UPC · Release
Seiji Ozawa
Last verified:
The UPC for “The Complete RCA and Columbia Album Collections” by Seiji Ozawa is 4547366626285. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. Label: Sony Classical. This release contains 528 tracks, each with its own ISRC. Tracks include USSM16500624, USSM16500625, USSM16500626.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in D minor For Oboe, Strings And Continuo: I. Adagio | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 2 | Concerto in D minor For Oboe, Strings And Continuo: II. Allegro | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 3 | Concerto in D minor For Oboe, Strings And Continuo: III. Adagio | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 4 | Concerto in D minor For Oboe, Strings And Continuo: IV. Allegro | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 5 | Concerto in F major For Oboe, Strings And Continuo, P. 306: I. Allegro Giusto | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 6 | Concerto in F major For Oboe, Strings And Continuo, P. 306: II. Grave | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 7 | Concerto in F major For Oboe, Strings And Continuo, P. 306: III. Allegro | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 8 | Sonata in C minor For Oboe And Continuo: I. Affettuoso | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 9 | Sonata in C minor For Oboe And Continuo: II. Andante | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 10 | Sonata in C minor For Oboe And Continuo: III. Largo | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 11 | Sonata in C minor For Oboe And Continuo: IV. Allegro | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 12 | Sonata in C minor For Oboe And Continuo: V. Grave | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 13 | Sonata in C minor For Oboe And Continuo: VI. Allegro Cantabile | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 14 | Sonata in G minor For Oboe And Continuo, no. 6: I. Larghetto | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 15 | Sonata in G minor For Oboe And Continuo, no. 6: II. Allegro | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 16 | Sonata in G minor For Oboe And Continuo, no. 6: II. Adagio | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 17 | Sonata in G minor For Oboe And Continuo, no. 6: IV. Allegro | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 2-1 | Piano Concerto no. 1, Sz. 83: I. Allegro moderato - Allegro | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-2 | Piano Concerto no. 1, Sz. 83: II. Andante - attacca | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-3 | Piano Concerto no. 1, Sz. 83: III. Allegro molto | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-4 | Piano Concerto no. 3, Sz. 119: I. Allegretto | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-5 | Piano Concerto no. 3, Sz. 119: II. Adagio religioso | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-6 | Piano Concerto no. 3, Sz. 119: III. Allegro vivace | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 3-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 3-2 | Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 3-3 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 3-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 3-5 | Violin Concerto in E minor, op. 64: II. Andante - attacca | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 3-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 4-1 | Piano Concerto in A minor, op. 54: 1. Allegro affettuoso | Leonard Pennario, London Symphony Orchestra, Seiji Ozawa | T-909.264.262-1 | |
| 4-2 | Piano Concerto in A minor, op. 54: 2. Intermezzo. Andante grazioso | Leonard Pennario, London Symphony Orchestra, Seiji Ozawa | T-909.264.262-1 | |
| 4-3 | Piano Concerto in A minor, op. 54: 3. Allegro vivace | Leonard Pennario, London Symphony Orchestra, Seiji Ozawa | — | |
| 4-4 | Burleske in D minor TrV 145 | Leonard Pennario, London Symphony Orchestra, Seiji Ozawa | T-801.162.741-2 | |
| 5-1 | Joan of Arc at the Stake, Prologue | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-2 | Joan of Arc at the Stake, Scene 1: The Voices From Heaven | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-3 | Joan of Arc at the Stake, Scene 2: The Book | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-4 | Joan of Arc at the Stake, Scene 3: The Voices Of The Earth | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-5 | Joan of Arc at the Stake, Scene 4: Joan Given To The Beasts | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-6 | Joan of Arc at the Stake, Scene 5: Joan at the Stake | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-7 | Joan of Arc at the Stake, Scene 6: The King Of The Invention Of The Game Of Cards | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-8 | Joan of Arc at the Stake, Scene 7: Catherine And Margaret | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-9 | Joan of Arc at the Stake, Scene 8: The King Sets Out For Rheims | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-10 | Joan of Arc at the Stake, Scene 9: The Sword Of Joan | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-11 | Joan of Arc at the Stake, Scene 10: Trimazo | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-12 | Joan of Arc at the Stake, Scene 11: The Burning Of Joan Of Arc | London Symphony Orchestra, Seiji Ozawa | — | |
| 6-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | John Browning, London Symphony Orchestra, Seiji Ozawa | — | |
| 6-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | John Browning, London Symphony Orchestra, Seiji Ozawa | — | |
| 6-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | John Browning, London Symphony Orchestra, Seiji Ozawa | — | |
| 7-1 | Symphonie fantastique, op. 14: I. Rêveries – Passions: Largo – Allegro agitato e appassionato assai | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 7-2 | Symphonie fantastique, op. 14: II. Un bal: Allegro non troppo | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 7-3 | Symphonie fantastique, op. 14: III. Scène aux champs: Adagio | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 7-4 | Symphonie fantastique, op. 14: IV. Marche au supplice: Allegretto non troppo | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 7-5 | Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat: Larghetto – Allegro – Ronde du sabbat | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-1 | Two Sketches for Strings, French Canadian Folk Songs: 1. Notre Seigneur En Pauvre | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-2 | Two Sketches for Strings, French Canadian Folk Songs: 2. At Saint-Malo | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-3 | Symphonic Suite "Images" (Musical Impressions of Three Canadian Paintings): 1. Blue Mountain (Lawren Harris) | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-4 | Symphonic Suite "Images" (Musical Impressions of Three Canadian Paintings): 2. Structure at Dusk (Kazuo Nakamura) | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-5 | Symphonic Suite "Images" (Musical Impressions of Three Canadian Paintings): 3. Landscape (Jean-Paul Riopelle) | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-6 | Triptych: I. Adagio | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-7 | Triptych: II. Marcato | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-8 | Triptych: III. Adagio | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-9 | Black Star | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 9-1 | Pictures at an Exhibition: Promenade #1 | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-2 | Pictures at an Exhibition: Gnomus | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-3 | Pictures at an Exhibition: Promenade #2 | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-4 | Pictures at an Exhibition: The Old Castle | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-5 | Pictures at an Exhibition: Promenade #3 | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-6 | Pictures at an Exhibition: Tuileries | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-7 | Pictures at an Exhibition: Bydlo | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-8 | Pictures at an Exhibition: Promenade #4 | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-9 | Pictures at an Exhibition: Ballet of the Unhatched Chicks | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-10 | Pictures at an Exhibition: Samuel Goldenburg & Schmuyle | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-11 | Pictures at an Exhibition: The Market at Limoges | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-12 | Pictures at an Exhibition: Roman Burial Catacombs | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-13 | Pictures at an Exhibition: With the Dead in the Language of Death | Chicago Symphony Orchestra, Seiji Ozawa | T-800.323.843-6 | |
| 9-14 | Pictures at an Exhibition: Baba Yaga | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-15 | Pictures at an Exhibition: The Great Gate of Kiev | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-16 | The Young Person's Guide to the Orchestra, op. 34: Theme: Full Orchestra | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-17 | The Young Person's Guide to the Orchestra, op. 34: Theme: Woodwinds | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-18 | The Young Person's Guide to the Orchestra, op. 34: Theme: Brass | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-19 | The Young Person's Guide to the Orchestra, op. 34: Theme: Strings | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-20 | The Young Person's Guide to the Orchestra, op. 34: Theme: Percussion | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-22 | The Young Person's Guide to the Orchestra, op. 34: Var. A (Piccolo & Flutes) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-23 | The Young Person's Guide to the Orchestra, op. 34: Var. B (Oboes) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-24 | The Young Person's Guide to the Orchestra, op. 34: Var. C (Clarinets) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-25 | The Young Person's Guide to the Orchestra, op. 34: Var. D (Bassoons) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-26 | The Young Person's Guide to the Orchestra, op. 34: Var. E (Violins) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-27 | The Young Person's Guide to the Orchestra, op. 34: Var. F (Violas) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-28 | The Young Person's Guide to the Orchestra, op. 34: Var. G (Cellos) | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-29 | The Young Person's Guide to the Orchestra, op. 34: Var. H (Double Basses) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-30 | The Young Person's Guide to the Orchestra, op. 34: Var. I (Harp) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-31 | The Young Person's Guide to the Orchestra, op. 34: Var. J (French Horns) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-32 | The Young Person's Guide to the Orchestra, op. 34: Var. K (Trumpets) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-33 | The Young Person's Guide to the Orchestra, op. 34: Var. L (Trombones & Tuba) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-34 | The Young Person's Guide to the Orchestra, op. 34: Var. M (Percussion) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-35 | The Young Person's Guide to the Orchestra, op. 34: Fugue | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 10-1 | Concerto for Piano and Orchestra, op. 42: I. Andante - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 10-2 | Concerto for Piano and Orchestra, op. 42: II. Molto allegro [bar 176] - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 10-3 | Concerto for Piano and Orchestra, op. 42: III. Adagio [bar 264] - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 10-4 | Concerto for Piano and Orchestra, op. 42: IV. Giocoso (moderato) [bar 329] | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 10-5 | 5 Piano Pieces, op. 23: No. 1: Sehr langsam | Peter Serkin | — | |
| 10-6 | 5 Piano Pieces, op. 23: No. 2: Sehr rasch | Peter Serkin | — | |
| 10-7 | 5 Piano Pieces, op. 23: No. 3: Langsam | Peter Serkin | — | |
| 10-8 | 5 Piano Pieces, op. 23: No. 4: Schwungvoll. Mäßige Viertel | Peter Serkin | — | |
| 10-9 | 5 Piano Pieces, op. 23: No. 5: Walzer | Peter Serkin | — | |
| 10-10 | Fantasy for Violin with Piano Accompaniment, op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso - | Peter Serkin, Arnold Steinhardt | — | |
| 10-11 | Fantasy for Violin with Piano Accompaniment, op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I | Peter Serkin, Arnold Steinhardt | — | |
| 11-1 | Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 11-2 | Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto - attacca | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 11-3 | Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo. Allegro | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 12-1 | Turangalîla Symphony: I. Introduction | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-2 | Turangalîla Symphony: II. Chant d'amour 1 | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-3 | Turangalîla Symphony: III. Turangalîla 1 | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-4 | Turangalîla Symphony: IV. Chant d'amour 2 | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-5 | Turangalîla Symphony: V. Joie du sang des étoiles | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-6 | Turangalîla Symphony: VI. Jardin du sommeil d'amour | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-7 | Turangalîla Symphony: VII. Turangalîla 2 | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-8 | Turangalîla Symphony: VIII. Développement d'amour | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-9 | Turangalîla Symphony: IX. Turangalîla 3 | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-10 | Turangalîla Symphony: X. Final | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 13-1 | Fireworks, Op. 4 | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 13-2 | The Rite of Spring: Part I (The Adoration of the Earth). Introduction | Chicago Symphony Orchestra, Seiji Ozawa | T-041.489.062-2 | |
| 13-3 | The Rite of Spring: Part I (The Adoration of the Earth). Harbingers of Spring (Dances of the Young Girls) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 13-4 | The Rite of Spring: Part I (The Adoration of the Earth). Mock Abduction | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 13-5 | The Rite of Spring: Part I (The Adoration of the Earth). Spring Khorovod (Round Dances) | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 13-6 | The Rite of Spring: Part I (The Adoration of the Earth). Games of the Rival Tribes | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 13-7 | The Rite of Spring: Part I (The Adoration of the Earth). Procession of the Wise Elder | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 13-8 | The Adoration of the Earth: Adoration of the Earth | Игорь Фёдорович Стравинский | — | |
| 13-9 | The Adoration of the Earth: Dance of the Earth | Игорь Фёдорович Стравинский | T-070.257.887-7 | |
| 13-10 | The Rite of Spring: Part II (The Sacrifice). Introduction | Chicago Symphony Orchestra, Seiji Ozawa | T-041.489.062-2 | |
