UPC · Release
松岡きっこのラブ・ラブ25時
松岡きっこ
Last verified:
4526180014010 is the Universal Product Code (UPC barcode) for the release “松岡きっこのラブ・ラブ25時” by 松岡きっこ, released 2008-01-01 on Solid Records (6). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include JPTE07000810, JPTE07000820, JPTE07000830.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (14)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 男と女のお話 | 松岡きっこ | — | |
| 2 | X+Y=LOVE | 松岡きっこ | — | |
| 3 | 愛のいたずら | 松岡きっこ | — | |
| 4 | 一度だけなら | 松岡きっこ | — | |
| 5 | くれないホテル | 松岡きっこ | T-101.207.216-9 | |
| 6 | それはキッスで始まった | 松岡きっこ | — | |
| 7 | 夢は夜ひらく | 松岡きっこ | — | |
| 8 | 経験 | 松岡きっこ | — | |
| 9 | 夜明けのスキャット | 松岡きっこ | — | |
| 10 | 何があなたをそうさせた | 松岡きっこ | T-101.440.977-7 | |
| 11 | 嘘でもいいから | 松岡きっこ | — | |
| 12 | 愛のフィナーレ | 松岡きっこ | — | |
| 13 | だけど愛してる | 松岡きっこ | — | |
| 14 | さすらい | 松岡きっこ | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 4526180014010?
4526180014010 is a Universal Product Code (UPC) assigned to 松岡きっこのラブ・ラブ25時 by 松岡きっこ. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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