UPC · Release
Human Impressions
Thomas Siffling, The Public Sound Office
Last verified:
4260082360133 is the Universal Product Code (UPC barcode) for the release “Human Impressions” by Thomas Siffling, The Public Sound Office, released 2005-01-01 on Phazz-a-delic. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cut No. 1 | — | ||
| 2 | Desert Impressions | — | ||
| 3 | The Way Out | — | ||
| 4 | Nightvisions | — | ||
| 5 | Japan Cut | — | ||
| 6 | 100 % | — | ||
| 7 | Breeze | — | ||
| 8 | Summerfeel | — | ||
| 9 | Choral Cut 1 | — | ||
| 10 | Ariv | — | ||
| 11 | South Side | — | ||
| 12 | Cut No. 2 | — | ||
| 13 | Sunny Highway | — | ||
| 14 | Time Tunnel | — | ||
| 15 | Industrial Landscape | — | ||
| 16 | How to Beat the Devil | — | ||
| 17 | Dark Inspiration | — | ||
| 18 | Choral Cut 2 | — | ||
| 19 | Jazzy | — | ||
| 20 | L'amour et la mer | — |
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Creative Contributors (ISNI)
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What is UPC 4260082360133?
4260082360133 is a Universal Product Code (UPC) assigned to Human Impressions by Thomas Siffling, The Public Sound Office. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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