UPC · Release
GAN [Original Recording Remastered]
有頂天
Last verified:
4526180165071 is the Universal Product Code (UPC barcode) for the release “GAN [Original Recording Remastered]” by 有頂天, released 2014-01-01 on Solid Records (6). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (14)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 君はG∧Nなのだ | — | ||
| 2 | B.C. | — | ||
| 3 | 壺 | — | ||
| 4 | トーテムポール | — | ||
| 5 | キーマニア | — | ||
| 6 | G∩N | — | ||
| 7 | 大失敗’85 | — | ||
| 8 | Sの終わり | — | ||
| 9 | 大失敗’85 (MOST FAILURE MIX) | — | ||
| 10 | B.C. (『第4回全日本フォークジャンボリー』1989年5月7日 東京・汐留) (初音盤化) (BONUS TRACKS) | — | ||
| 11 | 千の病を持つ男 (『第4回全日本フォークジャンボリー』1989年5月7日 東京・汐留) (初音盤化) (BONUS TRACKS) | — | ||
| 12 | キーマニア (『第4回全日本フォークジャンボリー』1989年5月7日 東京・汐留) (初音盤化) (BONUS TRACKS) | — | ||
| 13 | 君はG∧Nなのだ (『第4回全日本フォークジャンボリー』1989年5月7日 東京・汐留) (BONUS TRACKS) | — | ||
| 14 | ドウブツたちの空 (『第4回全日本フォークジャンボリー』1989年5月7日 東京・汐留) (初音盤化) (BONUS TRACKS) | — |
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What is UPC 4526180165071?
4526180165071 is a Universal Product Code (UPC) assigned to GAN [Original Recording Remastered] by 有頂天. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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