Mahler: Symphony no. 8 In E‐flat Major / Fauré: Requiem

UPC · Release

Mahler: Symphony no. 8 In E‐flat Major / Fauré: Requiem

Gustav Mahler, Gabriel Fauré, 山田一雄, 東京都交響楽団

4547366041378
39 tracksReleased 2008-01-01Sony Records Int'l

Last verified:

4547366041378 is the Universal Product Code (UPC barcode) for the release Mahler: Symphony no. 8 In E‐flat Major / Fauré: Requiem by Gustav Mahler, Gabriel Fauré, 山田一雄, 東京都交響楽団, released 2008-01-01 on Sony Records Int'l. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 39 tracks, each with its own ISRC.

Format

454GS1 prefix
7366Company prefix
04137Product
8Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCMahler: Symphony no. 8 In E‐flat Major / Fauré: Requiem
ISWC3 works

Track List (39)

Requiem: I. Introitus & Kyrie
Requiem: I. Introitus & Kyrie
Requiem: II. Offertorium
Requiem: II. Offertorium
Requiem: III. Sanctus
Requiem: III. Sanctus
Requiem: IV. Pie Jesu
Requiem: IV. Pie Jesu
Requiem: V. Agnus Dei
Requiem: V. Agnus Dei
Requiem: VI. Libera Me
Requiem: VI. Libera Me
Requiem: VII. In Paradisum
Requiem: VII. In Paradisum
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Veni, creator spiritus”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Veni, creator spiritus”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Imple superna gratia”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Imple superna gratia”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Infirma nostri corporis”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Infirma nostri corporis”
Symphony no. 8 in E‐flat major, "Symphony of a Thousand": Part I. Tempo I (Allegro, etwas hastig)
Symphony no. 8 in E‐flat major, "Symphony of a Thousand": Part I. Tempo I (Allegro, etwas hastig)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Infirma nostri corporis”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Infirma nostri corporis”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Accende lumen sensibus”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Accende lumen sensibus”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Qui Paraclitus diceris”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Qui Paraclitus diceris”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Gloria Patri Domino”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part I. “Gloria Patri Domino”
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. Poco adagio
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. Poco adagio
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. Più mosso (Allegro moderato)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. Più mosso (Allegro moderato)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Waldung, sie schwankt heran” (Heilige Anachorenten)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Waldung, sie schwankt heran” (Heilige Anachorenten)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Ewiger Wonnebrand” (Pater ecstaticus)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Ewiger Wonnebrand” (Pater ecstaticus)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Wie Felsenabgrund mir zu Füßen” (Pater profundus)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Wie Felsenabgrund mir zu Füßen” (Pater profundus)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Gerettet Gerettet ist das edle Glied (Chor der Engel) / "Hände verschlinget euch” (Chor seliger Knaben)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Gerettet Gerettet ist das edle Glied (Chor der Engel) / "Hände verschlinget euch” (Chor seliger Knaben)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Jene Rosen, aus den Händen” (Chor der jüngeren Engel)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Jene Rosen, aus den Händen” (Chor der jüngeren Engel)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Uns bleibt ein Erdenrest” (Die vollendeteren Engel)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Uns bleibt ein Erdenrest” (Die vollendeteren Engel)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Ich spür' soeben” (Die jüngeren Engel)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Ich spür' soeben” (Die jüngeren Engel)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Hier ist die Aussicht frei” (Doctor Marianus) / "Freudig empfangen wir” (Chor seliger Knaben)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Hier ist die Aussicht frei” (Doctor Marianus) / "Freudig empfangen wir” (Chor seliger Knaben)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Höchste Herrscherin der Welt” (Doctor Marianus)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Höchste Herrscherin der Welt” (Doctor Marianus)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Jungfrau, rein im schönsten Sinne” (Doctor Marianus, Chor)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Jungfrau, rein im schönsten Sinne” (Doctor Marianus, Chor)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. Äusserst langsam. Adagissimo
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. Äusserst langsam. Adagissimo
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Dir, der Unberührbaren” (Chor) / “Du schwebst zu Höhen” (Chor der Büßerinnen)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Dir, der Unberührbaren” (Chor) / “Du schwebst zu Höhen” (Chor der Büßerinnen)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Bei der Liebe, die den Füßen” (Magna Peccatrix)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Bei der Liebe, die den Füßen” (Magna Peccatrix)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Bei dem Bronn, zu dem schon Weiland” (Mulier Samaritana)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Bei dem Bronn, zu dem schon Weiland” (Mulier Samaritana)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Bei dem hochgeweihten Orte” (Maria Aegyptiaca)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Bei dem hochgeweihten Orte” (Maria Aegyptiaca)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Die du großen Sünderinnen” (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Die du großen Sünderinnen” (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Neige, neige, du Ohnegleiche” (Una poenitentium)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Neige, neige, du Ohnegleiche” (Una poenitentium)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Er überwächst uns schon” (Selige Knaben)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Er überwächst uns schon” (Selige Knaben)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Vom edlen Geisterchor umgeben” (Una poenitentium)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Vom edlen Geisterchor umgeben” (Una poenitentium)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Komm! Komm! Hebe dich zu höhern Sphären!” (Mater gloriosa, Chor)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Komm! Komm! Hebe dich zu höhern Sphären!” (Mater gloriosa, Chor)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Blicket auf zum Retterblick” (Doctor Marianus, Chor)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Blicket auf zum Retterblick” (Doctor Marianus, Chor)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Alles Vergängliche” (Chorus mysticus)
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: Part II. “Alles Vergängliche” (Chorus mysticus)

What other identifiers does this connect to?

Musical Works (ISWC)

Credits Graph

People also ask

What is UPC 4547366041378?
UPC 4547366041378 is the Universal Product Code (barcode) for "Mahler: Symphony no. 8 In E‐flat Major / Fauré: Requiem" by Gustav Mahler, Gabriel Fauré, 山田一雄, 東京都交響楽団, released on Sony Records Int'l.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 4547366041378?
UPC 4547366041378 contains 39 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 4547366041378?

4547366041378 is a Universal Product Code (UPC) assigned to Mahler: Symphony no. 8 In E‐flat Major / Fauré: Requiem by Gustav Mahler, Gabriel Fauré, 山田一雄, 東京都交響楽団. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 39 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm