UPC · Release
10×6=60 CD Box
Merzbow
4562293383872
197 tracksReleased 2021-01-01スローダウンRECORDS
Last verified:
4562293383872 is the Universal Product Code (UPC barcode) for the release “10×6=60 CD Box” by Merzbow, released 2021-01-01 on スローダウンRECORDS. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 197 tracks, each with its own ISRC. Tracks include QZWFN2466120, QZWFN2466121, QZWFN2466122.
Format
456GS1 prefix
2293Company prefix
38387Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC10×6=60 CD Box
ISRC7 recordings
ISWC1 work
Track List (197)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hyper Music 1, Vol. 1, Part 1 | — | ||
| 2 | Hyper Music 1, Vol. 1, Part 2 | — | ||
| 3 | Hyper Music 1, Vol. 1, Part 3 | — | ||
| 2-1 | 23 November 1979 (B), Part 1 | — | ||
| 2-2 | 23 November 1979 (B), Part 2 | — | ||
| 3-1 | Por#1&2, Vol. 1, Part 1 | — | ||
| 3-2 | Por#1&2, Vol. 1, Part 2 | — | ||
| 3-3 | Por#1&2, Vol. 1, Part 3 | — | ||
| 3-4 | Por#1&2, Vol. 1, Part 4 | — | ||
| 3-5 | Por#1&2, Vol. 1, Part 5 | — | ||
| 3-6 | Por#1&2, Vol. 1, Part 6 | — | ||
| 3-7 | Por#1&2, Vol. 1, Part 7 | — | ||
| 3-8 | Por#1&2, Vol. 1, Part 8 | — | ||
| 4-1 | Por#1&2, Vol. 2, Part 1 | — | ||
| 4-2 | Por#1&2, Vol. 2, Part 2 | — | ||
| 4-3 | Por#1&2, Vol. 2, Part 3 | — | ||
| 5-1 | Cretin Merz, Part 1 | — | ||
| 5-2 | Cretin Merz, Part 2 | — | ||
| 6-1 | Telecom Live A | — | ||
| 6-2 | Telecom Live B | — | ||
| 6-3 | Telecom Live C | — | ||
| 7-1 | 007B1+Ah Corps | — | ||
| 7-2 | E3B2+Ah Corps | — | ||
| 7-3 | N.A.M 6 With Radio & Tapes | — | ||
| 8-1 | [untitled] | — | ||
| 8-2 | [untitled] | — | ||
| 8-3 | [untitled] | — | ||
| 8-4 | [untitled] | — | ||
| 8-5 | [untitled] | — | ||
| 8-6 | [untitled] | — | ||
| 8-7 | [untitled] | — | ||
| 8-8 | [untitled] | — | ||
| 9-1 | [untitled] | — | ||
| 9-2 | [untitled] | — | ||
| 10-1 | Musick for Screen, Part A | — | ||
| 10-2 | Musick for Screen, Part B | — | ||
| 11-1 | A1 | — | ||
| 11-2 | A2 | — | ||
| 11-3 | A3 | — | ||
| 11-4 | B1 | — | ||
| 11-5 | B2 | — | ||
| 12-1 | A1 | — | ||
| 12-2 | A2 | — | ||
| 12-3 | B1 | — | ||
| 12-4 | B2 | — | ||
| 13-1 | Agni Hotra | — | ||
| 13-2 | Agni Loops 1 | — | ||
| 13-5 | Agni Loops 2 | — | ||
| 14-1 | Antimony | — | ||
| 14-2 | Untitled 1 | — | ||
| 14-3 | Untitled 2 | — | ||
| 14-4 | Untitled 3 | — | ||
| 16-2 | Moby Dick | — | ||
| 16-3 | Battle | — | ||
| 16-4 | Sun Organ | — | ||
| 16-5 | Ugly Radio | — | ||
| 17-2 | 3 Types of Industrial Pollution Mix 1 | — | ||
| 17-4 | [untitled] | — | ||
| 17-5 | Nigled 1 | — | ||
| 17-6 | 3 Types of Industrial Pollution Mix 2 | — | ||
| 17-7 | 3 Types of Industrial Pollution Mix 3 | — | ||
| 18-1 | De‐Soundtrack No. 3 (deA1) | — | ||
| 18-2 | Enchainement 38 (deA2) | — | ||
| 18-3 | Honedstage B‐End (deA3) | — | ||
| 18-4 | De‐Soundtrack No. 1 (deB1) | — | ||
| 18-5 | De‐Soundtrack No. 2 (deB2) | — | ||
| 18-6 | Untitled (deB3) | — | ||
| 19-1 | EP22887Mix | — | ||
