff, Hartmut Höll
—
Beethoven: 25 Irish Songs, WoO 152: No. 3, Once More I Hail Thee
Dietrich Fischer-Dieskau, Yehudi Menuhin, Heinrich Schiff, Hartmut Höll
—
Beethoven: 25 Irish Songs, WoO 152: No. 4 The Morning Air Plays on My Face
Dietrich Fischer-Dieskau, Yehudi Menuhin, Heinrich Schiff, Hartmut Höll
—
Cello Sonata no. 3 in A major, op. 69: I. Allegro non tanto
—
Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto
—
Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace
—
Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio
—
Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con moto sentimento d’affetto
—
Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato
—
Der Saitenriss (The String Breaks)
—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
—
Symphony no. 5 in C minor, op. 67: II. Andante con moto
—
Symphony no. 5 in C minor, op. 67: III. Allegro
—
Symphony no. 5 in C minor, op. 67: IV. Allegro
—
Violin Concerto in D major, op. 61: I. Allegro ma non troppo
—
Violin Concerto in D major, op. 61: II. Larghetto
—
Violin Concerto in D major, op. 61: III. Rondo. Allegro
—
Symphony no. 36 in C major, K. 425 “Linz”: I. Adagio - Allegro spiritoso
—
Symphony no. 36 in C major, K. 425 “Linz”: II. Poco adagio
—
Symphony no. 36 in C major, K. 425 “Linz”: III. Menuetto
—
Symphony no. 36 in C major, K. 425 “Linz”: IV. Presto
—
Symphony no. 40 in G minor, K. 550: I. Molto allegro
—
Symphony no. 40 in G minor, K. 550: II. Andante
—
Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto
—
Symphony no. 40 in G minor, K. 550: IV. Allegro assai
—
Rondo in C major, K. 373
—
Cello Concerto in A minor, op. 129: I. Nicht zu schnell
—
Cello Concerto in A minor, op. 129: II. Langsam
—
Cello Concerto in A minor, op. 129: III. Sehr lebhaft
—
Adagio & Allegro, op. 70: Adagio
—
Adagio & Allegro, op. 70: Allegro
—
Fantasiestücke, op. 73: No. 1, Zart und mit Ausdruck
—
Fantasiestücke, op. 73: No. 2, Lebhaft, leicht
—
Fantasiestücke, op. 73: No. 3, Rasch und mit Feuer
—
Symphony no. 2 in C major, op. 61: I. Sostenuto assai
—
Symphony no. 2 in C major, op. 61: II. Scherzo
—
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
—
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
—
Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo
—
Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto
—
Cello Sonata no. 1 in E minor, op. 38: III. Allegro
—
Cello Sonata no. 2 in F major, op. 99: I. Allegro vivace
—
Cello Sonata no. 2 in F major, op. 99: II. Adagio affettuoso
—
Cello Sonata no. 2 in F major, op. 99: III. Allegro passionato
—
Cello Sonata no. 2 in F major, op. 99: IV. Allegro molto
—
Clarinet Trio in A Minor, Op. 114: I. Allegro
Sabine Meyer, Rudolf Buchbinder, Heinrich Schiff
—
Clarinet Trio in A Minor, Op. 114: II. Adagio
Sabine Meyer, Rudolf Buchbinder, Heinrich Schiff
—
Clarinet Trio in A Minor, Op. 114: III. Andantino grazioso
Sabine Meyer, Rudolf Buchbinder, Heinrich Schiff
—
Clarinet Trio in A Minor, Op. 114: IV. Allegro
Sabine Meyer, Rudolf Buchbinder, Heinrich Schiff
—
Piano Trio no. 1 in B major, op. 8: I. Allegro con brio
—
Piano Trio no. 1 in B major, op. 8: II. Scherzo. Allegro molto
—
Piano Trio no. 1 in B major, op. 8: III. Adagio
—
Piano Trio no. 1 in B major, op. 8: IV. Allegro
—
Concerto for Violin & Cello in A minor, op. 102: I. Allegro
—
Concerto for Violin & Cello in A minor, op. 102: II. Andante
—
Concerto for Violin & Cello in A minor, op. 102: III. Vivace ma non troppo
—
Heinrich Schiff, Wiener Philharmoniker, André Previn
Cello Concerto in B minor Op. 104 - Adagio ma non troppo
Heinrich Schiff, Wiener Philharmoniker, André Previn
—
Cello Concerto in B minor Op. 104 - Finale
Heinrich Schiff, Wiener Philharmoniker, André Previn
—
Silent Woods Op. 68 No. 5 for cello and piano
André Previn, Heinrich Schiff
—
Rondo in G minor, op. 94, B. 171
—
Polonaise in A major, B. 94
—
Carnival, op. 92, B. 169
—
Symphony no. 4 in E‐flat major, WAB 104 “Romantic”: I. Bewegt, nicht zu schnell
—
Symphony no. 4 in E‐flat major, WAB 104 “Romantic”: II. Andante quasi allegretto
—
Symphony no. 4 in E‐flat major, WAB 104 “Romantic”: III. Scherzo. Bewegt
—
Symphony no. 4 in E‐flat major, WAB 104 “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell
—
Kol nidrei, op. 47
—
Symphony no. 1 in D major “Titan”: I. Langsam, schleppend
—
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt, doch nicht zu schnell
—
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen
—
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt
—
Totenfeier
—
Cello Concerto no. 2 in B minor, op. 50: I. Allegro
—
Cello Concerto no. 2 in B minor, op. 50: II. Adagio
—
Cello Concerto no. 2 in B minor, op. 50: III. Allegretto con moto
—
