UPC · Release
John Adams, Berliner Philharmoniker, Adams, Dudamel, Gilbert, Petrenko, Rattle
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The UPC for “The John Adams Edition” by John Adams, Berliner Philharmoniker, Adams, Dudamel, Gilbert, Petrenko, Rattle is 4260306181445. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-11-10. This release contains 51 tracks, each with its own ISRC. Tracks include DESR71714101, DESR71714102, DESR71714103.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Harmonielehre: Part I. | Berliner Philharmoniker, John Adams | — | |
| 2 | Harmonielehre: Part II. The Anfortas Wound | Berliner Philharmoniker, John Adams | — | |
| 3 | Harmonielehre: Part III. Meister Eckhardt and Quackie | Berliner Philharmoniker, John Adams | — | |
| 4 | Short Ride in a Fast Machine | Berliner Philharmoniker, Alan Gilbert | — | |
| 5 | City Noir: 1. The City and Its Double – | Timothy McAllister, Berliner Philharmoniker, Gustavo Dudamel | — | |
| 6 | City Noir: 2. The Song Is for You | Timothy McAllister, Berliner Philharmoniker, Gustavo Dudamel | — | |
| 7 | City Noir: 3. Boulevard Night | Timothy McAllister, Berliner Philharmoniker, Gustavo Dudamel | — | |
| 2-1 | Lollapalooza | Berliner Philharmoniker, Alan Gilbert | — | |
| 2-2 | Scheherazade.2: 1. Tale of the Wise Young Woman – Pursuit by the True Believers | Leila Josefowicz, Berliner Philharmoniker, John Adams | — | |
| 2-3 | Scheherazade.2: 2. A Long Desire (Love Scene) | Leila Josefowicz, Berliner Philharmoniker, John Adams | — | |
| 2-4 | Scheherazade.2: 3. Scheherazade and the Men with Beards | Leila Josefowicz, Berliner Philharmoniker, John Adams | — | |
| 2-5 | Scheherazade.2: 4. Escape, Flight, Sanctuary | Leila Josefowicz, Berliner Philharmoniker, John Adams | — | |
| 2-6 | The Wound-Dresser | Georg Nigl, Berliner Philharmoniker, Kirill Petrenko | — | |
| 3-1 | The Gospel According to the Other Mary, Act One, Scene 1: “The Next Day in the City Jail” (Mary, Chorus) | Kelley O'Connor, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-2 | The Gospel According to the Other Mary, Act One, Scene 1: “Now a Certain Woman Named Martha” (Countertenors, Martha) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Berliner Philharmoniker, Simon Rattle | — | |
| 3-3 | The Gospel According to the Other Mary, Act One, Scene 2: “And She Had a Sister Named Mary” (Countertenors, Martha) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Berliner Philharmoniker, Simon Rattle | — | |
| 3-4 | The Gospel According to the Other Mary, Act One, Scene 2: “I Am Surprised That I Am Beginning to Pray Daily” (Mary) | Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-5 | The Gospel According to the Other Mary, Act One, Scene 2: Chorus “En un día de amor yo bajé hasta la tierra" (Women’s Chorus) | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-6 | The Gospel According to the Other Mary, Act One, Scene 3: “Now a Certain Man Was Sick” (Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-7 | The Gospel According to the Other Mary, Act One, Scene 3: Lazarus Dies While His Sisters Await Jesus | Berliner Philharmoniker, Simon Rattle | — | |
| 3-8 | The Gospel According to the Other Mary, Act One, Scene 3: “Why Standest Thou Afar off, O Lord?” (Martha, Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Berliner Philharmoniker, Simon Rattle | — | |
| 3-9 | The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-10 | The Gospel According to the Other Mary, Act One, Scene 3: “Don’t Touch My Left Arm” (Mary) | Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-11 | The Gospel According to the Other Mary, Act One, Scene 3: “When Mary Was Come Where Jesus Was” (Countertenors, Mary) | Daniel Bubeck, Brian Cummings, Nathan Medley, Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-12 | The Gospel According to the Other Mary, Act One, Scene 3: “Jesus Said, Take Ye Away the Stone” (Countertenors, Martha, Chorus) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-13 | The Gospel According to the Other Mary, Act One, Scene 3: “And When He Thus Had Spoken” (Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-14 | The Gospel According to the Other Mary, Act One, Scene 3: Chorus “Drop Down, Ye Heavens, from Above” | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-15 | The Gospel According to the Other Mary, Act One, Scene 4: “Then Jesus Six Days Before the Passover” (Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-16 | The Gospel According to the Other Mary, Act One, Scene 4: “For the Grave Cannot Praise Thee” (Lazarus) | Peter Hoare, Berliner Philharmoniker, Simon Rattle | — | |
