UPC · Release
The Radio Recordings 1939-1945
Berliner Philharmoniker, Wilhelm Furtwängler
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4260306181810 is the Universal Product Code (UPC barcode) for the release “The Radio Recordings 1939-1945” by Berliner Philharmoniker, Wilhelm Furtwängler, released 2019-01-01 on Berliner Philharmoniker Recordings. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 136 tracks, each with its own ISRC. Tracks include DEU240401267, DEU240401268, DEF054202081.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (136)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonic Concerto: I. Schwer | — | ||
| 2 | Symphonic Concerto: II. Adagio solenne | — | ||
| 3 | Symphonic Concerto: III. Allegro - Allegretto moderato | — | ||
| 2-1 | Concerto grosso, op. 6 no. 5: 1. (Maestoso) - Allegro | — | ||
| 2-2 | Concerto grosso, op. 6 no. 5: 2. Presto | — | ||
| 2-3 | Concerto grosso, op. 6 no. 5: 3. Largo | — | ||
| 2-4 | Concerto grosso, op. 6 no. 5: 4. Menuett | — | ||
| 2-5 | Concerto grosso, op. 6 no. 5: 5. Allegro | — | ||
| 2-6 | Symphony no. 5, op. 67: 1. Allegro con brio | — | ||
| 2-7 | Symphony no. 5, op. 67: 2. Andante con moto | — | ||
| 2-8 | Symphony no. 5, op. 67: 3. Allegro - | — | ||
| 2-9 | Symphony no. 5, op. 67: 4. Allegro - Presto | — | ||
| 2-10 | Verführung, op. 33 no. 1 | — | ||
| 2-11 | Lieder mit Orchester: I. Waldseligkeit, Op. 49,1 | Peter Anders, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 2-12 | Lieder mit Orchester: II. Liebeshymnus, Op. 32,3 | Peter Anders, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 2-13 | Winterliebe, op. 48 no. 5 | — | ||
| 2-14 | Don Juan, op. 20 | — | ||
| 3-1 | Die Meistersinger von Nürnberg: Prelude | — | ||
| 3-2 | Piano Concerto, op. 54: 1. Allegro affetuoso | — | ||
| 3-3 | Piano Concerto, op. 54: 2. Intermezzo. Andantino grazioso - | — | ||
| 3-4 | Piano Concerto, op. 54: 3. Allegro vivace | — | ||
| 3-5 | Symphony no. 7, op. 92: 1. Poco sostenuto - Vivace | — | ||
| 3-6 | Symphony no. 7, op. 92: 2. Allegretto | — | ||
| 3-7 | Symphony no. 7, op. 92: 3. Presto - Trio I und II. Assai meno presto | — | ||
| 3-8 | Symphony no. 7, op. 92: 4. Allegro con brio | — | ||
| 4-1 | Symphony no. 9: 1. Allegro ma non troppo, un poco maestoso | — | ||
| 4-2 | Symphony no. 9: 2. Molto vivace | — | ||
| 4-3 | Symphony no. 9: 3. Adagio molto e cantabile | — | ||
| 4-4 | Symphony no. 9: 4. Presto | — | ||
| 5-1 | Alceste | — | ||
| 5-2 | Cello Concerto: 1. Nicht zu schnell - | — | ||
| 5-3 | Cello Concerto: 2. Langsam - Etwas lebhafter - Schneller | — | ||
| 5-4 | Cello Concerto: 3. Sehr lebhaft - Schneller | — | ||
| 6-1 | Symphony no. 5 in B-flat (1878 version): I. Adagio - Allegro | Berlin Philharmonic Orchestra, Wilhelm Furtwängler | — | |
| 6-2 | Symphony no. 5 in B-flat (1878 version): II. Adagio | Berlin Philharmonic Orchestra, Wilhelm Furtwängler | — | |
| 6-3 | Symphony no. 5 in B-flat (1878 version): III. Scherzo; Molto vivace | Berlin Philharmonic Orchestra, Wilhelm Furtwängler | — | |
| 6-4 | Symphony no. 5 in B-flat (1878 version): IV. Finale; Adagio - Allegro moderato | Berlin Philharmonic Orchestra, Wilhelm Furtwängler | — | |
| 7-1 | Piano Concerto no. 2: 1. Allegro non troppo | — | ||
| 7-2 | Piano Concerto no. 2: 2. Allegro appassionato | — | ||