| 19-2 | EP87mix | — | ||
| 20-1 | Storage Variation | — | ||
| 20-2 | Raw Material DP | — | ||
| 21-1 | Mustela Erminea Nippon | — | ||
| 21-2 | Mustela Sixasa Namiyei | — | ||
| 22-1 | Material H2 Mix 1 | Merzbow | — | |
| 22-2 | Material H2 Mix 2 | Merzbow | — | |
| 22-3 | Material H2 Mix 3 | Merzbow | — | |
| 23-1 | Ecobondage including: Prison of Takaou, Blow Up | — | ||
| 23-2 | Ha Ha Ho Bari (Mari) including: Balloon | — | ||
| 24-1 | Enclosure | — | ||
| 24-2 | Scarabe | — | ||
| 24-3 | Interline No 1–3 | — | ||
| 25-1 | Spinozaamen | — | ||
| 25-2 | Autopussy Go No Go 2 | — | ||
| 25-3 | Untitled | — | ||
| 25-4 | Brain Forest | — | ||
| 26-1 | May 91 Hi‐Fi Mix | — | ||
| 26-2 | 91~~~Mix | — | ||
| 26-3 | 1991 A1 | — | ||
| 27-1 | 1171991 Mix | — | ||
| 27-2 | 91519‐1 Mix | — | ||
| 27-3 | 91519‐2a | — | ||
| 27-4 | May 891 Mix | — | ||
| 28-1 | 1914Mix | — | ||
| 28-2 | 91519‐2b | — | ||
| 29-1 | 91921Mix | — | ||
| 29-2 | 19914Mix1 | — | ||
| 30-1 | May 891Mix | — | ||
| 30-2 | 917Mix01 | — | ||
| 30-3 | 19914Mix2 – Far East Network | — | ||
| 31-1 | Bluedelic 1 | — | ||
| 31-2 | Bluedelic 2 | — | ||
| 31-3 | Bluedelic 3 | — | ||
| 32-1 | Phillo Jazz March | — | ||
| 32-2 | Phillo Jazz June (Electronica) | — | ||
| 32-3 | Phillo Jazz July | — | ||
| 33-3 | Arthur Sound | — | ||
| 33-4 | Percussion Sound | — | ||
| 33-5 | Geometric Sound | — | ||
| 33-6 | Untitled Drums | — | ||
| 33-7 | New TD 1 | — | ||
| 33-8 | New TD 2 | — | ||
| 34-1 | G‐Rider | — | ||
| 34-2 | Phillo‐Jazz Grind | — | ||
| 34-3 | SB 1 | — | ||
| 34-4 | Freizeitfick | — | ||
| 34-5 | Elephant Memory | — | ||
| 34-6 | Pretties for You | — | ||
| 34-7 | Untitled Voice 1 | — | ||
| 34-8 | Untitled Voice 2 | — | ||
| 35-1 | Live at Doushisha University | — | ||
| 35-2 | Soundcheck for Doushisha University Performance | — | ||
| 36-1 | Chameleon Body, Part 1 | — | ||
| 36-2 | Chameleon Body, Part 2 | — | ||
| 37-1 | Cat of Shell, Part 1 | — | ||
| 37-2 | Cat of Shell, Part 2 | — | ||
| 37-3 | Cat of Shell, Part 3 | — | ||
| 38-1 | Cat of Shell, Part 4 | — | ||
| 38-2 | Cat of Shell, Part 5 | — | ||
| 39-2 | Heads of Clouds #2 | Merzbow | — | |
| 39-3 | Caudex Caudex | — | ||
| 39-4 | Tauro Extra 9712 | — | ||
| 40-1 | Tauro Extra 9751 | — | ||
| 40-2 | Tauro Extra 9791 | — | ||
| 40-3 | Tauro Extra 9792 | Merzbow | — | |
| 40-4 | Tauro Extra 9752 | — | ||
| 41-1 | Medamaya 01 | — | ||
| 41-2 | Medamaya 02 | — | ||
| 41-3 | Medamaya 03 | — | ||
| 41-4 | Medamaya 04 | — | ||
| 41-5 | Medamaya 05 | — | ||
| 42-1 | Spring Harp Collage 01 | — | ||
| 42-2 | Spring Harp Collage 03 | — | ||
| 42-3 | Drum Loop Mix 1 | — | ||
| 42-4 | Fragment 1 | — | ||
| 43-1 | Wa 3024 | — | ||
| 43-2 | Wa 3025L | — | ||
| 43-3 | Wa Rest 1 | — | ||
| 43-4 | Wa Rest Drum | — | ||
| 43-5 | Wa 817 | — | ||
| 44-1 | Mighty Ace | — | ||
| 45-1 | Tenshinkaku, Part 1 | — | ||
| 45-2 | Tenshinkaku, Part 2 | — | ||
