UPC · Release
Return to the Pleasuredome
Frankie Goes to Hollywood
Last verified:
4580132732612 is the Universal Product Code (UPC barcode) for the release “Return to the Pleasuredome” by Frankie Goes to Hollywood, released 2009-01-01 on ZTT. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBAHW0100371, GBAHW0100372, GBAHW0100352.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (28)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Relax | Frankie Goes to Hollywood | T-011.295.555-1 | |
| 2 | Two Tribes | Frankie Goes to Hollywood | T-011.295.553-9 | |
| 3 | Disneyland | Frankie Goes to Hollywood | T-011.295.552-8 | |
| 4 | War (Hide Yourself) | Frankie Goes to Hollywood | T-070.247.669-4 | |
| 5 | San Jose | Frankie Goes to Hollywood | T-070.041.064-5 | |
| 6 | Born to Run | Frankie Goes to Hollywood | T-070.014.903-6 | |
| 7 | Welcome to the Pleasuredome (original 7") | Frankie Goes to Hollywood | — | |
| 8 | Our Silver Turns to Gold | — | ||
| 10 | Rage Hard (original 7inch) | — | ||
| 11 | Happy Hi | Frankie Goes to Hollywood | T-011.320.323-8 | |
| 12 | Warriors (of the Wasteland) (original 7inch) | — | ||
| 13 | Roadhouse Blues | — | ||
| 14 | Watching the Wildlife (original 7inch) | — | ||
| 16 | The Waves | Frankie Goes to Hollywood | T-011.349.240-2 | |
| 17 | (Don’t Lose What's Left) Of Your Little Mind (7inch edit) | Frankie Goes to Hollywood | T-011.349.922-1 | |
| 18 | Suffragette City | Frankie Goes to Hollywood | T-010.452.531-6 | |
| 19 | The Power of Love | Frankie Goes to Hollywood | T-010.612.548-7 | |
| 2-2 | Two Tribes (Hibakusha mix) | Frankie Goes to Hollywood | T-011.295.553-9 | |
| 3-1 | Relax | Frankie Goes to Hollywood | T-011.295.555-1 | |
| 3-2 | Two Tribes | Frankie Goes to Hollywood | T-011.295.553-9 | |
| 3-3 | Power of Love | — | ||
| 3-4 | Welcome to the Pleasuredome | — | ||
| 3-5 | Rage Hard | — | ||
| 3-6 | Warriors of the Wasteland | — | ||
| 3-7 | Watching the Wildlife | — | ||
| 3-12 | Welcome to the Pleasuredome: '93 | — | ||
| 3-13 | Power of Love: 2K | — | ||
| 3-14 | Two Tribes: 2K | — |
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Two Tribes (Apollo Four Forty remix) | Frankie Goes to Hollywood | T-011.295.553-9 |
| Get It On | Frankie Goes to Hollywood | T-010.112.033-5 |
| Warriors of the Wasteland (Attack mix) | Frankie Goes to Hollywood | T-011.349.233-3 |
| Two Tribes (808 State remix) | Frankie Goes to Hollywood | T-011.295.553-9 |
| Relax (Jam & Spoon Trip‐O‐Matic Fairy Tale mix) | Frankie Goes to Hollywood | T-011.295.555-1 |
| Rage Hard (Young Person’s Guide Into the 12 Inch mix) | Frankie Goes to Hollywood | T-011.349.234-4 |
| Warriors of the Wasteland (Twelve Wild Disciples mix) | Frankie Goes to Hollywood | T-011.349.233-3 |
| The World Is My Oyster (In Its 7″ Form) | Frankie Goes to Hollywood | T-010.269.483-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 4580132732612?
4580132732612 is a Universal Product Code (UPC) assigned to Return to the Pleasuredome by Frankie Goes to Hollywood. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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