| 13-11 | The Rite of Spring: Part II (The Sacrifice). Mystic Circles of the Young Girls | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 13-12 | The Rite of Spring: Part II (The Sacrifice). Glorification of the Chosen Victim | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 13-13 | The Rite of Spring: Part II (The Sacrifice). Summoning of the Ancestors | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 13-14 | The Rite of Spring: Part II (The Sacrifice). Ritual of the Ancestors | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 13-15 | The Rite of Spring: Part II (The Sacrifice). Sacrificial Dance (Chosen One) | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 14-1 | Symphony No. 5 in E Minor, Op. 64: I. Andante - Allegro con anima - Allegro con anima | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 14-2 | Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile con alcuna licenza | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 14-3 | Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 14-4 | Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso - Allegro vivace - Allegro vivace | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 14-5 | Night on Bald Mountain | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-5 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-6 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 16-1 | November Steps | Kinshi Tsuruta, Katsuya Yokoyama, Toronto Symphony, Seiji Ozawa | — | |
| 16-2 | Asterism for Piano and Orchestra | Yuji Takahashi, Toronto Symphony, Seiji Ozawa | — | |
| 16-3 | Green for Orchestra | Toronto Symphony, Seiji Ozawa | — | |
| 16-4 | Requiem for String Orchestra | Toronto Symphony, Seiji Ozawa | — | |
| 16-5 | The Dorian Horizon for 17 Strings | Toronto Symphony, Seiji Ozawa | — | |
| 17-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | André Watts, New York Philharmonic, Seiji Ozawa | — | |
| 17-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | André Watts, New York Philharmonic, Seiji Ozawa | — | |
| 17-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | André Watts, New York Philharmonic, Seigi Ozawa | — | |
| 18-1 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-2 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-3 | Symphony no. 35 in D major, K. 385 "Haffner": III. Minuet | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-4 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale: Presto | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-5 | Symphony no. 28 in C major, K. 200: I. Allegro spiritoso | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-6 | Symphony no. 28 in C major, K. 200: II. Andante | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-7 | Symphony no. 28 in C major, K. 200: III. Minuet: Allegretto | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-8 | Symphony no. 28 in C major, K. 200: IV. Finale: Presto | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 19-1 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-2 | Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.131.696-8 | |
| 19-3 | Carmina Burana: I. Primo vere: 3. Veris leta facies | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-4 | Carmina Burana: I. Primo vere: 4. Omnia Sol temperat | Sherrill Milnes, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-5 | Carmina Burana: I. Primo vere: 5. Ecce gratum | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-6 | Carmina Burana: Uf dem anger: 6. Tanz | Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-7 | Carmina Burana: Uf dem anger: 7. Floret silva | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-8 | Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-9 | Carmina Burana: Uf dem anger: 9. Reie / Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-10 | Carmina Burana: Uf dem anger: 10. Were diu werlt alle min | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-11 | Carmina Burana: II. In taberna: 11. Estuans interius | Sherrill Milnes, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-12 | Carmina Burana: II. In taberna: 12. Olim lacus colueram | Stanley Kolk, New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-13 | Carmina Burana: II. In taberna: 13. Ego sum abbas | Sherrill Milnes, New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-14 | Carmina Burana: II. In taberna: 14. In taberna quando sumus | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-15 | Carmina Burana: III. Cour d’amours: 15. Amor volat undique | Children's Chorus of the New England Conservatory, Evelyn Mandac, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-16 | Carmina Burana: III. Cour d’amours: 16. Dies, nox et omnia | Sherrill Milnes, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-17 | Carmina Burana: III. Cour d’amours: 17. Stetit puella | Evelyn Mandac, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-18 | Carmina Burana: III. Cour d’amours: 18. Circa mea pectora | Sherrill Milnes, New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-19 | Carmina Burana: III. Cour d’amours: 19. Si puer cum puellula | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-20 | Carmina Burana: III. Cour d’amours: 20. Veni, veni, venias | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-21 | Carmina Burana: III. Cour d’amours: 21. In trutina | Evelyn Mandac, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-22 | Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum | Children's Chorus of the New England Conservatory, Evelyn Mandac, Sherrill Milnes, New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-23 | Carmina Burana: III. Cour d’amours: 23. Dulcissime | Evelyn Mandac, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-24 | Carmina Burana: Blanziflor et Helena: 24. Ave formosissima | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-25 | Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 20-1 | Suite from "The Firebird" (1919) - I. Introduction | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-2 | Suite from "The Firebird" (1919) - II.The Firebird and Its Dance | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-3 | Suite from "The Firebird" (1919) - III. Varietion of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-4 | Suite from "The Firebird" (1919) - IV. The Round of the Princesses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-5 | Suite from "The Firebird" (1919) - V. Infernal Dance of King Kastchei | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-6 | Suite from "The Firebird" (1919) - VI. Lullaby | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-7 | Suite from "The Firebird" (1919) - VII. Finale | Boston Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 20-8 | Petrouchka (1947) - Scene I: The Shrovetide Fair - Vivace | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-9 | Petrouchka (1947) - Scene I: The Shrovetide Fair - The Magic Trick | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-10 | Petrouchka (1947) - Scene I: The Shrovetide Fair - Russian Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-11 | Petrouchka (1947) - Scene II: Petrouchka's Cell | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-12 | Petrouchka (1947) - Scene III: The Moor's Cell - L'istesso tempo | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-13 | Petrouchka (1947) - Scene III: The Moor's Cell - Dance of the Ballerina | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-14 | Petrouchka (1947) - Scene III: The Moor's Cell - Waltz | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-15 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Tempo giusto | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-16 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Wet Nurses' Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-17 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Peasant with Bear | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-18 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Gypsies and a Rake Vendor | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-19 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Dance of the Coachmen | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-20 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Masquaraders | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-21 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - The Scuffle (Moor and Petrouchka) | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-22 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Death of Petrouchka | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-23 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Appearance of Petrouchka's Ghost | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-1 | Crossing | Tokyo Philharmonic Chorus, Keiko Abe, Harumi Ibe, Mari Kimura, Yuji Takahashi, The Japan Philharmonic Orchestra, Seiji Ozawa | — | |
| 21-2 | Egen | Japan Philharmonic Orchestra, Hiroshi Wakasugi | — | |
| 21-3 | Hibiki Hana Ma | Japan Philharmonic Orchestra, Seiji Ozawa | — | |
| 22-1 | Concerto for Piano and Orchestra in D-flat major, op. 38: I. Allegro ma non troppo e maestoso | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 22-2 | Concerto for Piano and Orchestra in D-flat major, op. 38: II. Andante con anima | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 22-3 | Concerto for Piano and Orchestra in D-flat major, op. 38: III. Allegro brillante | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 22-4 | Fantasia on Hungarian Folk Melodies, S. 123 | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 23-1 | Shéhérazade for Mezzo-Soprano and Orchestra: I. Asie | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | T-003.015.891-8 | |
| 23-2 | Shéhérazade for Mezzo-Soprano and Orchestra: II. La flûte enchantée | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | T-003.015.891-8 | |
| 23-3 | Shéhérazade for Mezzo-Soprano and Orchestra: III. L'indifférent | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | T-003.015.891-8 | |
| 23-4 | Cinq mélodies populaires grecques: 1. Chanson de la mariée. Modéré | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-5 | Cinq mélodies populaires grecques: 5. Tout gai! Allegro | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-6 | Deux mélodies hébraïques: I. Kaddisch | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-7 | Deux mélodies hébraïques: II. L'énigme éternelle | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-8 | Chansons Madécasses: 1. Nahandove, ô belle Nahandove | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-9 | Chansons Madécasses: 2. Aoua! Aoua! Méfiez-vous des Blancs | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-10 | Chansons Madécasses: 3. Il est doux de se coucher | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 24-1 | Violin Concerto in E minor, op. 64: Allegro molto appassionato | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | T-312.542.566-9 | |
| 24-2 | Violin Concerto in E minor, op. 64: Andante | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 24-3 | Violin Concerto in E minor, op. 64: Allegretto non troppo; Allegro molto vivace | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 24-4 | Romance in F major, op. 50 | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 24-5 | Romance in G major, op. 40 | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-1 | Les Nuits d’été, op. 7: Villanelle | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-2 | Les Nuits d’été, op. 7: Le Spectre de la rose | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-3 | Les Nuits d’été, op. 7: Sur les lagunes | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-4 | Les Nuits d’été, op. 7: Absence | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-5 | Les Nuits d’été, op. 7: Au cimetière | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-6 | Les Nuits d’été, op. 7: L’Île inconnue | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-7 | La Damoiselle élue | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-1 | Don Quixote, op. 35: Introduction: Mässiges Zeitmass | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-2 | Don Quixote, op. 35: Theme: Don Quixote, The Knight of the Sorrowful Countenance: Mässig Sancho Panza: Maggiore | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-3 | Don Quixote, op. 35: Variation I: Gemächlich | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-4 | Don Quixote, op. 35: Variation II - Kriegerisch | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-5 | Don Quixote, op. 35: Variation III: Mässiges Zeitmass | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-6 | Don Quixote, op. 35: Variation IV - Etwas breiter | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-7 | Don Quixote, op. 35: Variation V - Sehr langsam | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-8 | Don Quixote, op. 35: Variation VI - Schnell | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-9 | Don Quixote, op. 35: Variation VII: Ein wenig ruhiger als vorher | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-10 | Don Quixote, op. 35: Variation VIII: Gemächlich | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-11 | Don Quixote, op. 35: Variation IX: Schnell und stürmisch | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-12 | Don Quixote, op. 35: Variation X - Viel breiter | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-13 | Don Quixote, op. 35: Finale: Sehr ruhig | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-14 | Concerto for Cello & Orchestra: I. Allegro moderato | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-15 | Concerto for Cello & Orchestra: II. Andante, alla marcia | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-16 | Concerto for Cello & Orchestra: III. Tempo di Minuetto | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-1 | Concerto for Piano and Orchestra in D major "For the Left Hand": I. Lento - Andante - Allegro - Tempo 1° | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | T-003.007.888-6 | |
| 27-2 | Concerto for Piano (left hand) and Orchestra no. 4 in B-flat major, op. 53: I. Vivace | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-3 | Concerto for Piano (left hand) and Orchestra no. 4 in B-flat major, op. 53: II. Andante | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-4 | Concerto for Piano (left hand) and Orchestra no. 4 in B-flat major, op. 53: III. Moderato | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-5 | Concerto for Piano (left hand) and Orchestra no. 4 in B-flat major, op. 53: IV. Vivace | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-6 | Diversions for Piano (left hand) and Orchestra, op. 21: Theme. Maestoso | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-7 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 1: Recitative. L'istesso tempo | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-8 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 2: Romance. Allegretto mosso | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-9 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 3: March. Allegro con brio | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-10 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 4: Arabesque. Allegretto | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-11 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 5: Chant: Andante solennemente | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-12 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 6: Nocturne. Andante piacevole | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-13 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 7: Badinerie. Grave | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-14 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 8: Burlesque. Molto moderato | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-15 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 9a: Toccata I. Allegro | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-16 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 9b: Toccata II. L'istesso tempo | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-17 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 10: Adagio | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-18 | Diversions for Piano (left hand) and Orchestra, op. 21: Finale - Tarantella. Presto con fuoco | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 28-1 | Concerto for Violoncello and Orchestra no. 2: I. Moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 28-2 | Concerto for Violoncello and Orchestra no. 2: II. Allegro | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 28-3 | Concerto for Violoncello and Orchestra no. 2: III. Lento | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 28-4 | Concerto for Violoncello and Orchestra no. 2: IV. Allegretto vivo | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 28-5 | Concerto for Violoncello and Orchestra no. 2: V. Grave | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 28-6 | In memoriam...: I. Moderato | London Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-7 | In memoriam...: II. Tempo di Valse | London Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-8 | In memoriam...: III. Andante | London Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-9 | In memoriam...: IV. Lento | London Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-10 | In memoriam...: V. Moderato pastorale | London Symphony Orchestra, Mstislav Rostropovich | — | |
| 29-1 | Pique Dame: Introduction | Пётр Ильич Чайковский | T-041.489.062-2 | |
| 29-2 | Pique Dame: Act I, Scene I. No. 1 Chorus of Children and Women: "Gori, gori yasno" (Children's Chorus, Women's Chorus, Child Commander) | Пётр Ильич Чайковский | — | |
| 29-3 | Pique Dame: Act I, Scene I. No. 2 Scene and Arioso: "Chem konchilas vchera igra?" (Chekalinsky, Surin, Tomsky, Herman) | Пётр Ильич Чайковский | — | |
| 29-4 | Pique Dame: Act I, Scene I. No. 2 Scene and Arioso: "Ya imeni yeyo" (Herman) | Пётр Ильич Чайковский | — | |
| 29-5 | Pique Dame: Act I, Scene I. No. 2 Scene and Arioso: "A yesli tak, skorei za delo!" (Tomsky, Herman) | Пётр Ильич Чайковский | — | |
| 29-6 | Pique Dame: Act I, Scene I. No. 3 Chorus and Scene: "Nakonets-to Bog" (Chorus) - "A ty uveren" (Tomsky, Herman) | Пётр Ильич Чайковский | — | |
| 29-7 | Pique Dame: Act I, Scene I. No. 3 Chorus and Scene: Duet "Schastlivy den" (Yeletsky, Herman) - "Skazhi, na kom ty zhenishsya" (Tomsky, Herman, Yeletsky, Lisa, Countess) | Пётр Ильич Чайковский | — | |
| 29-8 | Pique Dame: Act I, Scene I. No. 4 Quintet and Scene: "Mne strashno!" (Lisa, Countess, Herman, Yeletsky, Tomsky) | Пётр Ильич Чайковский | — | |
| 29-9 | Pique Dame: Act I, Scene I. No. 5 Scene and Ballad: "Kakaya vedma" (Surin, Chekalinsky, Tomsky) | Пётр Ильич Чайковский | — | |
| 29-10 | Pique Dame: Act I, Scene I. No. 5 Scene and Ballad: "Odnazhdy v Versalye" (Tomsky) | Пётр Ильич Чайковский | — | |
| 29-11 | Pique Dame: Act I, Scene I. No. 6 Final Scene: "Se non è vero" (Chekalinsky, Surin, Chorus, Herman) | Пётр Ильич Чайковский | — | |
| 29-12 | Pique Dame: Act I, Scene II. No. 7 Duet: "Uzh vecher" (Lisa, Pauline) | Пётр Ильич Чайковский | — | |
| 29-13 | Pique Dame: Act I, Scene II. No. 8 Romance and Russian Song with Chorus: "Obvorozhitelno!" (Women's Chorus, Lisa, Pauline) | Пётр Ильич Чайковский | — | |
| 29-14 | Pique Dame: Act I, Scene II. No. 8 Romance and Russian Song with Chorus: "Da, vspomnila... Podrugi milie" (Pauline, Women's Chorus) | Пётр Ильич Чайковский | — | |
| 29-15 | Pique Dame: Act I, Scene II. No. 8 Romance and Russian Song with Chorus: "Nu-ka, svetik Mashenka" (Pauline, Women's Chorus) | Пётр Ильич Чайковский | — | |
| 29-16 | Pique Dame: Act I, Scene II. No. 9 Scene and Arioso: "Mesdemoiselles" (Governess) | Пётр Ильич Чайковский | — | |
| 29-17 | Pique Dame: Act I, Scene II. No. 10 Final Scene: "Pora uzh raskhoditsya" (Governess, Pauline, Lisa) - "Ne nado zatvorit" (Lisa, Masha) | Пётр Ильич Чайковский | — | |
| 29-18 | Pique Dame: Act I, Scene II. No. 10 Final Scene: Zachem zhe eti slyozy" (Lisa) | Пётр Ильич Чайковский | — | |
| 29-19 | Pique Dame: Act I, Scene II. No. 10 Final Scene: "Ostanovites" (Herman, Lisa) | Пётр Ильич Чайковский | — | |
| 29-20 | Pique Dame: Act I, Scene II. No. 10 Final Scene: "Prosti, prelestnoe sozdanye" (Herman) | Пётр Ильич Чайковский | — | |
| 29-21 | Pique Dame: Act I, Scene II. No. 10 Final Scene: "Liza, otvori!" (Countess, Lisa) | Пётр Ильич Чайковский | — | |
| 29-22 | Pique Dame: Act I, Scene II. No. 10 Final Scene: "'Kto strastno lyubya pridyot" (Herman, Lisa) | Пётр Ильич Чайковский | — | |
| 30-1 | Pique Dame: Act II, Scene I. No. 11 Entr'acte and Chorus: "Radostno, veselo v den sei" (Chorus) | Пётр Ильич Чайковский | — | |
| 30-2 | Pique Dame: Act II, Scene I. No. 12 Scene and Aria: "Khozyain prosit dorogikh" (Major Domo, Chekalinsky, Surin, Tomsky, Yeletsky, Lisa) | Пётр Ильич Чайковский | — | |
| 30-3 | Pique Dame: Act II, Scene I. No. 12 Scene and Aria: "Ya vas lyublyu" (Yeletsky) | Пётр Ильич Чайковский | — | |
| 30-4 | Pique Dame: Act II, Scene I. No. 13 Scene: "Posle predstavleniya" (Herman, Chekalinsky, Surin) | Пётр Ильич Чайковский | — | |
| 30-5 | Pique Dame: Act II, Scene I. No. 14 Intermezzo: The Faithful Shepherdess: "Khozyain prosit dorogikh gostei" (Major Domo, Chorus) | Пётр Ильич Чайковский | — | |
| 30-6 | Pique Dame: Act II, Scene I. No. 14 Intermezzo: The Faithful Shepherdess: Dance of the Shepherds and Shepherdesses (Sarabande) | Пётр Ильич Чайковский | — | |
| 30-7 | Pique Dame: Act II, Scene I. No. 14 Intermezzo: The Faithful Shepherdess: Duet "Moi milenki druzhok" (Prilepa / Chloe, Milovzor / Daphnis) | Пётр Ильич Чайковский | — | |
| 30-8 | Pique Dame: Act II, Scene I. Finale (Intermezzo): "Kak ty mila" (Zlatogor / Pluto, Milovzor, Prilepa, Chorus) | Пётр Ильич Чайковский | — | |
| 30-9 | Pique Dame: Act II, Scene I. No. 15 Final Scene: "Kto pylko i strastno lyubya!" (Herman, Surin, Lisa, Major Domo, Chorus) | Пётр Ильич Чайковский | — | |
| 30-10 | Pique Dame: Act II, Scene II. No. 16 Scene and Chorus: "Vsyo tak, kak mne ona skazala" (Herman) | Пётр Ильич Чайковский | — | |
| 30-11 | Pique Dame: Act II, Scene II. No. 16 Scene and Chorus: "Shagi! syuda idut" (Herman, Chorus, Lisa, Masha) | Пётр Ильич Чайковский | — | |
| 30-12 | Pique Dame: Act II, Scene II. No. 16 Scene and Chorus: "Polno vrat vam! Nadoyeli!" (Countess) | Пётр Ильич Чайковский | — | |
| 30-13 | Pique Dame: Act II, Scene II. No. 16 Scene and Chorus: "'Je crains de lui parler la nuit'" (Countess) | Пётр Ильич Чайковский | — | |
| 30-14 | Pique Dame: Act II, Scene II. No. 17 Final Scene: "Ne pugaites!" (Herman) | Пётр Ильич Чайковский | — | |
| 30-15 | Pique Dame: Act II, Scene II. No. 17 Final Scene: "Ona mertva! Sbylos" (Herman, Lisa) | Пётр Ильич Чайковский | — | |
| 31-1 | Pique Dame: Act III, Scene I. No. 18 Entr'acte and Scene: "Ya neveryu chtoby" (Herman, Chorus) | Пётр Ильич Чайковский | — | |
| 31-2 | Pique Dame: Act III, Scene I. No. 19 Scene: "Mne strashno! strashno!" (Herman) - "Ya prishla k tebe" (Ghost of the Countess, Herman) | Пётр Ильич Чайковский | — | |
| 31-3 | Pique Dame: Act III, Scene II. No. 20 Scene and Arioso: "Uzh polnoch blizitsya" (Lisa) | Пётр Ильич Чайковский | — | |
| 31-4 | Pique Dame: Act III, Scene II. No. 20 Scene and Arioso: "Akh! istomilas ya gorem" (Lisa) | Пётр Ильич Чайковский | — | |
| 31-5 | Pique Dame: Act III, Scene II. No. 21 Scene and Duet: "A yesli mne v otvet" (Lisa, Herman) | Пётр Ильич Чайковский | — | |
| 31-6 | Pique Dame: Act III, Scene II. No. 21 Scene and Duet: "O da, minovali stradanya" (Lisa, Herman) | Пётр Ильич Чайковский | — | |
| 31-7 | Pique Dame: Act III, Scene III. No. 22 Chorus and Scene: "Budem pit i veselitsya!" (Chorus) | Пётр Ильич Чайковский | — | |
| 31-8 | Pique Dame: Act III, Scene III. No. 22 Chorus and Scene: "Dana!" (Surin, Chaplitsky, Narumov, Chekalinsky, Tomsky, Yeletsky, Chorus) | Пётр Ильич Чайковский | — | |
| 31-9 | Pique Dame: Act III, Scene III. No. 23 Song and Chorus: "Yeslib miliya devitsy" (Tomsky, Chorus, Chekalinsky) | Пётр Ильич Чайковский | — | |
| 31-10 | Pique Dame: Act III, Scene III. No. 23 Song and Chorus: "Tak v nenastnye dni" (Chekalinsky, Surin, Chaplitsky, Narumov, Chorus) | Пётр Ильич Чайковский | — | |
| 31-11 | Pique Dame: Act III, Scene III. No. 24 Final Scene: "Za dela, gospoda" (Chekalinsky, Chorus, Chaplitsky, Narumov, Surin, Yeletsky, Tomsky, Herman) | Пётр Ильич Чайковский | — | |
| 31-12 | Pique Dame: Act III, Scene III. No. 24 Final Scene: "Chto nasha zhizn?" (Herman) | Пётр Ильич Чайковский | — | |
| 31-13 | Pique Dame: Act III, Scene III. No. 24 Final Scene: "Idyot yeshcho?" (Herman, Chekalinsky, Yeletsky, Chorus) | Пётр Ильич Чайковский | — | |
| 31-14 | Pique Dame: Act III, Scene III. No. 24 Final Scene: "Knyaz! knyaz, prosti menya!" (Herman) | Пётр Ильич Чайковский | — | |
| 31-15 | Pique Dame: Act III, Scene III. No. 24 Final Scene: "Gospod! Prosti yemu!" (Chorus) | Пётр Ильич Чайковский | — | |
| 32-1 | Peter and the Wolf, op. 67 | Seiji Ozawa, Boston Symphony Orchestra | — | |
| 32-2 | Carnival of the Animals: I. Introduction and Royal March of the Lion | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-3 | Carnival of the Animals: II. Hens and Cocks | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-4 | Carnival of the Animals: III. Wild Horses | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-5 | Carnival of the Animals: IV. Tortoise | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-6 | Carnival of the Animals: V. The Elephant | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-7 | Carnival of the Animals: VI. Kangaroos | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-8 | Carnival of the Animals: VII. Aquarium | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-9 | Carnival of the Animals: VIII. Personages With Long Ears | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-10 | Carnival of the Animals: IX. The Cuckoo in the Depth of the Forest | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-11 | Carnival of the Animals: X. Aviary | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-12 | Carnival of the Animals: XI. Pianists | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-13 | Carnival of the Animals: XII. Fossils | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-14 | Carnival of the Animals: XIII. The Swan | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-15 | Carnival of the Animals: XIV. Finale | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-16 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), op. 34 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 33-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Evgeny Kissin, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 33-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Evgeny Kissin, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 33-3 | Piano Concerto no. 3 in D minor, op. 30: III. L’istesso tempo / IV. Finale: Alla breve | Evgeny Kissin, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 33-4 | Vocalise | St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | — | |
| 33-5 | Prelude in B-flat major, op. 23 no. 2: Maestoso | Evgeny Kissin | — | |
| 33-6 | Rhapsodie espagnole | Evgeny Kissin | T-003.015.127-9 | |
| 33-7 | Liebeslied, S 566 (Schumann: Widmung) | Evgeny Kissin | T-001.310.296-9 | |
| 34-1 | Carnival Overture, Op. 92 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 34-2 | Romance in F minor for Violin & Orchestra, Op. 11 | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-010.662.015-8 | |
| 34-3 | Silent Woods for Cello and Orchestra, op. 68 no. 5 | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 34-4 | Humoresque in G-flat major, op. 101 no. 7 | Yo-Yo Ma, Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-106.610.454-7 | |
| 34-5 | O Moon High up in the Deep Sky | Frederica von Stade, Boston Symphony Orchestra, 小澤征爾 | — | |
| 34-6 | Psalm 149 for Chorus & Orchestra, Op. 79 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 34-7 | Humoresque in E-flat minor, Op. 101, #1 | Rudolf Firkušný | — | |
| 34-8 | Gypsy Songs, op. 55: no. 4, When My Mother Taught Me to Sing | Frederica von Stade, Rudolf Firkušný | — | |
| 34-9 | Gypsy Songs, op. 55: no. 5, The Strings Are Tuned | Frederica von Stade, Rudolf Firkušný | — | |
| 34-10 | 'Dumky' Trio, Op. 90: Allegro (Dumka #5) | Rudolf Firkušný, Yo-Yo Ma, Itzhak Perlman, Seiji Ozawa | — | |
| 34-11 | Slavonic Dance in E minor, op. 72 no. 2 | Yo-Yo Ma, Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 34-12 | Slavonic Dance in C major, Op. 72, #7 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-1 | Requiem, op. 5: Requiem & Kyrie: Introitus | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-2 | Requiem, op. 5: Dies irae: Prosa; Tuba mirum | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-3 | Requiem, op. 5: Quid sum miser | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-4 | Requiem, op. 5: Rex tremendae | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-5 | Requiem, op. 5: Quaerens me | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-6 | Requiem, op. 5: Lacrymosa | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-7 | Requiem, op. 5: Offertorium | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-8 | Requiem, op. 5: Hostias | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-9 | Requiem, op. 5: Sanctus | Vinson Cole, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-10 | Requiem, op. 5: Agnus Dei | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 36-1 | Requiem, op. 48: I. Introït et Kyrie | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 36-2 | Requiem, op. 48: II. Offertoire | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 36-3 | Requiem, op. 48: III. Sanctus | Boston Symphony Orchestra, Seiji Ozawa | T-003.012.217-8 | |
| 36-4 | Requiem, op. 48: IV. Pie Jesu | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 36-5 | Requiem, op. 48: V. Agnus Dei et Lux aeterna | Boston Symphony Orchestra, Seiji Ozawa | T-926.356.677-4 | |
| 36-6 | Requiem, op. 48: VI. Libera me | Boston Symphony Orchestra, Seiji Ozawa | T-329.460.025-8 | |
| 36-7 | Requiem, op. 48: VII. In paradisum | Boston Symphony Orchestra, Seiji Ozawa | T-924.489.944-3 | |
| 36-8 | Deux mélodies, op. 27: No. 1. Chanson d'amour | Barbara Bonney, Warren Jones | — | |
| 36-9 | Quatre mélodies, op. 39: No. 1. Aurore | Barbara Bonney, Warren Jones | — | |
| 36-10 | Deux mélodies, op. 27: No. 2. La Fée aux chansons | Barbara Bonney, Warren Jones | — | |
| 36-11 | Trois mélodies, op. 23: No. 3. Le Secret | Barbara Bonney, Warren Jones | — | |
| 36-12 | Trois mélodies, op. 23: No. 2. Notre amour | Barbara Bonney, Warren Jones | — | |
| 36-13 | Trois mélodies, op. 18: No. 1. Nell | Warren Jones, Håkan Hagegård | — | |
| 36-14 | Trois mélodies, op. 18: No. 2. Le Voyageur | Warren Jones, Håkan Hagegård | — | |