| 45-3 | Tenshinkaku, Part 3 | — | ||
| 45-4 | Tenshinkaku, Part 4 | — | ||
| 45-5 | Tenshinkaku, Part 5 | — | ||
| 45-6 | Coal Black V3 | — | ||
| 46-1 | [untitled] | — | ||
| 46-2 | Octopus | — | ||
| 46-3 | Stormy Tuesday | — | ||
| 46-4 | Stormy Wednesday | — | ||
| 46-5 | Electric for ICC, Turn | — | ||
| 47-1 | Process 9611‐2 | — | ||
| 47-2 | Process 9611‐3 | — | ||
| 47-3 | Process 9611‐4 | — | ||
| 48-1 | Necro 2000 Version 1 | — | ||
| 48-2 | Max 1822 Front | — | ||
| 48-3 | Necro 2000 Demo | — | ||
| 48-4 | 1822 Max Back | — | ||
| 48-5 | Necro 2000 Long Mix | — | ||
| 49-1 | Voice of Pig for ID, Part 1 | — | ||
| 49-2 | Voice of Pig for ID, Part 2 | — | ||
| 49-3 | AY.....AY | — | ||
| 50-1 | Material for Structure I | — | ||
| 51-1 | Yoshinotsune Metamo – Abhunter | — | ||
| 52-1 | Duck 03531522 | — | ||
| 52-2 | Duck 03530859 | — | ||
| 52-3 | Duck 03532619 | — | ||
| 53-1 | Tubular Waves 4548 | — | ||
| 54-1 | Action 3246 | — | ||
| 54-2 | Action 1526 | — | ||
| 55-1 | 1633 A | — | ||
| 55-2 | 1633 B | — | ||
| 55-3 | 1633 + | — | ||
| 56-1 | Sphere, Pt. 1 (another take 1) | — | ||
| 56-2 | Sphere, Pt. 1 (another take 2) | — | ||
| 56-3 | Sphere, Pt. 1 (another take 3) | — | ||
| 56-4 | Fragment | — | ||
| 57-1 | Plasma Omalu | — | ||
| 57-2 | Yono | — | ||
| 57-3 | Deaf Composition #3 | — | ||
| 57-4 | Bariken Variation | — | ||
| 58-1 | Bird Variation Mix 1 – 04/8 including. Victoria Crowned Pigeon & Emu | Merzbow | — | |
| 58-2 | Bird Variation Mix 2 – 05/1 including. Black Swan & Mantra | Merzbow | — | |
| 59-1 | Electronic Union 05/5 | — | ||
| 59-2 | Song for EU 05/3 including. Denki no Numa | — | ||
| 60-1 | Rome Mix 1 | — | ||
| 60-2 | Rome Mix 2 | — |
Hyper Music 1, Vol. 1, Part 1
—
Hyper Music 1, Vol. 1, Part 2
—
Hyper Music 1, Vol. 1, Part 3
—
23 November 1979 (B), Part 1
—
23 November 1979 (B), Part 2
—
Por#1&2, Vol. 1, Part 1
—
Por#1&2, Vol. 1, Part 2
—
Por#1&2, Vol. 1, Part 3
—
Por#1&2, Vol. 1, Part 4
—
Por#1&2, Vol. 1, Part 5
—
Por#1&2, Vol. 1, Part 6
—
Por#1&2, Vol. 1, Part 7
—
Por#1&2, Vol. 1, Part 8
—
Por#1&2, Vol. 2, Part 1
—
Por#1&2, Vol. 2, Part 2
—
Por#1&2, Vol. 2, Part 3
—
Cretin Merz, Part 1
—
Cretin Merz, Part 2
—
Telecom Live A
—
Telecom Live B
—
Telecom Live C
—
007B1+Ah Corps
—
E3B2+Ah Corps
—
N.A.M 6 With Radio & Tapes
—
[untitled]
—
[untitled]
—
[untitled]
—
[untitled]
—
[untitled]
—
[untitled]
—
[untitled]
—
[untitled]
—
[untitled]
—
[untitled]
—
Musick for Screen, Part A
—
Musick for Screen, Part B
—
A1
—
A2
—
A3
—
B1
—
B2
—
A1
—
A2
—
B1
—
B2
—
Agni Hotra
—
Agni Loops 1
—
Agni Loops 2
—
Antimony
—
Untitled 1
—
Untitled 2
—
Untitled 3
—
Moby Dick
—
Battle
—
Sun Organ
—
Ugly Radio
—
3 Types of Industrial Pollution Mix 1
—
[untitled]
—
Nigled 1
—
3 Types of Industrial Pollution Mix 2
—
3 Types of Industrial Pollution Mix 3
—
De‐Soundtrack No. 3 (deA1)
—
Enchainement 38 (deA2)
—
Honedstage B‐End (deA3)
—
De‐Soundtrack No. 1 (deB1)
—
