UPC · Release
¡Released! The Human Rights Concerts 1986: A Conspiracy of Hope
Various Artists
Last verified:
4562387194001 is the Universal Product Code (UPC barcode) for the release “¡Released! The Human Rights Concerts 1986: A Conspiracy of Hope” by Various Artists, released 2013-01-01 on Ward Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 68 tracks, each with its own ISRC. Tracks include GBCBR1300054, GBCBR1300055, GBCBR1300056.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (68)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Redemption Song (live) | Bob Geldof, Steven Van Zandt | T-070.129.064-3 | |
| 2 | Now That We’ve Found Love (live) | Third World | T-070.242.589-5 | |
| 3 | You’re Playing Us Too Close | — | ||
| 4 | Day by Day | — | ||
| 5 | Lucy in the Sky With Diamonds | — | ||
| 6 | And We Danced | — | ||
| 7 | If I Had a Hammer | — | ||
| 8 | No Easy Walk to Freedom | — | ||
| 9 | Blowin’ in the Wind | — | ||
| 10 | Los Desaparecidos | — | ||
| 11 | Sanctuary | — | ||
| 12 | Native American | — | ||
| 13 | Steppin’ Out | — | ||
| 14 | Love and Affection | Joan Armatrading | T-010.178.028-2 | |
| 2-1 | For Everyman | — | ||
| 2-2 | Soldier of Plenty | — | ||
| 2-3 | Lives in the Balance | — | ||
| 2-4 | Till I Go Down | — | ||
| 2-5 | For America | — | ||
| 2-6 | I Am a Patriot | — | ||
| 2-7 | Cuentas del Alma | — | ||
| 2-8 | Muévete | — | ||
| 2-9 | Walking on Thin Ice | — | ||
| 2-10 | One Phone Call / Street Scenes | — | ||
| 2-11 | Tutu | — | ||
| 2-12 | Burn | — | ||
| 3-1 | In the Pouring Rain | — | ||
| 3-2 | No One Is to Blame | — | ||
| 3-3 | Number One | — | ||
| 3-4 | Hejira | — | ||
| 3-5 | Everybody Better Wake Up | — | ||
| 3-6 | Midnight Key | — | ||
| 3-7 | The Times They Are a‐Changin’ | — | ||
| 3-8 | Shout | — | ||
| 3-9 | No Woman No Cry | — | ||
| 3-10 | Let It Be | — | ||
| 3-11 | Amazing Grace | — | ||
| 3-12 | Rock ’n’ Roll | — | ||
| 3-13 | I Love You, Suzanne | — | ||
| 3-14 | No Money Down | — | ||
| 3-15 | Turn to Me | — | ||
| 3-16 | Walk on the Wild Side | — | ||
| 3-17 | Video Violence | — | ||
| 4-1 | Run to You | Bryan Adams | T-071.406.209-5 | |
| 4-2 | It’s Only Love | — | ||
| 4-3 | Straight From the Heart | — | ||
| 4-4 | Tonight | — | ||
| 4-5 | Summer of ’69 | — | ||
| 4-6 | Somebody | — | ||
| 4-7 | Red Rain | — | ||
| 4-8 | Shock the Monkey | — | ||
| 4-9 | Family Snapshot | — | ||
| 4-10 | Sledgehammer | — | ||
| 4-11 | San Jacinto | — | ||
| 4-12 | Biko | — | ||
| 5-1 | MLK / Pride | — | ||
| 5-2 | Bad | — | ||
| 5-3 | Sunday Bloody Sunday | — | ||
| 5-4 | Maggie’s Farm | — | ||
| 5-5 | Help! | — | ||
| 5-6 | Sun City | — | ||
| 5-7 | Message in a Bottle | — | ||
| 5-8 | King of Pain | — | ||
| 5-9 | Driven to Tears | — | ||
| 5-10 | Every Breath You Take | — | ||
| 5-11 | Roxanne | — | ||
| 5-12 | Invisible Sun | — | ||
| 5-13 | I Shall Be Released | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+44 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Identifier Graph
People also ask
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What is UPC 4562387194001?
4562387194001 is a Universal Product Code (UPC) assigned to ¡Released! The Human Rights Concerts 1986: A Conspiracy of Hope by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 68 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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