| 36-15 | Deux mélodies, op. 4: No. 1. Chanson du pêcheur | Warren Jones, Håkan Hagegård | — | |
| 36-16 | Poème d'un jour, op. 21: No. 1. Rencontre | Warren Jones, Håkan Hagegård | — | |
| 36-17 | Poème d'un jour, op. 21: No. 2. Toujours | Warren Jones, Håkan Hagegård | — | |
| 36-18 | Poème d'un jour, op. 21: No. 3. Adieu | Warren Jones, Håkan Hagegård | — | |
| 36-19 | Quatre mélodies, op. 39: No. 2. Fleur jetée | Warren Jones, Håkan Hagegård | — | |
| 36-20 | Cinq mélodies, op. 58 "Mélodies de Venise": No. 2. En sourdine | Warren Jones, Håkan Hagegård | — | |
| 37-1 | Concerto for Flute and Orchestra no. 1 in G major, KV313 (285c): I. Allegro maestoso | Shigenori Kudo, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-2 | Concerto for Flute and Orchestra no. 1 in G major, KV313 (285c): II. Adagio ma non troppo | Shigenori Kudo, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-3 | Concerto for Flute and Orchestra no. 1 in G major, KV313 (285c): III. Rondo: Tempo di menuette | Shigenori Kudo, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-4 | Concerto for Bassoon and Orchestra in B‐flat major, KV191 (186e): I. Allegro | Dag Jensen, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-5 | Concerto for Bassoon and Orchestra in B‐flat major, KV191 (186e): II. Andante ma adagio | Dag Jensen, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-6 | Concerto for Bassoon and Orchestra in B‐flat major, KV191 (186e): III. Rondo: Tempo di menuette | Dag Jensen, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-7 | Concerto for Oboe and Small Orchestra in D major : I. Allegro moderato | Fumiaki Miyamoto, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-8 | Concerto for Oboe and Small Orchestra in D major : II. Andante | Fumiaki Miyamoto, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-9 | Concerto for Oboe and Small Orchestra in D major : III. Vivace | Fumiaki Miyamoto, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 38-1 | Symphony No.2 in C minor "Resurrection": I. Allegro maestoso | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 38-2 | Symphony No.2 in C minor "Resurrection": II. Andante moderato | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 39-1 | Symphony No.2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 39-2 | Symphony No.2 in C minor "Resurrection": IV. "Urlicht" Sehr feierlich,aber schlicht | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 39-3 | Symphony No.2 in C minor "Resurrection": V. Im Tempo des Scherzos | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 40-1 | Applause | [no artist] | — | |
| 40-2 | Symphony no. 9 in D major: I. Andante comodo | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 41-1 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Landlers. Etwas täppisch und sehr derb | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 41-2 | Symphony no. 9 in D major: III. Rondo: Burleske. Allegro assai. Sehr trotzig | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 41-3 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 42-1 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso | Arcadi Volodos, Berliner Philharmoniker, Seiji Ozawa | — | |
| 42-2 | Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino | Arcadi Volodos, Berliner Philharmoniker, Seiji Ozawa | — | |
| 42-3 | Piano Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Arcadi Volodos, Berliner Philharmoniker, Seiji Ozawa | — | |
| 42-4 | Prélude in Ges‐Dur, op. 23 no. 10 | Arcadi Volodos | — | |
| 42-5 | Moment musical in Es‐Moll, op. 16 no. 2 | Arcadi Volodos | — | |
| 42-6 | Daisies, op. 38 no. 3 | Arcadi Volodos | T-902.891.143-5 | |
| 42-7 | Prélude in G‐Dur, op. 32 no. 5 | Arcadi Volodos | — | |
| 42-8 | Oriental Sketch | Arcadi Volodos | — | |
| 42-9 | Mélodie in E‐Dur, op. 3 no. 3 | Arcadi Volodos | — | |
| 42-10 | Konzert-Paraphrase der 'Polka italienne' | Arcadi Volodos | — | |
| 43-1 | Symphony no. 40 in G minor K. 550: I. Molto allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-2 | Symphony no. 40 in G minor K. 550: II. Andante | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-3 | Symphony no. 40 in G minor K. 550: III. Menuetto (Allegretto) | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-4 | Symphony no. 40 in G minor K. 550: IV. Finale (Allegro assai) | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-5 | Sinfonia concertante in E‐Flat Major K. Anh. 9 (297B) [Reconstruction By Levin]: I. Allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-6 | Sinfonia concertante in E‐Flat Major K. Anh. 9 (297B) [(Reconstruction By Levin]: II. Adagio | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-7 | Sinfonia concertante in E‐Flat Major K. Anh. 9 (297B) [Reconstruction By Levin]: III. Andantino con variazioni | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-1 | Symphony no. 36 in C major, K. 425 “Linz”: I. Adagio - Allegro spiritoso | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-2 | Symphony no. 36 in C major, K. 425 “Linz”: II. Andante | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-3 | Symphony no. 36 in C major, K. 425 “Linz”: III. Menuetto - Trio | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-4 | Symphony no. 36 in C major, K. 425 “Linz”: IV. Presto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-5 | Symphony no. 38 in D major, K. 504 “Prague”: I. Adagio - Allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-6 | Symphony no. 38 in D major, K. 504 “Prague”: II. Andante | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-7 | Symphony no. 38 in D major, K. 504 “Prague”: III. Presto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-8 | Motetus “Exsultate, jubilate o vos animae beatae”, K. 165 (158a): Allegro [Exsultate, jubilate] | Maki Mori, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-9 | Motetus “Exsultate, jubilate o vos animae beatae”, K. 165 (158a): Recitativo [Fulget amica dies] | Maki Mori, Mito Chamber Orchestra, Seiji Ozawa | T-921.158.748-3 | |
| 44-10 | Motetus “Exsultate, jubilate o vos animae beatae”, K. 165 (158a): Andante [Tu virginum corona] | Maki Mori, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-11 | Motetus “Exsultate, jubilate o vos animae beatae”, K. 165 (158a): Allegro [Alleluja] | Maki Mori, Mito Chamber Orchestra, Seiji Ozawa | T-061.498.271-6 | |
| 45-1 | Horn Concerto no. 1 in D major, K. 412 + K. 514 (K.386b): I. Allegro | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-2 | Horn Concerto no. 1 in D major, K. 412 + K. 514 (K.386b): II. Rondo Allegro | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-3 | Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-4 | Horn Concerto no. 2 in E-flat major, K. 417: II. Andante | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-5 | Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo. Allegro | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-6 | Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-7 | Horn Concerto no. 3 in E-flat major, K. 447: II. Romance. Larghetto | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-8 | Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | T-900.137.696-1 | |
| 45-9 | Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro maestoso | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | T-900.137.696-1 | |
| 45-10 | Horn Concerto no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-11 | Horn Concerto no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-1 | Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-2 | Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-3 | Symphony no. 41 in C major, K. 551 “Jupiter”: III. Menuetto. Allegretto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-4 | Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-5 | Violin Concerto no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto | Masuko Ushioda, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-6 | Violin Concerto no. 5 in A major, K. 219 “Turkish”: II. Adagio | Masuko Ushioda, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-7 | Violin Concerto no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di Menuetto | Masuko Ushioda, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 47-1 | Concerto For Piano And Orchestra no. 1 in G minor, op. 25: I. Molto Allegro Con Fuoco | Yu Kosuge, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 47-2 | Concerto For Piano And Orchestra no. 1 in G minor, op. 25: II. Andante | Yu Kosuge, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 47-3 | Concerto For Piano And Orchestra no. 1 in G minor, op. 25: III. Presto - Molto Allegro E Vivace | Yu Kosuge, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 47-4 | Songs Without Words - Book 5, op. 62 no. 1 in G major | Yu Kosuge | — | |
| 47-5 | Songs Without Words - Book 6, op. 67 no. 4 in C major “Spinning Song” | Yu Kosuge | T-931.717.661-7 | |
| 47-6 | Songs Without Words - Book 5, op. 62 no. 5 in A minor “Venetian Gondola Song no. 3” | Yu Kosuge | T-931.717.655-9 | |
| 47-7 | Songs Without Words - Book 5, op. 62 no. 6 in A major “Spring Song” | Yu Kosuge | — | |
| 47-8 | Songs Without Words - Book 4, op. 53 no. 3 in G minor | Yu Kosuge | — | |
| 47-9 | Songs Without Words - Book 3, op. 38 no. 6 in A‐Flat major “Duetto” | Yu Kosuge | — | |
| 47-10 | Rondo Capriccioso, op. 14 | Yu Kosuge | — | |
| 47-11 | Prelude And Fugue, op. 35: no. 1: Prelude | Yu Kosuge | T-902.302.509-4 | |
| 47-12 | Prelude And Fugue, op. 35: no. 1: Fugue | Yu Kosuge | T-902.302.509-4 | |
| 47-13 | Variations Serieuses, op. 54 | Yu Kosuge | — | |
| 48-1 | Symphony no. 35 in D major, K.385 “Haffner”: I. Allegro con spirito | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-2 | Symphony no. 35 in D major, K.385 “Haffner”: II. Andante | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-3 | Symphony no. 35 in D major, K.385 “Haffner”: III. Menuetto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-4 | Symphony no. 35 in D major, K.385 “Haffner”: IV. Presto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-5 | Symphony no. 39 in E‐flat major, K.543: I. Adagio - Allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-6 | Symphony no. 39 in E‐flat major, K.543: II. Andante con moto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-7 | Symphony no. 39 in E‐flat major, K.543: III. Menuetto. Allegretto | Mito Chamber Orchestra, Seiji Ozawa | T-928.635.622-7 | |
| 48-8 | Symphony no. 39 in E‐flat major, K.543: IV. Finale. Allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 49-1 | Also sprach Zarathustra, op. 30: Einleitung. Sehr breit | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-2 | Also sprach Zarathustra, op. 30: Von den Hinterweltlern. Weniger breit | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-3 | Also sprach Zarathustra, op. 30: Von der großen Sehnsucht. Bewegter | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-4 | Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften. Bewegt | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-5 | Also sprach Zarathustra, op. 30: Das Grablied. Etwas ruhiger, ausdrucksvoll | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-6 | Also sprach Zarathustra, op. 30: Von der Wissenschaft. Sehr langsam | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-7 | Also sprach Zarathustra, op. 30: Der Genesende. Energisch | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-8 | Also sprach Zarathustra, op. 30: Ziemlich langsam - Schnell | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-9 | Also sprach Zarathustra, op. 30: Das Tanzlied | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-10 | Also sprach Zarathustra, op. 30: Nachtwandlerlied | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-11 | Also sprach Zarathustra, op. 30: Langsam | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-4 | Symphony no. 1 in C minor, op. 68: IV. Allegro non troppo ma con brio | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-5 | Symphony no. 9: II. Largo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-6 | Central Park in the Dark | New York Philharmonic, Seiji Ozawa, Maurice Peress | — | |
| 50-7 | November Steps (excerpts) | Kinshi Tsuruta, Katsuya Yokoyama, New Japan Philharmonic, Seiji Ozawa | — | |
| 51-1 | Clarissa’s Introduction | Melissa Joan Hart | — | |
| 51-2 | Peter and the Wolf, op. 67, A Musical Tale: Introduction: Naming the Instruments | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | T-917.805.753-9 | |
| 51-3 | Peter and the Wolf, op. 67, A Musical Tale: “Early one morning Peter opened the gate and went out on a big green meadow.” | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | T-917.805.753-9 | |
| 51-4 | Peter and the Wolf, op. 67, A Musical Tale: “No sooner had Peter gone, than a big grey wolf came out of the forest.” | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | T-917.805.753-9 | |
| 51-5 | Peter and the Wolf, op. 67, A Musical Tale: “Just then the hunters came out of the woods.” | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | T-917.805.753-9 | |
| 51-6 | Carnival of the Animals: Clarissa’s Introduction | Melissa Joan Hart | — | |
| 51-7 | Carnival of the Animals: I. Introduction and Royal March of the Lions | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-8 | Carnival of the Animals: II. Hens and Roosters | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-9 | Carnival of the Animals: III. Mongolian Wild Donkeys | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-10 | Carnival of the Animals: IV. Tortoises | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-11 | Carnival of the Animals: V. The Elephant | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-12 | Carnival of the Animals: VI. Kangaroos | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-13 | Carnival of the Animals: VII. Aquarium | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-14 | Carnival of the Animals: VIII. Personages with Long Ears | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-15 | Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-16 | Carnival of the Animals: X. Aviary | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-17 | Carnival of the Animals: XI. Pianists | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-18 | Carnival of the Animals: XII. Fossils | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-19 | Carnival of the Animals: XIII. The Swan | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-20 | Carnival of the Animals: XIV. Finale | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-21 | The Young Person’s Guide to the Orchestra, op. 34: Introduction | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-22 | The Young Person’s Guide to the Orchestra, op. 34: Theme | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-23 | The Young Person’s Guide to the Orchestra, op. 34: Variations | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-24 | The Young Person’s Guide to the Orchestra, op. 34: Fugue | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | — |
Identifier Graph