| 7-3 | Piano Concerto no. 2: 3. Andante | — | ||
| 7-4 | Piano Concerto no. 2: 4. Allegretto grazioso | — | ||
| 7-5 | Tristan und Isolde: Prelude to Act 1 and Liebestod | — | ||
| 8-1 | Hymnic Concerto: 1. Introitus | — | ||
| 8-2 | Hymnic Concerto: 2. Toccata (mit Inventionen) | — | ||
| 8-3 | Hymnic Concerto: 3. Passacaglia (Sanctus) | — | ||
| 8-4 | Hymnic Concerto: 4. Finale (Te deum) | — | ||
| 9-1 | Symphony no. 8 "Die Große": 1. Andante - Allegro ma non troppo | — | ||
| 9-2 | Symphony no. 8 "Die Große": 2. Andante con moto | — | ||
| 9-3 | Symphony no. 8 "Die Große": 3. Scherzo. Allegro vivace - Trio | — | ||
| 9-4 | Symphony no. 8 "Die Große": 4. Finale. Allegro vivace | — | ||
| 9-5 | Symphony no. 39: 1. Adagio - Allegro | — | ||
| 9-6 | Symphony no. 39: 2. Andante con moto | — | ||
| 9-7 | Symphony no. 39: 3. Menuetto. Allegretto - Trio | — | ||
| 9-8 | Symphony no. 39: 4. Finale. Allegro | — | ||
| 10-1 | En Saga, op. 9 | — | ||
| 10-2 | Violin Concerto, op. 47: 1. Allegro moderato | — | ||
| 10-3 | Violin Concerto, op. 47: 2. Adagio di molto | — | ||
| 10-4 | Violin Concerto, op. 47: 3. Allegro ma non tanto | — | ||
| 11-1 | Symphonie no. 4: 1. Adagio - Allegro vivace (without audience) | — | ||
| 11-2 | Symphonie no. 4: 2. Adagio (without audience) | — | ||
| 11-3 | Symphonie no. 4: 3. Allegro vivace (without audience) | — | ||
| 11-4 | Symphonie no. 4: 4. Allegro ma non troppo (without audience) | — | ||
| 11-5 | Symphonie no. 4: 1. Adagio - Allegro vivace (with audience) | — | ||
| 11-6 | Symphonie no. 4: 2. Adagio (with audience) | — | ||
| 11-7 | Symphonie no. 4: 3. Allegro vivace (with audience) | — | ||
| 11-8 | Symphonie no. 4: 4. Allegro ma non troppo (with audience) | — | ||
| 12-1 | Coriolan: Overture | — | ||
| 12-2 | Symphony no. 5: 1. Allegro con brio | — | ||
| 12-3 | Symphony no. 5: 2. Andante con moto | — | ||
| 12-4 | Symphony no. 5: 3. Allegro - | — | ||
| 12-5 | Symphony no. 5: 4. Allegro - Presto | — | ||
| 13-1 | Symphony no. 2: 1. Molto sostenuto | — | ||
| 13-2 | Symphony no. 2: 2. Tranquillo | — | ||
| 13-3 | Symphony no. 2: 3. Allegro spirituoso | — | ||
| 13-4 | Symphony no. 2: 4. Maestoso | — | ||
| 13-5 | Piano Concerto no. 4: 1. Allegro moderato | — | ||
| 13-6 | Piano Concerto no. 4: 2. Andante con moto | — | ||
| 13-7 | Piano Concerto no. 4: 3. Rondo. Vivace - Presto | — | ||
| 14-1 | Symphony no. 6: 2. Adagio. Sehr feierlich | — | ||
| 14-2 | Symphony no. 6: 3. Scherzo. Nicht schnell - Trio. Langsam | — | ||
| 14-3 | Symphony no. 6: 4. Finale. Bewegt, doch nicht zu schnell | — | ||
| 14-4 | Cello Concerto: 2. Langsam - Etwas lebhafter - Schneller (Fragment) | — | ||
| 14-5 | Cello Concerto: 3. Sehr lebhaft - Schneller | — | ||
| 14-6 | Till Eulenspiegels lustige Streiche | — | ||
| 15-1 | Variations on a Theme by Haydn: Thema. Chorale St. Antoni. Andante | — | ||
| 15-2 | Variations on a Theme by Haydn: Variation I. Poco più animato | — | ||
| 15-3 | Variations on a Theme by Haydn: Variation II. Più vivace | — | ||
| 15-4 | Variations on a Theme by Haydn: Variation III. Con moto | — | ||
| 15-5 | Variations on a Theme by Haydn: Variation IV. Andante con moto | — | ||
| 15-6 | Variations on a Theme by Haydn: Variation V. Vivace | — | ||
| 15-7 | Variations on a Theme by Haydn: Variation VI. Vivace | — | ||
