UPC · Release
RETURN TO ZERO - Fate/Zero Original Image Soundtrack
ZIZZ STUDIO
Last verified:
4529790050171 is the Universal Product Code (UPC barcode) for the release “RETURN TO ZERO - Fate/Zero Original Image Soundtrack” by ZIZZ STUDIO, released 2007-01-01 on Digiturbo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (15)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction | — | ||
| 2 | Starlit Faith | — | ||
| 3 | Summon | — | ||
| 4 | The "KARIYA'S" Theme | — | ||
| 5 | The Battlefield | — | ||
| 6 | The Gilgamesh | — | ||
| 7 | Caster's Battle | — | ||
| 8 | Kings Sessions | — | ||
| 9 | The Lancer | — | ||
| 10 | 約束された勝利の剣 ZIZZ ver. | — | ||
| 11 | The Dogfight | — | ||
| 12 | この世全ての悪 ZIZZ ver. | — | ||
| 13 | A Dreams | — | ||
| 14 | The Berserker | — | ||
| 15 | Beginning Oath | — |
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What is UPC 4529790050171?
4529790050171 is a Universal Product Code (UPC) assigned to RETURN TO ZERO - Fate/Zero Original Image Soundtrack by ZIZZ STUDIO. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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