UPC · Release
Dosancore
Various Artists
Last verified:
4511820607691 is the Universal Product Code (UPC barcode) for the release “Dosancore” by Various Artists, released 2025-04-04. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include JP92Q2501960, JP92Q2501961, JP92Q2501962.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (13)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | SOULn | 駄菓子O型, 初音ミク | — | |
| 2 | GOOD CORN | 歌川シキ, 初音ミク | — | |
| 3 | 幼夏 | 乃楠依生, 初音ミク | — | |
| 4 | じゅそてんか | サツキ, 初音ミク | — | |
| 5 | シメ☆パーフェクトナイト | 音無あふ, 初音ミク | — | |
| 6 | ナツハジメ・カミノイタズラ・ソウマトウ | また切ない世界を生きる, 初音ミク | — | |
| 7 | ennui. | 夜桐蒼, 初音ミク | — | |
| 8 | ひと月の寂 | 吉田夜世, 初音ミク | — | |
| 9 | ひゅーりすちっく！ | nogi, 初音ミク | — | |
| 10 | 楽しくって、キャパオーバー！ | 大漠波新, 初音ミク | — | |
| 11 | 夕焼けソーダ水 | ごめんなさいが言えなくて, 初音ミク | — | |
| 12 | いき ほし そら | 長谷川迷子, 初音ミク | — | |
| 13 | 夏を望んでいた | 安藤なれど, 初音ミク | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 4511820607691?
4511820607691 is a Universal Product Code (UPC) assigned to Dosancore by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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