| 3-17 | The Gospel According to the Other Mary, Act One, Scene 4: “Then Took Mary a Pound of Ointment” (Countertenors, Mary, Chorus) | Daniel Bubeck, Brian Cummings, Nathan Medley, Kelley O'Connor, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-18 | The Gospel According to the Other Mary, Act One, Scene 5: “And There Were Some That Had Indignation Within Themselves” (Lazarus, Countertenors) | Daniel Bubeck, Brian Cummings, Peter Hoare, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-19 | The Gospel According to the Other Mary, Act One, Scene 5: “We Know There Will Be No Utopias” (Lazarus) | Peter Hoare, Berliner Philharmoniker, Simon Rattle | — | |
| 3-20 | The Gospel According to the Other Mary, Act One, Scene 5: “Tell Me, How Is This Night Different” (Lazarus) | Peter Hoare, Berliner Philharmoniker, Simon Rattle | — | |
| 3-21 | The Gospel According to the Other Mary, Act Two, Scene 1: Chorus “Who Rips His Own Flesh Down the Seams” | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-22 | The Gospel According to the Other Mary, Act Two, Scene 1: “Martha and Mary, Not Knowing What Was Happening” (Countertenors, Chorus, Lazarus, Women’s Chorus) | Daniel Bubeck, Brian Cummings, Peter Hoare, Nathan Medley, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-23 | The Gospel According to the Other Mary, Act Two, Scene 2: Introduction | Berliner Philharmoniker, Simon Rattle | — | |
| 3-24 | The Gospel According to the Other Mary, Act Two, Scene 2: “Up at Two a.m., Picketed All Day” (Martha) | Tamara Mumford, Berliner Philharmoniker, Simon Rattle | — | |
| 3-25 | The Gospel According to the Other Mary, Act Two, Scene 2: “The Said Defendants” (Men’s Chorus, Martha) | Tamara Mumford, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-26 | The Gospel According to the Other Mary, Act Two, Scene 2: Chorus “Jesus, incomparable perdonador de injurias” (Women’s Chorus) | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-27 | The Gospel According to the Other Mary, Act Two, Scene 3: “And They Were Come unto a Place Called Golgotha” (Countertenors, Mary) | Daniel Bubeck, Brian Cummings, Nathan Medley, Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-28 | The Gospel According to the Other Mary, Act Two, Scene 3: “Daughters of Jerusalem, Weep Not for Me” (Women’s Chorus) | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-29 | The Gospel According to the Other Mary, Act Two, Scene 3: “Now There Stood by the Cross of Jesus” (Martha, Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Berliner Philharmoniker, Simon Rattle | — | |
| 3-30 | The Gospel According to the Other Mary, Act Two, Scene 3: “When Jesus Saw His Mother” (Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-31 | The Gospel According to the Other Mary, Act Two, Scene 4: “When the Rain Began to Fall” (Mary) | Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-32 | The Gospel According to the Other Mary, Act Two, Scene 4: “On Earth When He Heard the First Rain” (Mary) | Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-33 | The Gospel According to the Other Mary, Act Two, Scene 4: “His Son Cried Out to Him” (Lazarus) | Peter Hoare, Berliner Philharmoniker, Simon Rattle | — | |
| 3-34 | The Gospel According to the Other Mary, Act Two, Scene 5: “Now in the Place Where He Was Crucified There Was a Garden” (Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-35 | The Gospel According to the Other Mary, Act Two, Scene 5: Mary Awakens on the Third Morning | Berliner Philharmoniker, Simon Rattle | — | |
| 3-36 | The Gospel According to the Other Mary, Act Two, Scene 5: Chorus “It Is Spring” (Chorus, Mary) | Kelley O'Connor, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-37 | The Gospel According to the Other Mary, Act Two, Scene 6: “And, Behold, There Was a Great Earthquake” (Soloists, Chorus) | Daniel Bubeck, Brian Cummings, Peter Hoare, Nathan Medley, Tamara Mumford, Kelley O'Connor, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-38 | The Gospel According to the Other Mary, Act Two, Scene 6: “Why Seek Ye the Living Among the Dead?” (Women’s Chorus, Martha, Countertenors, Mary, Men’s Chorus, Lazarus) | Daniel Bubeck, Brian Cummings, Peter Hoare, Nathan Medley, Tamara Mumford, Kelley O'Connor, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — |
Songwriters/Publishers (IPI)
Identifier Graph
4260306181445 is a Universal Product Code (UPC) assigned to The John Adams Edition by John Adams, Berliner Philharmoniker, Adams, Dudamel, Gilbert, Petrenko, Rattle. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 51 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The John Adams Edition” by John Adams, Berliner Philharmoniker, Adams, Dudamel, Gilbert, Petrenko, Rattle is 4260306181445. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-11-10. This release contains 51 tracks, each with its own ISRC. Tracks include DESR71714101, DESR71714102, DESR71714103.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Harmonielehre: Part I. | Berliner Philharmoniker, John Adams | — | |
| 2 | Harmonielehre: Part II. The Anfortas Wound | Berliner Philharmoniker, John Adams | — | |
| 3 | Harmonielehre: Part III. Meister Eckhardt and Quackie | Berliner Philharmoniker, John Adams | — | |
| 4 | Short Ride in a Fast Machine | Berliner Philharmoniker, Alan Gilbert | — | |
| 5 | City Noir: 1. The City and Its Double – | Timothy McAllister, Berliner Philharmoniker, Gustavo Dudamel | — | |
| 6 | City Noir: 2. The Song Is for You | Timothy McAllister, Berliner Philharmoniker, Gustavo Dudamel | — | |
| 7 | City Noir: 3. Boulevard Night | Timothy McAllister, Berliner Philharmoniker, Gustavo Dudamel | — | |
| 2-1 | Lollapalooza | Berliner Philharmoniker, Alan Gilbert | — | |
| 2-2 | Scheherazade.2: 1. Tale of the Wise Young Woman – Pursuit by the True Believers | Leila Josefowicz, Berliner Philharmoniker, John Adams | — | |
| 2-3 | Scheherazade.2: 2. A Long Desire (Love Scene) | Leila Josefowicz, Berliner Philharmoniker, John Adams | — | |
| 2-4 | Scheherazade.2: 3. Scheherazade and the Men with Beards | Leila Josefowicz, Berliner Philharmoniker, John Adams | — | |
| 2-5 | Scheherazade.2: 4. Escape, Flight, Sanctuary | Leila Josefowicz, Berliner Philharmoniker, John Adams | — | |
| 2-6 | The Wound-Dresser | Georg Nigl, Berliner Philharmoniker, Kirill Petrenko | — | |
| 3-1 | The Gospel According to the Other Mary, Act One, Scene 1: “The Next Day in the City Jail” (Mary, Chorus) | Kelley O'Connor, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-2 | The Gospel According to the Other Mary, Act One, Scene 1: “Now a Certain Woman Named Martha” (Countertenors, Martha) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Berliner Philharmoniker, Simon Rattle | — | |
| 3-3 | The Gospel According to the Other Mary, Act One, Scene 2: “And She Had a Sister Named Mary” (Countertenors, Martha) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Berliner Philharmoniker, Simon Rattle | — | |
| 3-4 | The Gospel According to the Other Mary, Act One, Scene 2: “I Am Surprised That I Am Beginning to Pray Daily” (Mary) | Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-5 | The Gospel According to the Other Mary, Act One, Scene 2: Chorus “En un día de amor yo bajé hasta la tierra" (Women’s Chorus) | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-6 | The Gospel According to the Other Mary, Act One, Scene 3: “Now a Certain Man Was Sick” (Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-7 | The Gospel According to the Other Mary, Act One, Scene 3: Lazarus Dies While His Sisters Await Jesus | Berliner Philharmoniker, Simon Rattle | — | |
| 3-8 | The Gospel According to the Other Mary, Act One, Scene 3: “Why Standest Thou Afar off, O Lord?” (Martha, Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Berliner Philharmoniker, Simon Rattle | — | |
| 3-9 | The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-10 | The Gospel According to the Other Mary, Act One, Scene 3: “Don’t Touch My Left Arm” (Mary) | Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-11 | The Gospel According to the Other Mary, Act One, Scene 3: “When Mary Was Come Where Jesus Was” (Countertenors, Mary) | Daniel Bubeck, Brian Cummings, Nathan Medley, Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-12 | The Gospel According to the Other Mary, Act One, Scene 3: “Jesus Said, Take Ye Away the Stone” (Countertenors, Martha, Chorus) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-13 | The Gospel According to the Other Mary, Act One, Scene 3: “And When He Thus Had Spoken” (Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-14 | The Gospel According to the Other Mary, Act One, Scene 3: Chorus “Drop Down, Ye Heavens, from Above” | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-15 | The Gospel According to the Other Mary, Act One, Scene 4: “Then Jesus Six Days Before the Passover” (Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-16 | The Gospel According to the Other Mary, Act One, Scene 4: “For the Grave Cannot Praise Thee” (Lazarus) | Peter Hoare, Berliner Philharmoniker, Simon Rattle | — | |