| 15-8 | Variations on a Theme by Haydn: Variation VII. Grazioso | — | ||
| 15-9 | Variations on a Theme by Haydn: Variation VIII. Presto non troppo | — | ||
| 15-10 | Variations on a Theme by Haydn: Finale. Andante | — | ||
| 15-11 | Piano Concerto no. 2: 1. Allegro non troppo | — | ||
| 15-12 | Piano Concerto no. 2: 2. Allegro appassionato | — | ||
| 15-13 | Piano Concerto no. 2: 3. Andante | — | ||
| 15-14 | Piano Concerto no. 2: 4. Allegretto grazioso | — | ||
| 16-1 | Symphony no. 4: 1. Allegro non troppo | — | ||
| 16-2 | Symphony no. 4: 2. Andante moderato | — | ||
| 16-3 | Symphony no. 4: 3. Allegro giocoso - Poco meno presto - Tempo I | — | ||
| 16-4 | Symphony no. 4: 4. Allegro energico e passionato - Più allegro | — | ||
| 17-1 | Violin Concerto, op. 61: 1. Allegro ma non troppo | — | ||
| 17-2 | Violin Concerto, op. 61: 2. Larghetto | — | ||
| 17-3 | Violin Concerto, op. 61: 3. Rondo (Allegro) | — | ||
| 18-1 | Symphonia domestica: Allegro | — | ||
| 18-2 | Symphonia domestica: Scherzo | — | ||
| 18-3 | Symphonia domestica: Adagio | — | ||
| 18-4 | Symphonia domestica: Finale | — | ||
| 19-1 | Concerto grosso, op. 6 no. 10: 1. Overture | — | ||
| 19-2 | Concerto grosso, op. 6 no. 10: 2. Allegro | — | ||
| 19-3 | Concerto grosso, op. 6 no. 10: 3. Air (lento) | — | ||
| 19-4 | Concerto grosso, op. 6 no. 10: 5. Allegro | — | ||
| 19-5 | Concerto grosso, op. 6 no. 10: 6. Allegro moderato | — | ||
| 19-6 | Symphony no. 39: 1. Adagio - Allegro | — | ||
| 19-7 | Symphony no. 39: 2. Andante con moto | — | ||
| 19-8 | Symphony no. 39: 3. Menuetto | — | ||
| 19-9 | Symphony no. 39: 4. Allegro | — | ||
| 20-1 | Der Freischütz: Overture | — | ||
| 20-2 | Daphnis et Chloé, Suite no. 1: 2. Interlude | — | ||
| 20-3 | Daphnis et Chloé, Suite no. 1: 3. Danse guerrère | — | ||
| 20-4 | Daphnis et Chloé, Suite no. 2: 1. Lever du jour | — | ||
| 20-5 | Daphnis et Chloé, Suite no. 2: 2. Pantomime | — | ||
| 20-6 | Daphnis et Chloé, Suite no. 2: 3. Danse générale | — | ||
| 20-7 | Symphony no. 6: 1. Allegro ma non troppo | — | ||
| 20-8 | Symphony no. 6: 2. Andante molto mosso | — | ||
| 20-9 | Symphony no. 6: 3. Allegro | — | ||
| 20-10 | Symphony no. 6: 4. Allegro | — | ||
| 20-11 | Symphony no. 6: 5. Allegretto | — | ||
| 21-1 | Symphonie No 9 en Re mineur: I. Feierlich. Misterioso | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 21-2 | Symphonie No 9 en Re mineur: II. Scherzo. Bewegt, lebhaft | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 21-3 | Symphonie No 9 en Re mineur: III. Adagio. Langsam, feierlich | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 22-1 | Symphony no. 7(8), D 759 "Unvollendete": 1. Allegro moderato | — | ||
| 22-2 | Symphony no. 7(8), D 759 "Unvollendete": 2. Andante con moto | — | ||
| 22-3 | Symphony no. 1: 4. Adagio - Più Andante - Allegro non troppo, ma con brio | — | ||
| 22-4 | Interview with Friedrich Schnapp | — |
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What is UPC 4260306181810?
4260306181810 is a Universal Product Code (UPC) assigned to The Radio Recordings 1939-1945 by Berliner Philharmoniker, Wilhelm Furtwängler. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 136 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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