UPC · Release
“残響リファレンス” TOUR in YOKOHAMA ARENA
ONE OK ROCK
Last verified:
4562256120827 is the Universal Product Code (UPC barcode) for the release ““残響リファレンス” TOUR in YOKOHAMA ARENA” by ONE OK ROCK, released 2012-05-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (23)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | LOST AND FOUND | — | ||
| 2 | 皆無 | — | ||
| 3 | 未完成交響曲 | — | ||
| 4 | じぶんROCK | — | ||
| 5 | Re:make | — | ||
| 6 | 世間知らずの宇宙飛行士 | — | ||
| 7 | Mr.現代Speaker | — | ||
| 8 | アンサイズニア | — | ||
| 9 | カゲロウ | — | ||
| 10 | Wherever you are | — | ||
| 11 | エトセトラ | — | ||
| 12 | カラス | — | ||
| 13 | Pierce | — | ||
| 14 | C.h.a.o.s.m.y.t.h. | — | ||
| 15 | Liar | — | ||
| 16 | Let’s take it someday | — | ||
| 17 | Rock, Scissors, Paper | — | ||
| 18 | NO SCARED | — | ||
| 19 | 恋ノアイボウ心ノクピド | — | ||
| 20 | 完全感覚Dreamer | — | ||
| 21 | Nobody’s Home | — | ||
| 22 | キミシダイ列車 | — | ||
| 2-1 | “残響リファレンス” TOUR in YOKOHAMA ARENA: Tour Documentary | — |
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What is UPC 4562256120827?
4562256120827 is a Universal Product Code (UPC) assigned to “残響リファレンス” TOUR in YOKOHAMA ARENA by ONE OK ROCK. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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