| 3-17 | The Gospel According to the Other Mary, Act One, Scene 4: “Then Took Mary a Pound of Ointment” (Countertenors, Mary, Chorus) | Daniel Bubeck, Brian Cummings, Nathan Medley, Kelley O'Connor, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-18 | The Gospel According to the Other Mary, Act One, Scene 5: “And There Were Some That Had Indignation Within Themselves” (Lazarus, Countertenors) | Daniel Bubeck, Brian Cummings, Peter Hoare, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-19 | The Gospel According to the Other Mary, Act One, Scene 5: “We Know There Will Be No Utopias” (Lazarus) | Peter Hoare, Berliner Philharmoniker, Simon Rattle | — | |
| 3-20 | The Gospel According to the Other Mary, Act One, Scene 5: “Tell Me, How Is This Night Different” (Lazarus) | Peter Hoare, Berliner Philharmoniker, Simon Rattle | — | |
| 3-21 | The Gospel According to the Other Mary, Act Two, Scene 1: Chorus “Who Rips His Own Flesh Down the Seams” | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-22 | The Gospel According to the Other Mary, Act Two, Scene 1: “Martha and Mary, Not Knowing What Was Happening” (Countertenors, Chorus, Lazarus, Women’s Chorus) | Daniel Bubeck, Brian Cummings, Peter Hoare, Nathan Medley, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-23 | The Gospel According to the Other Mary, Act Two, Scene 2: Introduction | Berliner Philharmoniker, Simon Rattle | — | |
| 3-24 | The Gospel According to the Other Mary, Act Two, Scene 2: “Up at Two a.m., Picketed All Day” (Martha) | Tamara Mumford, Berliner Philharmoniker, Simon Rattle | — | |
| 3-25 | The Gospel According to the Other Mary, Act Two, Scene 2: “The Said Defendants” (Men’s Chorus, Martha) | Tamara Mumford, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-26 | The Gospel According to the Other Mary, Act Two, Scene 2: Chorus “Jesus, incomparable perdonador de injurias” (Women’s Chorus) | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-27 | The Gospel According to the Other Mary, Act Two, Scene 3: “And They Were Come unto a Place Called Golgotha” (Countertenors, Mary) | Daniel Bubeck, Brian Cummings, Nathan Medley, Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-28 | The Gospel According to the Other Mary, Act Two, Scene 3: “Daughters of Jerusalem, Weep Not for Me” (Women’s Chorus) | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-29 | The Gospel According to the Other Mary, Act Two, Scene 3: “Now There Stood by the Cross of Jesus” (Martha, Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Berliner Philharmoniker, Simon Rattle | — | |
| 3-30 | The Gospel According to the Other Mary, Act Two, Scene 3: “When Jesus Saw His Mother” (Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-31 | The Gospel According to the Other Mary, Act Two, Scene 4: “When the Rain Began to Fall” (Mary) | Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-32 | The Gospel According to the Other Mary, Act Two, Scene 4: “On Earth When He Heard the First Rain” (Mary) | Kelley O'Connor, Berliner Philharmoniker, Simon Rattle | — | |
| 3-33 | The Gospel According to the Other Mary, Act Two, Scene 4: “His Son Cried Out to Him” (Lazarus) | Peter Hoare, Berliner Philharmoniker, Simon Rattle | — | |
| 3-34 | The Gospel According to the Other Mary, Act Two, Scene 5: “Now in the Place Where He Was Crucified There Was a Garden” (Countertenors) | Daniel Bubeck, Brian Cummings, Nathan Medley, Berliner Philharmoniker, Simon Rattle | — | |
| 3-35 | The Gospel According to the Other Mary, Act Two, Scene 5: Mary Awakens on the Third Morning | Berliner Philharmoniker, Simon Rattle | — | |
| 3-36 | The Gospel According to the Other Mary, Act Two, Scene 5: Chorus “It Is Spring” (Chorus, Mary) | Kelley O'Connor, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-37 | The Gospel According to the Other Mary, Act Two, Scene 6: “And, Behold, There Was a Great Earthquake” (Soloists, Chorus) | Daniel Bubeck, Brian Cummings, Peter Hoare, Nathan Medley, Tamara Mumford, Kelley O'Connor, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — | |
| 3-38 | The Gospel According to the Other Mary, Act Two, Scene 6: “Why Seek Ye the Living Among the Dead?” (Women’s Chorus, Martha, Countertenors, Mary, Men’s Chorus, Lazarus) | Daniel Bubeck, Brian Cummings, Peter Hoare, Nathan Medley, Tamara Mumford, Kelley O'Connor, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | — |
