UPC · Release
EXISTENCE
デーモン閣下
Last verified:
4547366292497 is the Universal Product Code (UPC barcode) for the release “EXISTENCE” by デーモン閣下, released 2017-01-01 on Ariola. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include JPU901700411, JPU901700412, JPB601270432.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (12)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 深山幻想記 序曲 | デーモン閣下 | — | |
| 2 | ゴールはみえた | デーモン閣下 | — | |
| 3 | Forest Of Rocks | デーモン閣下 | — | |
| 4 | Just Being -ここにいる そこにいる- | デーモン閣下 | — | |
| 5 | Shibuya Scrambled Crossing | デーモン閣下 | — | |
| 6 | 地球へ道づれ! | デーモン閣下 | T-921.457.833-3 | |
| 7 | てふのやうにまひ | デーモン閣下 | — | |
| 8 | 方舟の名はNoir | デーモン閣下 | — | |
| 9 | 深山幻想記 -能Rock- | デーモン閣下 | — | |
| 10 | Post Truth -青空が殺気立つ- | デーモン閣下 | — | |
| 11 | Stolen Face | デーモン閣下 | T-921.457.831-1 | |
| 12 | Heavy Metal Strikes Back -血まみれの救世主たち- | デーモン閣下 | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Identifier Graph
People also ask
Verified on
What is UPC 4547366292497?
4547366292497 is a Universal Product Code (UPC) assigned to EXISTENCE by デーモン閣下. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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