Introduction and Variations on "Dal tuo stellato" from Rossini's opera "Mosè" (arr. Maurice Gendron for Cello and Piano)
Heinrich Schiff, Samuel Sanders
—
Valse sentimentale, Op.51, No.6 (arr. Leonard Rose for Cello and Piano)
Heinrich Schiff, Samuel Sanders
—
Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: I. Adagio - Allegro non troppo
—
Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: II. Allegro con gracia
—
Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: III. Allegro molto vivace
—
Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: IV. Finale. Adagio lamentoso
—
Romeo & Juliet Suite no. 2, op. 64ter: I. Montagues & Capulets
—
Romeo & Juliet Suite no. 2, op. 64ter: II. The Young Juliet
—
Romeo & Juliet Suite no. 1, op. 64bis: II. Scene
—
Romeo & Juliet Suite no. 1, op. 64bis: V. Masks
—
Romeo & Juliet Suite no. 1, op. 64bis: VI. Romeo & Juliet
—
Romeo & Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt
—
Romeo & Juliet Suite no. 2, op. 64ter: VII. Romeo at the Grave of Juliet
—
March for Children (arr. Gregor Piatigorsky for Cello and Piano)
Heinrich Schiff, Samuel Sanders
—
Waltz in A Major, op. 48 no. 2
—
3 Duos for Violin & Cello, op. 63: I. Allegro deciso
—
3 Duos for Violin & Cello, op. 63: II. Adagio
—
3 Duos for Violin & Cello, op. 63: III. Allegro moderato
—
Cello Sonata in D minor, op. 40: I. Allegro non troppo
—
Cello Sonata in D minor, op. 40: II. Allegro
—
Cello Sonata in D minor, op. 40: III. Largo
—
Cello Sonata in D minor, op. 40: IV. Allegro
—
Cello Concerto no. 1 in E‐flat major, op. 107: I. Allegretto
—
Cello Concerto no. 1 in E‐flat major, op. 107: II. Moderato
—
Cello Concerto no. 1 in E‐flat major, op. 107: III. Cadenza
—
Cello Concerto no. 1 in E‐flat major, op. 107: IV. Allegro con moto
—
Heinrich Schiff, Symphonie-Orchester des Bayerischen Rundfunks, Maxim Shostakovich
Cello Concerto no. 2 in G major, op. 126: II. Allegretto
Heinrich Schiff, Symphonie-Orchester des Bayerischen Rundfunks, Maxim Shostakovich
—
Cello Concerto no. 2 in G major, op. 126: III. Allegretto
Heinrich Schiff, Symphonie-Orchester des Bayerischen Rundfunks, Maxim Shostakovich
—
Concerto grosso no. 1: I. Preludio. Andante (Live)
—
Concerto grosso no. 1: II. Toccata. Allegro (Live)
—
Concerto grosso no. 1: III. Recitativo. Lento (Live)
—
Concerto grosso no. 1: IV. Cadenza (Live)
—
Concerto grosso no. 1: V. Rondo. Agitato (Live)
—
Concerto grosso no. 1: VI. Postludio. Andante - Allegro - Andante (Live)
—
Cello Sonata no. 1
—
String Trio: I. Moderato
—
String Trio: II. Adagio
—
Cello Concerto (1986 Munich Recording)
—
Cello Concerto (2004 Freiburg Recording)
—
Muzyka żałobna
—
Music for Orchestra (1912)
—
Cello Concerto en forme de pas de trois: I. Introduzione
—
Cello Concerto en forme de pas de trois: II. Allegro
—
Cello Concerto en forme de pas de trois: III. Adagio
—
Cello Concerto en forme de pas de trois: IV. Tempo di marcia
—
Cello Concerto en forme de pas de trois: V. Blues e Coda
—
Cello Concerto: I. Ouverture
—
Cello Concerto: II. Idylle
—
Cello Concerto: III. Cadenza
—
Cello Concerto: IV. Menuett
—
Cello Concerto: V. Finale alla marcia
—
Oberon, J. 306: Overture
—
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
—
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
—
6 Deutsche Tanzweisen, op. 65
—
Cello Sonata in D minor, L. 135: I. Prologue
—
Cello Sonata in D minor, L. 135: II. Serenade - Finale
—
Vocalise, op. 34 no. 14 (Arr. for Cello & Piano)
—
Le Carnaval des animaux: XIII. Le Cygne
Heinrich Schiff, Samuel Sanders
—
Scherzo tarentelle, op. 16
Samuel Sanders, Heinrich Schiff
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000063041943000000006311145400000000736728100000000078391938000000008125595300000000818181460000000082183883000000008393043000000000840654690000000104422532
+40 more
00000001056828970000000106612663000000010670342600000001072948120000000108313894000000010867510700000001088546580000000109374832000000010943541200000001100073940000000110057674000000011017739300000001103269770000000110791414000000011092874000000001109288630000000114381113000000011440731X00000001144390470000000114542079000000011455018300000001146378520000000114683947000000011471980700000001151207830000000115575892000000011571335100000001178159090000000118272918000000011940082X0000000119456479000000011955045700000001201899960000000120191498000000012026043000000001202794300000000120955419000000012097801200000001211442470000000121174593
Credits Graph
People also ask
SourcesMLCMusicBrainzNotesDiscogs4 sources
Verified on
What is UPC 4260063216022?
4260063216022 is a Universal Product Code (UPC) assigned to Hommage à Heinrich Schiff by Heinrich Schiff. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 164 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm