UPC · Release
灰とダイヤモンド
GLAY
Last verified:
4582223570905 is the Universal Product Code (UPC barcode) for the release “灰とダイヤモンド” by GLAY, released 1994-05-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 8 tracks, each with its own ISRC. Tracks include JPZ921101201, JPPC01401044, JPZ921101203.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (8)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | 彼女の“Modern…” | GLAY | — | |
| 3 | KISSIN’NOISE | GLAY | — | |
| 4 | ひどくありふれたホワイトノイズをくれ | GLAY | — | |
| 6 | LADY CLOSE | GLAY | — | |
| 7 | TWO BELL SILENCE | GLAY | — | |
| 8 | 千ノナイフガ胸ヲ刺ス | GLAY | — | |
| 9 | BURST | GLAY | — | |
| 10 | if~灰とダイヤモンド~ | GLAY | — |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 真夏の扉 | GLAY | T-101.186.776-6 |
| RAIN | GLAY | — |
| RAIN | GLAY | — |
| KISSIN’NOISE | GLAY | — |
| RAIN | GLAY | T1011868043 |
| BURST | GLAY | — |
| 真夏の扉 | GLAY | T-101.186.776-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 4582223570905?
4582223570905 is a Universal Product Code (UPC) assigned to 灰とダイヤモンド by GLAY. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 8 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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