UPC · Release
Ohrwürmer: Oma's Hitkiste
Various Artists
Last verified:
4260494430530 is the Universal Product Code (UPC barcode) for the release “Ohrwürmer: Oma's Hitkiste” by Various Artists, released 2017-03-08. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include DEF066207610, DEA340400323, DEAD62030802.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Junge, komm bald wieder | Freddy Quinn | T-918.609.324-3 | |
| 2 | Ein Schiff wird kommen | Lale Andersen | — | |
| 3 | Weiße Rosen aus Athen | — | ||
| 4 | Bambina (wie wär's, wie wär's mit uns zwei) | Peter Alexander | T-800.000.880-1 | |
| 5 | Zwei kleine Italiener | Conny Froboess | T-800.157.698-4 | |
| 6 | Arrivederci Roma | Lys Assia | T-802.139.514-3 | |
| 7 | Ramona | The Blue Diamonds | — | |
| 8 | Speedy Gonzales | Rex Gildo | T-070.137.271-5 | |
| 9 | Sugar Baby | Peter Kraus | — | |
| 10 | Siebenmal in der Woche | — | ||
| 11 | Souvenirs | — | ||
| 12 | Wo meine Sonne scheint | — | ||
| 13 | Fräulein | Chris Howland | — | |
| 14 | Die Liebe Ist Ein Seltsames Spiel | Connie Francis | T-802.138.350-7 | |
| 15 | Banjo Boy | Jan & Kjeld | T-801.103.053-9 | |
| 16 | Tom Dooley | — | ||
| 17 | Smoky | — | ||
| 18 | Sail Along Silv'ry Moon | — | ||
| 2-1 | Banana Boat Song (Day‐O) | Harry Belafonte | T-070.889.426-1 | |
| 2-2 | Patricia | — | ||
| 2-3 | Eins und Eins, das macht Zwei | Hildegard Knef | T-801.096.492-9 | |
| 2-4 | Que Sera Sera | — | ||
| 2-5 | Milord | Édith Piaf | T-003.012.297-4 | |
| 2-6 | Ganz Paris träumt von der Liebe | Caterina Valente | T-801.757.521-3 | |
| 2-7 | Pigalle | — | ||
| 2-8 | Kalkutta liegt am Ganges | — | ||
| 2-9 | Wir wollen niemals auseinandergehn | Heidi Brühl | T-800.795.780-5 | |
| 2-10 | La Paloma | Freddy Quinn | — | |
| 2-11 | Moonlight | — | ||
| 2-12 | Morgen | — | ||
| 2-13 | Hula Baby | Peter Kraus | T-800.408.758-6 | |
| 2-14 | Itsy Bitsy Teenie Weenie Honolulu‐Strand‐Bikini | Caterina Valente, Silvio Francesco, Club Honolulu | T-801.980.548-3 | |
| 2-15 | Pack die Badehose ein | Die kleine Cornelia | T-800.430.319-0 | |
| 2-16 | River Kwai March | — | ||
| 2-17 | Am 30. Mai ist Weltuntergang | — | ||
| 2-18 | Köhlerliesel | — |
Additional database matches (18)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ein Schiff wird kommen | Lale Andersen | — |
| Speedy Gonzales | Rex Gildo | — |
| Sugar Baby | Peter Kraus | T-010.013.173-4 |
| Sugar Baby | Peter Kraus | — |
| Ein Schiff wird kommen | Lale Andersen | — |
| La Paloma | Freddy Quinn | T-106.691.084-5 |
| Speedy Gonzales | Rex Gildo | — |
| Sugar Baby | Peter Kraus | — |
| Ein Schiff wird kommen | Lale Andersen | — |
| Fräulein | Chris Howland | — |
| Sugar Baby | Peter Kraus | — |
| Ramona | The Blue Diamonds | T-070.126.031-2 |
| Sugar Baby | Peter Kraus | — |
| Ein Schiff wird kommen | Lale Andersen | — |
| Speedy Gonzales | Rex Gildo | — |
| Banana Boat Song (Day-o) | Harry Belafonte | T-070.889.426-1 |
| Sugar Baby | Peter Kraus | T-010.013.173-4 |
| Sugar Baby | Peter Kraus | T-010.013.173-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 4260494430530?
4260494430530 is a Universal Product Code (UPC) assigned to Ohrwürmer: Oma's Hitkiste by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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