UPC · Release
Baths
Last verified:
The UPC for “Pop Music / False B‐Sides II” by Baths is 4538182879061. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-05-28. This release contains 12 tracks, each with its own ISRC. Tracks include QM5VX1900014, QM5VX1900015, QM5VX1900016.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Immerse | Baths | T-931.419.791-6 |
| 2 | Tropic Laurel | Baths | T-931.419.794-9 |
| 3 | Mikaela Corridor | Baths | T-931.419.796-1 |
| 4 | Agora | Baths | T-931.419.800-0 |
| 5 | Sex | Baths | T-931.419.803-3 |
| 6 | Stomach Tile | Baths | T-931.419.804-4 |
| 7 | Fortuna | Baths | T-931.419.806-6 |
| 8 | Wistful (Fata Morgana) | Baths | T-931.419.808-8 |
| 9 | Veranda Shove | Baths | T-931.419.811-3 |
| 10 | Lung Tile | Baths | T-931.419.814-6 |
| 11 | Be That | Baths | T-931.419.816-8 |
| 12 | The Stones | Baths | T-931.419.818-0 |
Identifier Graph
4538182879061 is a Universal Product Code (UPC) assigned to Pop Music / False B‐Sides II by Baths. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “Pop Music / False B‐Sides II” by Baths is 4538182879061. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-05-28. This release contains 12 tracks, each with its own ISRC. Tracks include QM5VX1900014, QM5VX1900015, QM5VX1900016.