4547366626285 is a Universal Product Code (UPC) assigned to The Complete RCA and Columbia Album Collections by Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 528 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Young Person's Guide to the Orchestra, op. 34: Theme: Full Orchestra | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete RCA and Columbia Album Collections” by Seiji Ozawa is 4547366626285. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. Label: Sony Classical. This release contains 528 tracks, each with its own ISRC. Tracks include USSM16500624, USSM16500625, USSM16500626.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in D minor For Oboe, Strings And Continuo: I. Adagio | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 2 | Concerto in D minor For Oboe, Strings And Continuo: II. Allegro | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 3 | Concerto in D minor For Oboe, Strings And Continuo: III. Adagio | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 4 | Concerto in D minor For Oboe, Strings And Continuo: IV. Allegro | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 5 | Concerto in F major For Oboe, Strings And Continuo, P. 306: I. Allegro Giusto | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 6 | Concerto in F major For Oboe, Strings And Continuo, P. 306: II. Grave | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 7 | Concerto in F major For Oboe, Strings And Continuo, P. 306: III. Allegro | Harold Gomberg, Columbia Chamber Orchestra, Seiji Ozawa | — | |
| 8 | Sonata in C minor For Oboe And Continuo: I. Affettuoso | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 9 | Sonata in C minor For Oboe And Continuo: II. Andante | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 10 | Sonata in C minor For Oboe And Continuo: III. Largo | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 11 | Sonata in C minor For Oboe And Continuo: IV. Allegro | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 12 | Sonata in C minor For Oboe And Continuo: V. Grave | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 13 | Sonata in C minor For Oboe And Continuo: VI. Allegro Cantabile | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 14 | Sonata in G minor For Oboe And Continuo, no. 6: I. Larghetto | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 15 | Sonata in G minor For Oboe And Continuo, no. 6: II. Allegro | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 16 | Sonata in G minor For Oboe And Continuo, no. 6: II. Adagio | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 17 | Sonata in G minor For Oboe And Continuo, no. 6: IV. Allegro | Harold Gomberg, Gomberg Baroque Ensemble | — | |
| 2-1 | Piano Concerto no. 1, Sz. 83: I. Allegro moderato - Allegro | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-2 | Piano Concerto no. 1, Sz. 83: II. Andante - attacca | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-3 | Piano Concerto no. 1, Sz. 83: III. Allegro molto | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-4 | Piano Concerto no. 3, Sz. 119: I. Allegretto | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-5 | Piano Concerto no. 3, Sz. 119: II. Adagio religioso | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 2-6 | Piano Concerto no. 3, Sz. 119: III. Allegro vivace | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 3-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 3-2 | Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 3-3 | Violin Concerto in D major, op. 35: III. Allegro vivacissimo | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 3-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 3-5 | Violin Concerto in E minor, op. 64: II. Andante - attacca | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 3-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | — | |
| 4-1 | Piano Concerto in A minor, op. 54: 1. Allegro affettuoso | Leonard Pennario, London Symphony Orchestra, Seiji Ozawa | T-909.264.262-1 | |
| 4-2 | Piano Concerto in A minor, op. 54: 2. Intermezzo. Andante grazioso | Leonard Pennario, London Symphony Orchestra, Seiji Ozawa | T-909.264.262-1 | |
| 4-3 | Piano Concerto in A minor, op. 54: 3. Allegro vivace | Leonard Pennario, London Symphony Orchestra, Seiji Ozawa | — | |
| 4-4 | Burleske in D minor TrV 145 | Leonard Pennario, London Symphony Orchestra, Seiji Ozawa | T-801.162.741-2 | |
| 5-1 | Joan of Arc at the Stake, Prologue | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-2 | Joan of Arc at the Stake, Scene 1: The Voices From Heaven | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-3 | Joan of Arc at the Stake, Scene 2: The Book | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-4 | Joan of Arc at the Stake, Scene 3: The Voices Of The Earth | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-5 | Joan of Arc at the Stake, Scene 4: Joan Given To The Beasts | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-6 | Joan of Arc at the Stake, Scene 5: Joan at the Stake | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-7 | Joan of Arc at the Stake, Scene 6: The King Of The Invention Of The Game Of Cards | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-8 | Joan of Arc at the Stake, Scene 7: Catherine And Margaret | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-9 | Joan of Arc at the Stake, Scene 8: The King Sets Out For Rheims | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-10 | Joan of Arc at the Stake, Scene 9: The Sword Of Joan | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-11 | Joan of Arc at the Stake, Scene 10: Trimazo | London Symphony Orchestra, Seiji Ozawa | — | |
| 5-12 | Joan of Arc at the Stake, Scene 11: The Burning Of Joan Of Arc | London Symphony Orchestra, Seiji Ozawa | — | |
| 6-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | John Browning, London Symphony Orchestra, Seiji Ozawa | — | |
| 6-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | John Browning, London Symphony Orchestra, Seiji Ozawa | — | |
| 6-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | John Browning, London Symphony Orchestra, Seiji Ozawa | — | |
| 7-1 | Symphonie fantastique, op. 14: I. Rêveries – Passions: Largo – Allegro agitato e appassionato assai | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 7-2 | Symphonie fantastique, op. 14: II. Un bal: Allegro non troppo | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 7-3 | Symphonie fantastique, op. 14: III. Scène aux champs: Adagio | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 7-4 | Symphonie fantastique, op. 14: IV. Marche au supplice: Allegretto non troppo | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 7-5 | Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat: Larghetto – Allegro – Ronde du sabbat | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-1 | Two Sketches for Strings, French Canadian Folk Songs: 1. Notre Seigneur En Pauvre | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-2 | Two Sketches for Strings, French Canadian Folk Songs: 2. At Saint-Malo | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-3 | Symphonic Suite "Images" (Musical Impressions of Three Canadian Paintings): 1. Blue Mountain (Lawren Harris) | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-4 | Symphonic Suite "Images" (Musical Impressions of Three Canadian Paintings): 2. Structure at Dusk (Kazuo Nakamura) | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-5 | Symphonic Suite "Images" (Musical Impressions of Three Canadian Paintings): 3. Landscape (Jean-Paul Riopelle) | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-6 | Triptych: I. Adagio | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-7 | Triptych: II. Marcato | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-8 | Triptych: III. Adagio | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 8-9 | Black Star | Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 9-1 | Pictures at an Exhibition: Promenade #1 | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-2 | Pictures at an Exhibition: Gnomus | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-3 | Pictures at an Exhibition: Promenade #2 | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-4 | Pictures at an Exhibition: The Old Castle | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-5 | Pictures at an Exhibition: Promenade #3 | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-6 | Pictures at an Exhibition: Tuileries | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-7 | Pictures at an Exhibition: Bydlo | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-8 | Pictures at an Exhibition: Promenade #4 | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-9 | Pictures at an Exhibition: Ballet of the Unhatched Chicks | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-10 | Pictures at an Exhibition: Samuel Goldenburg & Schmuyle | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-11 | Pictures at an Exhibition: The Market at Limoges | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-12 | Pictures at an Exhibition: Roman Burial Catacombs | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-13 | Pictures at an Exhibition: With the Dead in the Language of Death | Chicago Symphony Orchestra, Seiji Ozawa | T-800.323.843-6 | |
| 9-14 | Pictures at an Exhibition: Baba Yaga | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-15 | Pictures at an Exhibition: The Great Gate of Kiev | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-16 | The Young Person's Guide to the Orchestra, op. 34: Theme: Full Orchestra | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-17 | The Young Person's Guide to the Orchestra, op. 34: Theme: Woodwinds | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-18 | The Young Person's Guide to the Orchestra, op. 34: Theme: Brass | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-19 | The Young Person's Guide to the Orchestra, op. 34: Theme: Strings | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-20 | The Young Person's Guide to the Orchestra, op. 34: Theme: Percussion | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-22 | The Young Person's Guide to the Orchestra, op. 34: Var. A (Piccolo & Flutes) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-23 | The Young Person's Guide to the Orchestra, op. 34: Var. B (Oboes) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-24 | The Young Person's Guide to the Orchestra, op. 34: Var. C (Clarinets) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-25 | The Young Person's Guide to the Orchestra, op. 34: Var. D (Bassoons) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-26 | The Young Person's Guide to the Orchestra, op. 34: Var. E (Violins) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-27 | The Young Person's Guide to the Orchestra, op. 34: Var. F (Violas) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-28 | The Young Person's Guide to the Orchestra, op. 34: Var. G (Cellos) | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 9-29 | The Young Person's Guide to the Orchestra, op. 34: Var. H (Double Basses) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-30 | The Young Person's Guide to the Orchestra, op. 34: Var. I (Harp) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-31 | The Young Person's Guide to the Orchestra, op. 34: Var. J (French Horns) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-32 | The Young Person's Guide to the Orchestra, op. 34: Var. K (Trumpets) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-33 | The Young Person's Guide to the Orchestra, op. 34: Var. L (Trombones & Tuba) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-34 | The Young Person's Guide to the Orchestra, op. 34: Var. M (Percussion) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 9-35 | The Young Person's Guide to the Orchestra, op. 34: Fugue | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 | |
| 10-1 | Concerto for Piano and Orchestra, op. 42: I. Andante - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 10-2 | Concerto for Piano and Orchestra, op. 42: II. Molto allegro [bar 176] - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 10-3 | Concerto for Piano and Orchestra, op. 42: III. Adagio [bar 264] - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 10-4 | Concerto for Piano and Orchestra, op. 42: IV. Giocoso (moderato) [bar 329] | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 10-5 | 5 Piano Pieces, op. 23: No. 1: Sehr langsam | Peter Serkin | — | |
| 10-6 | 5 Piano Pieces, op. 23: No. 2: Sehr rasch | Peter Serkin | — | |
| 10-7 | 5 Piano Pieces, op. 23: No. 3: Langsam | Peter Serkin | — | |
| 10-8 | 5 Piano Pieces, op. 23: No. 4: Schwungvoll. Mäßige Viertel | Peter Serkin | — | |
| 10-9 | 5 Piano Pieces, op. 23: No. 5: Walzer | Peter Serkin | — | |
| 10-10 | Fantasy for Violin with Piano Accompaniment, op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso - | Peter Serkin, Arnold Steinhardt | — | |
| 10-11 | Fantasy for Violin with Piano Accompaniment, op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I | Peter Serkin, Arnold Steinhardt | — | |
| 11-1 | Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 11-2 | Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto - attacca | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 11-3 | Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo. Allegro | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 12-1 | Turangalîla Symphony: I. Introduction | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-2 | Turangalîla Symphony: II. Chant d'amour 1 | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-3 | Turangalîla Symphony: III. Turangalîla 1 | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-4 | Turangalîla Symphony: IV. Chant d'amour 2 | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-5 | Turangalîla Symphony: V. Joie du sang des étoiles | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-6 | Turangalîla Symphony: VI. Jardin du sommeil d'amour | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-7 | Turangalîla Symphony: VII. Turangalîla 2 | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-8 | Turangalîla Symphony: VIII. Développement d'amour | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-9 | Turangalîla Symphony: IX. Turangalîla 3 | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 12-10 | Turangalîla Symphony: X. Final | Jeanne Loriod, Yvonne Loriod, Toronto Symphony Orchestra, Seiji Ozawa | — | |
| 13-1 | Fireworks, Op. 4 | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 13-2 | The Rite of Spring: Part I (The Adoration of the Earth). Introduction | Chicago Symphony Orchestra, Seiji Ozawa | T-041.489.062-2 | |
| 13-3 | The Rite of Spring: Part I (The Adoration of the Earth). Harbingers of Spring (Dances of the Young Girls) | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 13-4 | The Rite of Spring: Part I (The Adoration of the Earth). Mock Abduction | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 13-5 | The Rite of Spring: Part I (The Adoration of the Earth). Spring Khorovod (Round Dances) | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 13-6 | The Rite of Spring: Part I (The Adoration of the Earth). Games of the Rival Tribes | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 13-7 | The Rite of Spring: Part I (The Adoration of the Earth). Procession of the Wise Elder | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 13-8 | The Adoration of the Earth: Adoration of the Earth | Игорь Фёдорович Стравинский | — | |
| 13-9 | The Adoration of the Earth: Dance of the Earth | Игорь Фёдорович Стравинский | T-070.257.887-7 | |
| 13-10 | The Rite of Spring: Part II (The Sacrifice). Introduction | Chicago Symphony Orchestra, Seiji Ozawa | T-041.489.062-2 | |
| 13-11 | The Rite of Spring: Part II (The Sacrifice). Mystic Circles of the Young Girls | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 13-12 | The Rite of Spring: Part II (The Sacrifice). Glorification of the Chosen Victim | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 13-13 | The Rite of Spring: Part II (The Sacrifice). Summoning of the Ancestors | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 13-14 | The Rite of Spring: Part II (The Sacrifice). Ritual of the Ancestors | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 13-15 | The Rite of Spring: Part II (The Sacrifice). Sacrificial Dance (Chosen One) | Chicago Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 14-1 | Symphony No. 5 in E Minor, Op. 64: I. Andante - Allegro con anima - Allegro con anima | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 14-2 | Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile con alcuna licenza | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 14-3 | Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 14-4 | Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso - Allegro vivace - Allegro vivace | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 14-5 | Night on Bald Mountain | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-5 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 15-6 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 16-1 | November Steps | Kinshi Tsuruta, Katsuya Yokoyama, Toronto Symphony, Seiji Ozawa | — | |
| 16-2 | Asterism for Piano and Orchestra | Yuji Takahashi, Toronto Symphony, Seiji Ozawa | — | |
| 16-3 | Green for Orchestra | Toronto Symphony, Seiji Ozawa | — | |
| 16-4 | Requiem for String Orchestra | Toronto Symphony, Seiji Ozawa | — | |
| 16-5 | The Dorian Horizon for 17 Strings | Toronto Symphony, Seiji Ozawa | — | |
| 17-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | André Watts, New York Philharmonic, Seiji Ozawa | — | |
| 17-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | André Watts, New York Philharmonic, Seiji Ozawa | — | |
| 17-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | André Watts, New York Philharmonic, Seigi Ozawa | — | |
| 18-1 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-2 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-3 | Symphony no. 35 in D major, K. 385 "Haffner": III. Minuet | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-4 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale: Presto | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-5 | Symphony no. 28 in C major, K. 200: I. Allegro spiritoso | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-6 | Symphony no. 28 in C major, K. 200: II. Andante | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-7 | Symphony no. 28 in C major, K. 200: III. Minuet: Allegretto | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 18-8 | Symphony no. 28 in C major, K. 200: IV. Finale: Presto | New Philharmonia Orchestra, Seiji Ozawa | — | |
| 19-1 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-2 | Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.131.696-8 | |
| 19-3 | Carmina Burana: I. Primo vere: 3. Veris leta facies | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-4 | Carmina Burana: I. Primo vere: 4. Omnia Sol temperat | Sherrill Milnes, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-5 | Carmina Burana: I. Primo vere: 5. Ecce gratum | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-6 | Carmina Burana: Uf dem anger: 6. Tanz | Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-7 | Carmina Burana: Uf dem anger: 7. Floret silva | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-8 | Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-9 | Carmina Burana: Uf dem anger: 9. Reie / Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-10 | Carmina Burana: Uf dem anger: 10. Were diu werlt alle min | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-11 | Carmina Burana: II. In taberna: 11. Estuans interius | Sherrill Milnes, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-12 | Carmina Burana: II. In taberna: 12. Olim lacus colueram | Stanley Kolk, New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-13 | Carmina Burana: II. In taberna: 13. Ego sum abbas | Sherrill Milnes, New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-14 | Carmina Burana: II. In taberna: 14. In taberna quando sumus | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-15 | Carmina Burana: III. Cour d’amours: 15. Amor volat undique | Children's Chorus of the New England Conservatory, Evelyn Mandac, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-16 | Carmina Burana: III. Cour d’amours: 16. Dies, nox et omnia | Sherrill Milnes, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-17 | Carmina Burana: III. Cour d’amours: 17. Stetit puella | Evelyn Mandac, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-18 | Carmina Burana: III. Cour d’amours: 18. Circa mea pectora | Sherrill Milnes, New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-19 | Carmina Burana: III. Cour d’amours: 19. Si puer cum puellula | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-20 | Carmina Burana: III. Cour d’amours: 20. Veni, veni, venias | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-21 | Carmina Burana: III. Cour d’amours: 21. In trutina | Evelyn Mandac, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-22 | Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum | Children's Chorus of the New England Conservatory, Evelyn Mandac, Sherrill Milnes, New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 19-23 | Carmina Burana: III. Cour d’amours: 23. Dulcissime | Evelyn Mandac, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-24 | Carmina Burana: Blanziflor et Helena: 24. Ave formosissima | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 19-25 | Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | New England Conservatory Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-800.639.771-4 | |
| 20-1 | Suite from "The Firebird" (1919) - I. Introduction | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-2 | Suite from "The Firebird" (1919) - II.The Firebird and Its Dance | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-3 | Suite from "The Firebird" (1919) - III. Varietion of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-4 | Suite from "The Firebird" (1919) - IV. The Round of the Princesses | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-5 | Suite from "The Firebird" (1919) - V. Infernal Dance of King Kastchei | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-6 | Suite from "The Firebird" (1919) - VI. Lullaby | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-7 | Suite from "The Firebird" (1919) - VII. Finale | Boston Symphony Orchestra, Seiji Ozawa | T-070.257.887-7 | |
| 20-8 | Petrouchka (1947) - Scene I: The Shrovetide Fair - Vivace | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-9 | Petrouchka (1947) - Scene I: The Shrovetide Fair - The Magic Trick | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-10 | Petrouchka (1947) - Scene I: The Shrovetide Fair - Russian Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-11 | Petrouchka (1947) - Scene II: Petrouchka's Cell | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-12 | Petrouchka (1947) - Scene III: The Moor's Cell - L'istesso tempo | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-13 | Petrouchka (1947) - Scene III: The Moor's Cell - Dance of the Ballerina | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-14 | Petrouchka (1947) - Scene III: The Moor's Cell - Waltz | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-15 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Tempo giusto | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-16 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Wet Nurses' Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-17 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Peasant with Bear | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-18 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Gypsies and a Rake Vendor | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-19 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Dance of the Coachmen | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-20 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Masquaraders | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-21 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - The Scuffle (Moor and Petrouchka) | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-22 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Death of Petrouchka | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 20-23 | Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Appearance of Petrouchka's Ghost | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 21-1 | Crossing | Tokyo Philharmonic Chorus, Keiko Abe, Harumi Ibe, Mari Kimura, Yuji Takahashi, The Japan Philharmonic Orchestra, Seiji Ozawa | — | |
| 21-2 | Egen | Japan Philharmonic Orchestra, Hiroshi Wakasugi | — | |
| 21-3 | Hibiki Hana Ma | Japan Philharmonic Orchestra, Seiji Ozawa | — | |
| 22-1 | Concerto for Piano and Orchestra in D-flat major, op. 38: I. Allegro ma non troppo e maestoso | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 22-2 | Concerto for Piano and Orchestra in D-flat major, op. 38: II. Andante con anima | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 22-3 | Concerto for Piano and Orchestra in D-flat major, op. 38: III. Allegro brillante | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 22-4 | Fantasia on Hungarian Folk Melodies, S. 123 | Philippe Entremont, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 23-1 | Shéhérazade for Mezzo-Soprano and Orchestra: I. Asie | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | T-003.015.891-8 | |
| 23-2 | Shéhérazade for Mezzo-Soprano and Orchestra: II. La flûte enchantée | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | T-003.015.891-8 | |
| 23-3 | Shéhérazade for Mezzo-Soprano and Orchestra: III. L'indifférent | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | T-003.015.891-8 | |
| 23-4 | Cinq mélodies populaires grecques: 1. Chanson de la mariée. Modéré | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-5 | Cinq mélodies populaires grecques: 5. Tout gai! Allegro | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-6 | Deux mélodies hébraïques: I. Kaddisch | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-7 | Deux mélodies hébraïques: II. L'énigme éternelle | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-8 | Chansons Madécasses: 1. Nahandove, ô belle Nahandove | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-9 | Chansons Madécasses: 2. Aoua! Aoua! Méfiez-vous des Blancs | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 23-10 | Chansons Madécasses: 3. Il est doux de se coucher | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 24-1 | Violin Concerto in E minor, op. 64: Allegro molto appassionato | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | T-312.542.566-9 | |
| 24-2 | Violin Concerto in E minor, op. 64: Andante | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 24-3 | Violin Concerto in E minor, op. 64: Allegretto non troppo; Allegro molto vivace | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 24-4 | Romance in F major, op. 50 | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 24-5 | Romance in G major, op. 40 | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-1 | Les Nuits d’été, op. 7: Villanelle | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-2 | Les Nuits d’été, op. 7: Le Spectre de la rose | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-3 | Les Nuits d’été, op. 7: Sur les lagunes | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-4 | Les Nuits d’été, op. 7: Absence | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-5 | Les Nuits d’été, op. 7: Au cimetière | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-6 | Les Nuits d’été, op. 7: L’Île inconnue | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 25-7 | La Damoiselle élue | Frederica von Stade, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-1 | Don Quixote, op. 35: Introduction: Mässiges Zeitmass | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-2 | Don Quixote, op. 35: Theme: Don Quixote, The Knight of the Sorrowful Countenance: Mässig Sancho Panza: Maggiore | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-3 | Don Quixote, op. 35: Variation I: Gemächlich | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-4 | Don Quixote, op. 35: Variation II - Kriegerisch | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-5 | Don Quixote, op. 35: Variation III: Mässiges Zeitmass | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-6 | Don Quixote, op. 35: Variation IV - Etwas breiter | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-7 | Don Quixote, op. 35: Variation V - Sehr langsam | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-8 | Don Quixote, op. 35: Variation VI - Schnell | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-9 | Don Quixote, op. 35: Variation VII: Ein wenig ruhiger als vorher | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-10 | Don Quixote, op. 35: Variation VIII: Gemächlich | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-11 | Don Quixote, op. 35: Variation IX: Schnell und stürmisch | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-12 | Don Quixote, op. 35: Variation X - Viel breiter | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-13 | Don Quixote, op. 35: Finale: Sehr ruhig | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-14 | Concerto for Cello & Orchestra: I. Allegro moderato | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-15 | Concerto for Cello & Orchestra: II. Andante, alla marcia | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 26-16 | Concerto for Cello & Orchestra: III. Tempo di Minuetto | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-1 | Concerto for Piano and Orchestra in D major "For the Left Hand": I. Lento - Andante - Allegro - Tempo 1° | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | T-003.007.888-6 | |
| 27-2 | Concerto for Piano (left hand) and Orchestra no. 4 in B-flat major, op. 53: I. Vivace | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-3 | Concerto for Piano (left hand) and Orchestra no. 4 in B-flat major, op. 53: II. Andante | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-4 | Concerto for Piano (left hand) and Orchestra no. 4 in B-flat major, op. 53: III. Moderato | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-5 | Concerto for Piano (left hand) and Orchestra no. 4 in B-flat major, op. 53: IV. Vivace | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-6 | Diversions for Piano (left hand) and Orchestra, op. 21: Theme. Maestoso | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-7 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 1: Recitative. L'istesso tempo | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-8 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 2: Romance. Allegretto mosso | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-9 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 3: March. Allegro con brio | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-10 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 4: Arabesque. Allegretto | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-11 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 5: Chant: Andante solennemente | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-12 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 6: Nocturne. Andante piacevole | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-13 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 7: Badinerie. Grave | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-14 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 8: Burlesque. Molto moderato | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-15 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 9a: Toccata I. Allegro | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-16 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 9b: Toccata II. L'istesso tempo | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-17 | Diversions for Piano (left hand) and Orchestra, op. 21: Var. 10: Adagio | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 27-18 | Diversions for Piano (left hand) and Orchestra, op. 21: Finale - Tarantella. Presto con fuoco | Leon Fleisher, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 28-1 | Concerto for Violoncello and Orchestra no. 2: I. Moderato | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 28-2 | Concerto for Violoncello and Orchestra no. 2: II. Allegro | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 28-3 | Concerto for Violoncello and Orchestra no. 2: III. Lento | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 28-4 | Concerto for Violoncello and Orchestra no. 2: IV. Allegretto vivo | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 28-5 | Concerto for Violoncello and Orchestra no. 2: V. Grave | Mstislav Rostropovich, London Symphony Orchestra, Seiji Ozawa | — | |
| 28-6 | In memoriam...: I. Moderato | London Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-7 | In memoriam...: II. Tempo di Valse | London Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-8 | In memoriam...: III. Andante | London Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-9 | In memoriam...: IV. Lento | London Symphony Orchestra, Mstislav Rostropovich | — | |
| 28-10 | In memoriam...: V. Moderato pastorale | London Symphony Orchestra, Mstislav Rostropovich | — | |
| 29-1 | Pique Dame: Introduction | Пётр Ильич Чайковский | T-041.489.062-2 | |
| 29-2 | Pique Dame: Act I, Scene I. No. 1 Chorus of Children and Women: "Gori, gori yasno" (Children's Chorus, Women's Chorus, Child Commander) | Пётр Ильич Чайковский | — | |
| 29-3 | Pique Dame: Act I, Scene I. No. 2 Scene and Arioso: "Chem konchilas vchera igra?" (Chekalinsky, Surin, Tomsky, Herman) | Пётр Ильич Чайковский | — | |
| 29-4 | Pique Dame: Act I, Scene I. No. 2 Scene and Arioso: "Ya imeni yeyo" (Herman) | Пётр Ильич Чайковский | — | |
| 29-5 | Pique Dame: Act I, Scene I. No. 2 Scene and Arioso: "A yesli tak, skorei za delo!" (Tomsky, Herman) | Пётр Ильич Чайковский | — | |
| 29-6 | Pique Dame: Act I, Scene I. No. 3 Chorus and Scene: "Nakonets-to Bog" (Chorus) - "A ty uveren" (Tomsky, Herman) | Пётр Ильич Чайковский | — | |
| 29-7 | Pique Dame: Act I, Scene I. No. 3 Chorus and Scene: Duet "Schastlivy den" (Yeletsky, Herman) - "Skazhi, na kom ty zhenishsya" (Tomsky, Herman, Yeletsky, Lisa, Countess) | Пётр Ильич Чайковский | — | |
| 29-8 | Pique Dame: Act I, Scene I. No. 4 Quintet and Scene: "Mne strashno!" (Lisa, Countess, Herman, Yeletsky, Tomsky) | Пётр Ильич Чайковский | — | |
| 29-9 | Pique Dame: Act I, Scene I. No. 5 Scene and Ballad: "Kakaya vedma" (Surin, Chekalinsky, Tomsky) | Пётр Ильич Чайковский | — | |
| 29-10 | Pique Dame: Act I, Scene I. No. 5 Scene and Ballad: "Odnazhdy v Versalye" (Tomsky) | Пётр Ильич Чайковский | — | |
| 29-11 | Pique Dame: Act I, Scene I. No. 6 Final Scene: "Se non è vero" (Chekalinsky, Surin, Chorus, Herman) | Пётр Ильич Чайковский | — | |
| 29-12 | Pique Dame: Act I, Scene II. No. 7 Duet: "Uzh vecher" (Lisa, Pauline) | Пётр Ильич Чайковский | — | |
| 29-13 | Pique Dame: Act I, Scene II. No. 8 Romance and Russian Song with Chorus: "Obvorozhitelno!" (Women's Chorus, Lisa, Pauline) | Пётр Ильич Чайковский | — | |
| 29-14 | Pique Dame: Act I, Scene II. No. 8 Romance and Russian Song with Chorus: "Da, vspomnila... Podrugi milie" (Pauline, Women's Chorus) | Пётр Ильич Чайковский | — | |
| 29-15 | Pique Dame: Act I, Scene II. No. 8 Romance and Russian Song with Chorus: "Nu-ka, svetik Mashenka" (Pauline, Women's Chorus) | Пётр Ильич Чайковский | — | |
| 29-16 | Pique Dame: Act I, Scene II. No. 9 Scene and Arioso: "Mesdemoiselles" (Governess) | Пётр Ильич Чайковский | — | |
| 29-17 | Pique Dame: Act I, Scene II. No. 10 Final Scene: "Pora uzh raskhoditsya" (Governess, Pauline, Lisa) - "Ne nado zatvorit" (Lisa, Masha) | Пётр Ильич Чайковский | — | |
| 29-18 | Pique Dame: Act I, Scene II. No. 10 Final Scene: Zachem zhe eti slyozy" (Lisa) | Пётр Ильич Чайковский | — | |
| 29-19 | Pique Dame: Act I, Scene II. No. 10 Final Scene: "Ostanovites" (Herman, Lisa) | Пётр Ильич Чайковский | — | |
| 29-20 | Pique Dame: Act I, Scene II. No. 10 Final Scene: "Prosti, prelestnoe sozdanye" (Herman) | Пётр Ильич Чайковский | — | |
| 29-21 | Pique Dame: Act I, Scene II. No. 10 Final Scene: "Liza, otvori!" (Countess, Lisa) | Пётр Ильич Чайковский | — | |
| 29-22 | Pique Dame: Act I, Scene II. No. 10 Final Scene: "'Kto strastno lyubya pridyot" (Herman, Lisa) | Пётр Ильич Чайковский | — | |
| 30-1 | Pique Dame: Act II, Scene I. No. 11 Entr'acte and Chorus: "Radostno, veselo v den sei" (Chorus) | Пётр Ильич Чайковский | — | |
| 30-2 | Pique Dame: Act II, Scene I. No. 12 Scene and Aria: "Khozyain prosit dorogikh" (Major Domo, Chekalinsky, Surin, Tomsky, Yeletsky, Lisa) | Пётр Ильич Чайковский | — | |
| 30-3 | Pique Dame: Act II, Scene I. No. 12 Scene and Aria: "Ya vas lyublyu" (Yeletsky) | Пётр Ильич Чайковский | — | |
| 30-4 | Pique Dame: Act II, Scene I. No. 13 Scene: "Posle predstavleniya" (Herman, Chekalinsky, Surin) | Пётр Ильич Чайковский | — | |
| 30-5 | Pique Dame: Act II, Scene I. No. 14 Intermezzo: The Faithful Shepherdess: "Khozyain prosit dorogikh gostei" (Major Domo, Chorus) | Пётр Ильич Чайковский | — | |
| 30-6 | Pique Dame: Act II, Scene I. No. 14 Intermezzo: The Faithful Shepherdess: Dance of the Shepherds and Shepherdesses (Sarabande) | Пётр Ильич Чайковский | — | |
| 30-7 | Pique Dame: Act II, Scene I. No. 14 Intermezzo: The Faithful Shepherdess: Duet "Moi milenki druzhok" (Prilepa / Chloe, Milovzor / Daphnis) | Пётр Ильич Чайковский | — | |
| 30-8 | Pique Dame: Act II, Scene I. Finale (Intermezzo): "Kak ty mila" (Zlatogor / Pluto, Milovzor, Prilepa, Chorus) | Пётр Ильич Чайковский | — | |
| 30-9 | Pique Dame: Act II, Scene I. No. 15 Final Scene: "Kto pylko i strastno lyubya!" (Herman, Surin, Lisa, Major Domo, Chorus) | Пётр Ильич Чайковский | — | |
| 30-10 | Pique Dame: Act II, Scene II. No. 16 Scene and Chorus: "Vsyo tak, kak mne ona skazala" (Herman) | Пётр Ильич Чайковский | — | |
| 30-11 | Pique Dame: Act II, Scene II. No. 16 Scene and Chorus: "Shagi! syuda idut" (Herman, Chorus, Lisa, Masha) | Пётр Ильич Чайковский | — | |
| 30-12 | Pique Dame: Act II, Scene II. No. 16 Scene and Chorus: "Polno vrat vam! Nadoyeli!" (Countess) | Пётр Ильич Чайковский | — | |
| 30-13 | Pique Dame: Act II, Scene II. No. 16 Scene and Chorus: "'Je crains de lui parler la nuit'" (Countess) | Пётр Ильич Чайковский | — | |
| 30-14 | Pique Dame: Act II, Scene II. No. 17 Final Scene: "Ne pugaites!" (Herman) | Пётр Ильич Чайковский | — | |
| 30-15 | Pique Dame: Act II, Scene II. No. 17 Final Scene: "Ona mertva! Sbylos" (Herman, Lisa) | Пётр Ильич Чайковский | — | |
| 31-1 | Pique Dame: Act III, Scene I. No. 18 Entr'acte and Scene: "Ya neveryu chtoby" (Herman, Chorus) | Пётр Ильич Чайковский | — | |
| 31-2 | Pique Dame: Act III, Scene I. No. 19 Scene: "Mne strashno! strashno!" (Herman) - "Ya prishla k tebe" (Ghost of the Countess, Herman) | Пётр Ильич Чайковский | — | |
| 31-3 | Pique Dame: Act III, Scene II. No. 20 Scene and Arioso: "Uzh polnoch blizitsya" (Lisa) | Пётр Ильич Чайковский | — | |
| 31-4 | Pique Dame: Act III, Scene II. No. 20 Scene and Arioso: "Akh! istomilas ya gorem" (Lisa) | Пётр Ильич Чайковский | — | |
| 31-5 | Pique Dame: Act III, Scene II. No. 21 Scene and Duet: "A yesli mne v otvet" (Lisa, Herman) | Пётр Ильич Чайковский | — | |
| 31-6 | Pique Dame: Act III, Scene II. No. 21 Scene and Duet: "O da, minovali stradanya" (Lisa, Herman) | Пётр Ильич Чайковский | — | |
| 31-7 | Pique Dame: Act III, Scene III. No. 22 Chorus and Scene: "Budem pit i veselitsya!" (Chorus) | Пётр Ильич Чайковский | — | |
| 31-8 | Pique Dame: Act III, Scene III. No. 22 Chorus and Scene: "Dana!" (Surin, Chaplitsky, Narumov, Chekalinsky, Tomsky, Yeletsky, Chorus) | Пётр Ильич Чайковский | — | |
| 31-9 | Pique Dame: Act III, Scene III. No. 23 Song and Chorus: "Yeslib miliya devitsy" (Tomsky, Chorus, Chekalinsky) | Пётр Ильич Чайковский | — | |
| 31-10 | Pique Dame: Act III, Scene III. No. 23 Song and Chorus: "Tak v nenastnye dni" (Chekalinsky, Surin, Chaplitsky, Narumov, Chorus) | Пётр Ильич Чайковский | — | |
| 31-11 | Pique Dame: Act III, Scene III. No. 24 Final Scene: "Za dela, gospoda" (Chekalinsky, Chorus, Chaplitsky, Narumov, Surin, Yeletsky, Tomsky, Herman) | Пётр Ильич Чайковский | — | |
| 31-12 | Pique Dame: Act III, Scene III. No. 24 Final Scene: "Chto nasha zhizn?" (Herman) | Пётр Ильич Чайковский | — | |
| 31-13 | Pique Dame: Act III, Scene III. No. 24 Final Scene: "Idyot yeshcho?" (Herman, Chekalinsky, Yeletsky, Chorus) | Пётр Ильич Чайковский | — | |
| 31-14 | Pique Dame: Act III, Scene III. No. 24 Final Scene: "Knyaz! knyaz, prosti menya!" (Herman) | Пётр Ильич Чайковский | — | |
| 31-15 | Pique Dame: Act III, Scene III. No. 24 Final Scene: "Gospod! Prosti yemu!" (Chorus) | Пётр Ильич Чайковский | — | |
| 32-1 | Peter and the Wolf, op. 67 | Seiji Ozawa, Boston Symphony Orchestra | — | |
| 32-2 | Carnival of the Animals: I. Introduction and Royal March of the Lion | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-3 | Carnival of the Animals: II. Hens and Cocks | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-4 | Carnival of the Animals: III. Wild Horses | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-5 | Carnival of the Animals: IV. Tortoise | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-6 | Carnival of the Animals: V. The Elephant | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-7 | Carnival of the Animals: VI. Kangaroos | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-8 | Carnival of the Animals: VII. Aquarium | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-9 | Carnival of the Animals: VIII. Personages With Long Ears | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-10 | Carnival of the Animals: IX. The Cuckoo in the Depth of the Forest | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-11 | Carnival of the Animals: X. Aviary | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-12 | Carnival of the Animals: XI. Pianists | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-13 | Carnival of the Animals: XII. Fossils | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-14 | Carnival of the Animals: XIII. The Swan | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-15 | Carnival of the Animals: XIV. Finale | John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 32-16 | The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), op. 34 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 33-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Evgeny Kissin, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 33-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Evgeny Kissin, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 33-3 | Piano Concerto no. 3 in D minor, op. 30: III. L’istesso tempo / IV. Finale: Alla breve | Evgeny Kissin, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 33-4 | Vocalise | St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | — | |
| 33-5 | Prelude in B-flat major, op. 23 no. 2: Maestoso | Evgeny Kissin | — | |
| 33-6 | Rhapsodie espagnole | Evgeny Kissin | T-003.015.127-9 | |
| 33-7 | Liebeslied, S 566 (Schumann: Widmung) | Evgeny Kissin | T-001.310.296-9 | |
| 34-1 | Carnival Overture, Op. 92 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 34-2 | Romance in F minor for Violin & Orchestra, Op. 11 | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-010.662.015-8 | |
| 34-3 | Silent Woods for Cello and Orchestra, op. 68 no. 5 | Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 34-4 | Humoresque in G-flat major, op. 101 no. 7 | Yo-Yo Ma, Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-106.610.454-7 | |
| 34-5 | O Moon High up in the Deep Sky | Frederica von Stade, Boston Symphony Orchestra, 小澤征爾 | — | |
| 34-6 | Psalm 149 for Chorus & Orchestra, Op. 79 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 34-7 | Humoresque in E-flat minor, Op. 101, #1 | Rudolf Firkušný | — | |
| 34-8 | Gypsy Songs, op. 55: no. 4, When My Mother Taught Me to Sing | Frederica von Stade, Rudolf Firkušný | — | |
| 34-9 | Gypsy Songs, op. 55: no. 5, The Strings Are Tuned | Frederica von Stade, Rudolf Firkušný | — | |
| 34-10 | 'Dumky' Trio, Op. 90: Allegro (Dumka #5) | Rudolf Firkušný, Yo-Yo Ma, Itzhak Perlman, Seiji Ozawa | — | |
| 34-11 | Slavonic Dance in E minor, op. 72 no. 2 | Yo-Yo Ma, Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 34-12 | Slavonic Dance in C major, Op. 72, #7 | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-1 | Requiem, op. 5: Requiem & Kyrie: Introitus | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-2 | Requiem, op. 5: Dies irae: Prosa; Tuba mirum | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-3 | Requiem, op. 5: Quid sum miser | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-4 | Requiem, op. 5: Rex tremendae | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-5 | Requiem, op. 5: Quaerens me | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-6 | Requiem, op. 5: Lacrymosa | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-7 | Requiem, op. 5: Offertorium | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-8 | Requiem, op. 5: Hostias | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-9 | Requiem, op. 5: Sanctus | Vinson Cole, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 35-10 | Requiem, op. 5: Agnus Dei | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 36-1 | Requiem, op. 48: I. Introït et Kyrie | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 36-2 | Requiem, op. 48: II. Offertoire | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 36-3 | Requiem, op. 48: III. Sanctus | Boston Symphony Orchestra, Seiji Ozawa | T-003.012.217-8 | |
| 36-4 | Requiem, op. 48: IV. Pie Jesu | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 36-5 | Requiem, op. 48: V. Agnus Dei et Lux aeterna | Boston Symphony Orchestra, Seiji Ozawa | T-926.356.677-4 | |
| 36-6 | Requiem, op. 48: VI. Libera me | Boston Symphony Orchestra, Seiji Ozawa | T-329.460.025-8 | |
| 36-7 | Requiem, op. 48: VII. In paradisum | Boston Symphony Orchestra, Seiji Ozawa | T-924.489.944-3 | |
| 36-8 | Deux mélodies, op. 27: No. 1. Chanson d'amour | Barbara Bonney, Warren Jones | — | |
| 36-9 | Quatre mélodies, op. 39: No. 1. Aurore | Barbara Bonney, Warren Jones | — | |
| 36-10 | Deux mélodies, op. 27: No. 2. La Fée aux chansons | Barbara Bonney, Warren Jones | — | |
| 36-11 | Trois mélodies, op. 23: No. 3. Le Secret | Barbara Bonney, Warren Jones | — | |
| 36-12 | Trois mélodies, op. 23: No. 2. Notre amour | Barbara Bonney, Warren Jones | — | |
| 36-13 | Trois mélodies, op. 18: No. 1. Nell | Warren Jones, Håkan Hagegård | — | |
| 36-14 | Trois mélodies, op. 18: No. 2. Le Voyageur | Warren Jones, Håkan Hagegård | — | |
| 36-15 | Deux mélodies, op. 4: No. 1. Chanson du pêcheur | Warren Jones, Håkan Hagegård | — | |
| 36-16 | Poème d'un jour, op. 21: No. 1. Rencontre | Warren Jones, Håkan Hagegård | — | |
| 36-17 | Poème d'un jour, op. 21: No. 2. Toujours | Warren Jones, Håkan Hagegård | — | |
| 36-18 | Poème d'un jour, op. 21: No. 3. Adieu | Warren Jones, Håkan Hagegård | — | |
| 36-19 | Quatre mélodies, op. 39: No. 2. Fleur jetée | Warren Jones, Håkan Hagegård | — | |
| 36-20 | Cinq mélodies, op. 58 "Mélodies de Venise": No. 2. En sourdine | Warren Jones, Håkan Hagegård | — | |
| 37-1 | Concerto for Flute and Orchestra no. 1 in G major, KV313 (285c): I. Allegro maestoso | Shigenori Kudo, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-2 | Concerto for Flute and Orchestra no. 1 in G major, KV313 (285c): II. Adagio ma non troppo | Shigenori Kudo, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-3 | Concerto for Flute and Orchestra no. 1 in G major, KV313 (285c): III. Rondo: Tempo di menuette | Shigenori Kudo, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-4 | Concerto for Bassoon and Orchestra in B‐flat major, KV191 (186e): I. Allegro | Dag Jensen, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-5 | Concerto for Bassoon and Orchestra in B‐flat major, KV191 (186e): II. Andante ma adagio | Dag Jensen, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-6 | Concerto for Bassoon and Orchestra in B‐flat major, KV191 (186e): III. Rondo: Tempo di menuette | Dag Jensen, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-7 | Concerto for Oboe and Small Orchestra in D major : I. Allegro moderato | Fumiaki Miyamoto, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-8 | Concerto for Oboe and Small Orchestra in D major : II. Andante | Fumiaki Miyamoto, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 37-9 | Concerto for Oboe and Small Orchestra in D major : III. Vivace | Fumiaki Miyamoto, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 38-1 | Symphony No.2 in C minor "Resurrection": I. Allegro maestoso | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 38-2 | Symphony No.2 in C minor "Resurrection": II. Andante moderato | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 39-1 | Symphony No.2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 39-2 | Symphony No.2 in C minor "Resurrection": IV. "Urlicht" Sehr feierlich,aber schlicht | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 39-3 | Symphony No.2 in C minor "Resurrection": V. Im Tempo des Scherzos | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 40-1 | Applause | [no artist] | — | |
| 40-2 | Symphony no. 9 in D major: I. Andante comodo | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 41-1 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Landlers. Etwas täppisch und sehr derb | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 41-2 | Symphony no. 9 in D major: III. Rondo: Burleske. Allegro assai. Sehr trotzig | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 41-3 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | Saito Kinen Orchestra, Seiji Ozawa | — | |
| 42-1 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso | Arcadi Volodos, Berliner Philharmoniker, Seiji Ozawa | — | |
| 42-2 | Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino | Arcadi Volodos, Berliner Philharmoniker, Seiji Ozawa | — | |
| 42-3 | Piano Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco | Arcadi Volodos, Berliner Philharmoniker, Seiji Ozawa | — | |
| 42-4 | Prélude in Ges‐Dur, op. 23 no. 10 | Arcadi Volodos | — | |
| 42-5 | Moment musical in Es‐Moll, op. 16 no. 2 | Arcadi Volodos | — | |
| 42-6 | Daisies, op. 38 no. 3 | Arcadi Volodos | T-902.891.143-5 | |
| 42-7 | Prélude in G‐Dur, op. 32 no. 5 | Arcadi Volodos | — | |
| 42-8 | Oriental Sketch | Arcadi Volodos | — | |
| 42-9 | Mélodie in E‐Dur, op. 3 no. 3 | Arcadi Volodos | — | |
| 42-10 | Konzert-Paraphrase der 'Polka italienne' | Arcadi Volodos | — | |
| 43-1 | Symphony no. 40 in G minor K. 550: I. Molto allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-2 | Symphony no. 40 in G minor K. 550: II. Andante | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-3 | Symphony no. 40 in G minor K. 550: III. Menuetto (Allegretto) | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-4 | Symphony no. 40 in G minor K. 550: IV. Finale (Allegro assai) | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-5 | Sinfonia concertante in E‐Flat Major K. Anh. 9 (297B) [Reconstruction By Levin]: I. Allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-6 | Sinfonia concertante in E‐Flat Major K. Anh. 9 (297B) [(Reconstruction By Levin]: II. Adagio | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 43-7 | Sinfonia concertante in E‐Flat Major K. Anh. 9 (297B) [Reconstruction By Levin]: III. Andantino con variazioni | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-1 | Symphony no. 36 in C major, K. 425 “Linz”: I. Adagio - Allegro spiritoso | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-2 | Symphony no. 36 in C major, K. 425 “Linz”: II. Andante | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-3 | Symphony no. 36 in C major, K. 425 “Linz”: III. Menuetto - Trio | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-4 | Symphony no. 36 in C major, K. 425 “Linz”: IV. Presto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-5 | Symphony no. 38 in D major, K. 504 “Prague”: I. Adagio - Allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-6 | Symphony no. 38 in D major, K. 504 “Prague”: II. Andante | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-7 | Symphony no. 38 in D major, K. 504 “Prague”: III. Presto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-8 | Motetus “Exsultate, jubilate o vos animae beatae”, K. 165 (158a): Allegro [Exsultate, jubilate] | Maki Mori, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-9 | Motetus “Exsultate, jubilate o vos animae beatae”, K. 165 (158a): Recitativo [Fulget amica dies] | Maki Mori, Mito Chamber Orchestra, Seiji Ozawa | T-921.158.748-3 | |
| 44-10 | Motetus “Exsultate, jubilate o vos animae beatae”, K. 165 (158a): Andante [Tu virginum corona] | Maki Mori, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 44-11 | Motetus “Exsultate, jubilate o vos animae beatae”, K. 165 (158a): Allegro [Alleluja] | Maki Mori, Mito Chamber Orchestra, Seiji Ozawa | T-061.498.271-6 | |
| 45-1 | Horn Concerto no. 1 in D major, K. 412 + K. 514 (K.386b): I. Allegro | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-2 | Horn Concerto no. 1 in D major, K. 412 + K. 514 (K.386b): II. Rondo Allegro | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-3 | Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-4 | Horn Concerto no. 2 in E-flat major, K. 417: II. Andante | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-5 | Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo. Allegro | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-6 | Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-7 | Horn Concerto no. 3 in E-flat major, K. 447: II. Romance. Larghetto | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-8 | Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | T-900.137.696-1 | |
| 45-9 | Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro maestoso | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | T-900.137.696-1 | |
| 45-10 | Horn Concerto no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 45-11 | Horn Concerto no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Radek Baborák, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-1 | Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-2 | Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-3 | Symphony no. 41 in C major, K. 551 “Jupiter”: III. Menuetto. Allegretto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-4 | Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-5 | Violin Concerto no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto | Masuko Ushioda, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-6 | Violin Concerto no. 5 in A major, K. 219 “Turkish”: II. Adagio | Masuko Ushioda, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 46-7 | Violin Concerto no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di Menuetto | Masuko Ushioda, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 47-1 | Concerto For Piano And Orchestra no. 1 in G minor, op. 25: I. Molto Allegro Con Fuoco | Yu Kosuge, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 47-2 | Concerto For Piano And Orchestra no. 1 in G minor, op. 25: II. Andante | Yu Kosuge, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 47-3 | Concerto For Piano And Orchestra no. 1 in G minor, op. 25: III. Presto - Molto Allegro E Vivace | Yu Kosuge, Mito Chamber Orchestra, Seiji Ozawa | — | |
| 47-4 | Songs Without Words - Book 5, op. 62 no. 1 in G major | Yu Kosuge | — | |
| 47-5 | Songs Without Words - Book 6, op. 67 no. 4 in C major “Spinning Song” | Yu Kosuge | T-931.717.661-7 | |
| 47-6 | Songs Without Words - Book 5, op. 62 no. 5 in A minor “Venetian Gondola Song no. 3” | Yu Kosuge | T-931.717.655-9 | |
| 47-7 | Songs Without Words - Book 5, op. 62 no. 6 in A major “Spring Song” | Yu Kosuge | — | |
| 47-8 | Songs Without Words - Book 4, op. 53 no. 3 in G minor | Yu Kosuge | — | |
| 47-9 | Songs Without Words - Book 3, op. 38 no. 6 in A‐Flat major “Duetto” | Yu Kosuge | — | |
| 47-10 | Rondo Capriccioso, op. 14 | Yu Kosuge | — | |
| 47-11 | Prelude And Fugue, op. 35: no. 1: Prelude | Yu Kosuge | T-902.302.509-4 | |
| 47-12 | Prelude And Fugue, op. 35: no. 1: Fugue | Yu Kosuge | T-902.302.509-4 | |
| 47-13 | Variations Serieuses, op. 54 | Yu Kosuge | — | |
| 48-1 | Symphony no. 35 in D major, K.385 “Haffner”: I. Allegro con spirito | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-2 | Symphony no. 35 in D major, K.385 “Haffner”: II. Andante | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-3 | Symphony no. 35 in D major, K.385 “Haffner”: III. Menuetto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-4 | Symphony no. 35 in D major, K.385 “Haffner”: IV. Presto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-5 | Symphony no. 39 in E‐flat major, K.543: I. Adagio - Allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-6 | Symphony no. 39 in E‐flat major, K.543: II. Andante con moto | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 48-7 | Symphony no. 39 in E‐flat major, K.543: III. Menuetto. Allegretto | Mito Chamber Orchestra, Seiji Ozawa | T-928.635.622-7 | |
| 48-8 | Symphony no. 39 in E‐flat major, K.543: IV. Finale. Allegro | Mito Chamber Orchestra, Seiji Ozawa | — | |
| 49-1 | Also sprach Zarathustra, op. 30: Einleitung. Sehr breit | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-2 | Also sprach Zarathustra, op. 30: Von den Hinterweltlern. Weniger breit | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-3 | Also sprach Zarathustra, op. 30: Von der großen Sehnsucht. Bewegter | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-4 | Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften. Bewegt | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-5 | Also sprach Zarathustra, op. 30: Das Grablied. Etwas ruhiger, ausdrucksvoll | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-6 | Also sprach Zarathustra, op. 30: Von der Wissenschaft. Sehr langsam | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-7 | Also sprach Zarathustra, op. 30: Der Genesende. Energisch | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-8 | Also sprach Zarathustra, op. 30: Ziemlich langsam - Schnell | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-9 | Also sprach Zarathustra, op. 30: Das Tanzlied | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-10 | Also sprach Zarathustra, op. 30: Nachtwandlerlied | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 49-11 | Also sprach Zarathustra, op. 30: Langsam | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-4 | Symphony no. 1 in C minor, op. 68: IV. Allegro non troppo ma con brio | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-5 | Symphony no. 9: II. Largo | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 50-6 | Central Park in the Dark | New York Philharmonic, Seiji Ozawa, Maurice Peress | — | |
| 50-7 | November Steps (excerpts) | Kinshi Tsuruta, Katsuya Yokoyama, New Japan Philharmonic, Seiji Ozawa | — | |
| 51-1 | Clarissa’s Introduction | Melissa Joan Hart | — | |
| 51-2 | Peter and the Wolf, op. 67, A Musical Tale: Introduction: Naming the Instruments | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | T-917.805.753-9 | |
| 51-3 | Peter and the Wolf, op. 67, A Musical Tale: “Early one morning Peter opened the gate and went out on a big green meadow.” | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | T-917.805.753-9 | |
| 51-4 | Peter and the Wolf, op. 67, A Musical Tale: “No sooner had Peter gone, than a big grey wolf came out of the forest.” | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | T-917.805.753-9 | |
| 51-5 | Peter and the Wolf, op. 67, A Musical Tale: “Just then the hunters came out of the woods.” | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | T-917.805.753-9 | |
| 51-6 | Carnival of the Animals: Clarissa’s Introduction | Melissa Joan Hart | — | |
| 51-7 | Carnival of the Animals: I. Introduction and Royal March of the Lions | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-8 | Carnival of the Animals: II. Hens and Roosters | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-9 | Carnival of the Animals: III. Mongolian Wild Donkeys | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-10 | Carnival of the Animals: IV. Tortoises | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-11 | Carnival of the Animals: V. The Elephant | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-12 | Carnival of the Animals: VI. Kangaroos | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-13 | Carnival of the Animals: VII. Aquarium | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-14 | Carnival of the Animals: VIII. Personages with Long Ears | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-15 | Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-16 | Carnival of the Animals: X. Aviary | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-17 | Carnival of the Animals: XI. Pianists | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-18 | Carnival of the Animals: XII. Fossils | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-19 | Carnival of the Animals: XIII. The Swan | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-20 | Carnival of the Animals: XIV. Finale | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-21 | The Young Person’s Guide to the Orchestra, op. 34: Introduction | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-22 | The Young Person’s Guide to the Orchestra, op. 34: Theme | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-23 | The Young Person’s Guide to the Orchestra, op. 34: Variations | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 51-24 | The Young Person’s Guide to the Orchestra, op. 34: Fugue | Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Young Person's Guide to the Orchestra, op. 34: Theme: Full Orchestra | Chicago Symphony Orchestra, Seiji Ozawa | T-900.107.459-5 |
