UPC · Release
異世界魔王と召喚少女の奴隷魔術Ω Original Soundtrack Vol.3
加藤裕介, 山下洋介
Last verified:
4580055353703 is the Universal Product Code (UPC barcode) for the release “異世界魔王と召喚少女の奴隷魔術Ω Original Soundtrack Vol.3” by 加藤裕介, 山下洋介, released 2021-08-27. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tense Confrontation | — | ||
| 2 | 思い出の痛み | — | ||
| 3 | Horizon | — | ||
| 4 | Rite of Ruin | — | ||
| 5 | 肌色リズム | — | ||
| 6 | 召喚の義 | — | ||
| 7 | Conflict | — | ||
| 8 | Erlkonig Barock | — | ||
| 9 | Fateful Showdown | — | ||
| 10 | 衝撃の震え | — | ||
| 11 | 大将軍バナクネス | — | ||
| 12 | 危機来襲 | — | ||
| 13 | 希望の前奏 | — | ||
| 14 | Compassion of Lord | — | ||
| 15 | 幼き温もりと... | — | ||
| 16 | Take a break | — | ||
| 17 | 癒される時 | — | ||
| 18 | Long time no see | — | ||
| 19 | ユキノトビラ | — | ||
| 20 | 幻惑の笛 | — | ||
| 21 | ビスケットの歌 | — | ||
| 22 | Fateful Recall | — |
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People also ask
What is UPC 4580055353703?
4580055353703 is a Universal Product Code (UPC) assigned to 異世界魔王と召喚少女の奴隷魔術Ω Original Soundtrack Vol.3 by 加藤裕介, 山下洋介. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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