UPC · Release
DJCD ラジオdeアイマSHOW! Vol.5
中村繪里子, 天海春香, 今井麻美, 如月千早, 仁後真耶子, 高槻やよい
Last verified:
4580143034903 is the Universal Product Code (UPC barcode) for the release “DJCD ラジオdeアイマSHOW! Vol.5” by 中村繪里子, 天海春香, 今井麻美, 如月千早, 仁後真耶子, 高槻やよい, released 2007-12-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (11)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | オープニング | — | ||
| 2 | ふつおた | — | ||
| 3 | お仕事 『元Engage!に聞きまSHOW！ by 小鳥』 中村繪里子編 | — | ||
| 4 | お仕事 『元Engage!に聞きまSHOW！ by 小鳥』 仁後真耶子編 | — | ||
| 5 | お仕事 『元Engage!に聞きまSHOW！ by 小鳥』 今井麻美編 | — | ||
| 6 | ラジオdeラジオdeアイマSHOW！最終回 『ラジオdeアイマ笑！点』 | — | ||
| 7 | エンディング | — | ||
| 8 | TOO BAD COLLECTION 仁後真耶子編 | — | ||
| 9 | TOO BAD COLLECTION 中村繪里子編 | — | ||
| 10 | TOO BAD COLLECTION 今井麻美編 | — | ||
| 11 | ラジオdeアイマSHOW！ 番組CM | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
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What is UPC 4580143034903?
4580143034903 is a Universal Product Code (UPC) assigned to DJCD ラジオdeアイマSHOW! Vol.5 by 中村繪里子, 天海春香, 今井麻美, 如月千早, 仁後真耶子, 高槻やよい. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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