UPC · Album
涼宮ハルヒの激動 ボーカルミニアルバム
平野綾, 茅原実里, 後藤邑子
Last verified:
4540774508303 is the Universal Product Code (UPC barcode) for the release “涼宮ハルヒの激動 ボーカルミニアルバム” by 平野綾, 茅原実里, 後藤邑子, released 2009-01-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 8 tracks, each with its own ISRC. Tracks include JPI100802552, JPI100802553, JPI100802554.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (8)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| 空前未満は見せないで | 涼宮ハルヒ, 平野綾 | JPI100802552 |
| Greed’s accident | 長門有希, 茅原実里 | JPI100802553 |
| みらくるアンコール | 朝比奈みくる, 後藤邑子 | JPI100802554 |
| BE BE BEAT!! | 平野綾, 茅原実里, 後藤邑子 | JPI100802555 |
| 空前未満は見せないで (off vocal) | 涼宮ハルヒ, 平野綾 | JPI100802556 |
| Greed’s accident (off vocal) | 長門有希, 茅原実里 | JPI100802557 |
| みらくるアンコール (off vocal) | 朝比奈みくる, 後藤邑子 | JPI100802558 |
| BE BE BEAT!! (off vocal) | 平野綾, 茅原実里, 後藤邑子 | JPI100802559 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 4540774508303?
4540774508303 is a Universal Product Code (UPC) assigned to 涼宮ハルヒの激動 ボーカルミニアルバム by 平野綾, 茅原実里, 後藤邑子. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 8 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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