UPC · Release
TV リプライ ハマトラ オリジナル・サウンドトラック Everyone Has It!
吉森信
Last verified:
4562475251333 is the Universal Product Code (UPC barcode) for the release “TV リプライ ハマトラ オリジナル・サウンドトラック Everyone Has It!” by 吉森信, released 2014-11-19. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 横浜アンダーグラウンド | — | ||
| 2 | 偽のレクイエム | — | ||
| 3 | My buddy's Blues | — | ||
| 4 | 奇妙な人々 | — | ||
| 5 | クラブ ウィザウト | — | ||
| 6 | The Shadow of the Art | — | ||
| 7 | 理想郷の朝 | — | ||
| 8 | The Mystery of the Art | — | ||
| 9 | 長月のワルツ | — | ||
| 10 | すれちがう二人 | — | ||
| 11 | あたたかい過去 | — | ||
| 12 | 日ノ出町ストリートブギ | — | ||
| 13 | Minimum Miracle | — | ||
| 14 | Keep Cool | — | ||
| 15 | Behind the Curtain | — | ||
| 16 | Somebody's coming | — | ||
| 17 | Be angry | — | ||
| 18 | Do or Die | — | ||
| 19 | A Final Showdown | — | ||
| 20 | 宴のあと | — | ||
| 21 | Re:␣横浜アンダーグラウンド | — |
Credits Graph
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What is UPC 4562475251333?
4562475251333 is a Universal Product Code (UPC) assigned to TV リプライ ハマトラ オリジナル・サウンドトラック Everyone Has It! by 吉森信. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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