UPC · Release
アイドル♡ミラクルバイブルシリーズ 沢田富美子・佐東由梨・沢田玉恵
沢田富美子, 佐東由梨, 沢田玉恵
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4571191050045 is the Universal Product Code (UPC barcode) for the release “アイドル♡ミラクルバイブルシリーズ 沢田富美子・佐東由梨・沢田玉恵” by 沢田富美子, 佐東由梨, 沢田玉恵, released 2004-01-01 on SMDR GT Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include JPSR08101440, JPSR08221340, JPSR08603060.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | ノルマーリナ・ミーシャ（好きだわミーシャ） | — | ||
| 2 | ナターシャの子守唄 | — | ||
| 3 | ちょっと春風 | 沢田富美子 | T-101.370.822-8 | |
| 4 | 五月の色 | — | ||
| 5 | 風のシルエット | — | ||
| 6 | 銀色の雨 | — | ||
| 7 | 愛の泉 | — | ||
| 8 | 哀愁のメキシコ | — | ||
| 9 | 恋をしているの | — | ||
| 10 | どうして?! | 佐東由梨 | T-101.412.496-8 | |
| 11 | やさしくしてね | — | ||
| 12 | ロンリー・ガール | — | ||
| 13 | いかないで | — | ||
| 14 | ハート・ウォッシャー | — | ||
| 15 | 天の川 | — | ||
| 16 | 春めき少女 | — | ||
| 17 | 哀愁BOY | — | ||
| 18 | 花の精〜わたしのON-AIR〜 | 沢田玉恵 | T-101.507.250-9 | |
| 19 | 水蜜桃 | — | ||
| 20 | 紫外線 | — | ||
| 21 | 醒めた夢 | — |
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What is UPC 4571191050045?
4571191050045 is a Universal Product Code (UPC) assigned to アイドル♡ミラクルバイブルシリーズ 沢田富美子・佐東由梨・沢田玉恵 by 沢田富美子, 佐東由梨, 沢田玉恵. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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