De‐Soundtrack No. 2 (deB2)
—
Untitled (deB3)
—
EP22887Mix
—
EP87mix
—
Storage Variation
—
Raw Material DP
—
Mustela Erminea Nippon
—
Mustela Sixasa Namiyei
—
Material H2 Mix 1
Merzbow
—
Material H2 Mix 2
Merzbow
—
Material H2 Mix 3
Merzbow
—
Ecobondage including: Prison of Takaou, Blow Up
—
Ha Ha Ho Bari (Mari) including: Balloon
—
Enclosure
—
Scarabe
—
Interline No 1–3
—
Spinozaamen
—
Autopussy Go No Go 2
—
Untitled
—
Brain Forest
—
May 91 Hi‐Fi Mix
—
91~~~Mix
—
1991 A1
—
1171991 Mix
—
91519‐1 Mix
—
91519‐2a
—
May 891 Mix
—
1914Mix
—
91519‐2b
—
91921Mix
—
19914Mix1
—
May 891Mix
—
917Mix01
—
19914Mix2 – Far East Network
—
Bluedelic 1
—
Bluedelic 2
—
Bluedelic 3
—
Phillo Jazz March
—
Phillo Jazz June (Electronica)
—
Phillo Jazz July
—
Arthur Sound
—
Percussion Sound
—
Geometric Sound
—
Untitled Drums
—
New TD 1
—
New TD 2
—
G‐Rider
—
Phillo‐Jazz Grind
—
SB 1
—
Freizeitfick
—
Elephant Memory
—
Pretties for You
—
Untitled Voice 1
—
Untitled Voice 2
—
Live at Doushisha University
—
Soundcheck for Doushisha University Performance
—
Chameleon Body, Part 1
—
Chameleon Body, Part 2
—
Cat of Shell, Part 1
—
Cat of Shell, Part 2
—
Cat of Shell, Part 3
—
Cat of Shell, Part 4
—
Cat of Shell, Part 5
—
Heads of Clouds #2
Merzbow
—
Caudex Caudex
—
Tauro Extra 9712
—
Tauro Extra 9751
—
Tauro Extra 9791
—
Tauro Extra 9792
Merzbow
—
Tauro Extra 9752
—
Medamaya 01
—
Medamaya 02
—
Medamaya 03
—
Medamaya 04
—
Medamaya 05
—
Spring Harp Collage 01
—
Spring Harp Collage 03
—
Drum Loop Mix 1
—
Fragment 1
—
Wa 3024
—
Wa 3025L
—
Wa Rest 1
—
Wa Rest Drum
—
Wa 817
—
Mighty Ace
—
Tenshinkaku, Part 1
—
Tenshinkaku, Part 2
—
Tenshinkaku, Part 3
—
Tenshinkaku, Part 4
—
Tenshinkaku, Part 5
—
Coal Black V3
—
[untitled]
—
Octopus
—
Stormy Tuesday
—
Stormy Wednesday
—
Electric for ICC, Turn
—
Process 9611‐2
—
Process 9611‐3
—
Process 9611‐4
—
Necro 2000 Version 1
—
Max 1822 Front
—
Necro 2000 Demo
—
1822 Max Back
—
Necro 2000 Long Mix
—
Voice of Pig for ID, Part 1
—
Voice of Pig for ID, Part 2
—
AY.....AY
—
Material for Structure I
—
Yoshinotsune Metamo – Abhunter
—
Duck 03531522
—
Duck 03530859
—
Duck 03532619
—
Tubular Waves 4548
—
Action 3246
—
Action 1526
—
1633 A
—
1633 B
—
1633 +
—
Sphere, Pt. 1 (another take 1)
—
Sphere, Pt. 1 (another take 2)
—
Sphere, Pt. 1 (another take 3)
—
Fragment
—
Plasma Omalu
—
Yono
—
Deaf Composition #3
—
Bariken Variation
—
Bird Variation Mix 1 – 04/8 including. Victoria Crowned Pigeon & Emu
Merzbow
—
Bird Variation Mix 2 – 05/1 including. Black Swan & Mantra
Merzbow
—
Electronic Union 05/5
—
Song for EU 05/3 including. Denki no Numa
—
Rome Mix 1
—
Rome Mix 2
—
What other identifiers does this connect to?
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What is UPC 4562293383872?
4562293383872 is a Universal Product Code (UPC) assigned to 10×6=60 CD Box by Merzbow. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 197 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm