UPC · Album
B’z The Best XXV 1988-1998
B’z
Last verified:
4582283796420 is the Universal Product Code (UPC barcode) for the release “B’z The Best XXV 1988-1998” by B’z, released 2013-01-01 on Vermillion Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 55 tracks, each with its own ISRC. Tracks include JPBM00201134, JPBM00201135, JPBM00501140.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (70)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| HOME | B’z | JPBM00201134 |
| Calling | B’z | JPBM00201135 |
| HOME | B’z | JPBM00501140 |
| BE THERE | B’z | JPBM00805002 |
| Easy Come, Easy Go! | B’z | JPBM00805003 |
| LADY NAVIGATION | B’z | JPBM00805004 |
| ALONE | B’z | JPBM00805005 |
| ZERO | B’z | JPBM00805006 |
| 愛のままにわがままに 僕は君だけを傷つけない | B’z | JPBM00805008 |
| 裸足の女神 | B’z | JPBM00805009 |
| ねがい | B’z | JPBM00805010 |
| love me, I love you | B’z | JPBM00805011 |
| LOVE PHANTOM | B’z | JPBM00805012 |
| ミエナイチカラ 〜INVISIBLE ONE〜 | B’z | JPBM00805013 |
| Calling | B’z | JPBM00805014 |
| さまよえる蒼い弾丸 | B’z | JPBM00805015 |
| HOME | B’z | JPBM00805016 |
| MOTEL | B’z | JPBM00808013 |
| HEAT | B’z | JPBM01304001 |
| 核心 | B’z | JPBM01304002 |
| ZERO | B’z | JPBM09200020 |
| 愛のままにわがままに 僕は君だけを傷つけない | B’z | JPBM09300300 |
| 裸足の女神 | B’z | JPBM09300440 |
| Don’t Leave Me | B’z | JPBM09400004 |
| LADY NAVIGATION | B’z | JPBM09400022 |
| MOTEL | B’z | JPBM09400098 |
| ねがい | B’z | JPBM09500001 |
| love me, I love you | B’z | JPBM09500012 |
| LOVE PHANTOM | B’z | JPBM09501101 |
| love me, I love you | B’z | JPBM09501151 |
| LOVE PHANTOM | B’z | JPBM09501153 |
| ミエナイチカラ 〜INVISIBLE ONE〜 | B’z | JPBM09601101 |
| MOVE | B’z | JPBM09601102 |
| Real Thing Shakes | B’z | JPBM09601103 |
| FIREBALL | B’z | JPBM09701101 |
| Calling | B’z | JPBM09701103 |
| Liar! Liar! | B’z | JPBM09701105 |
| Calling | B’z | JPBM09701116 |
| さまよえる蒼い弾丸 | B’z | JPBM09801101 |
| ZERO | B’z | JPBM09801103 |
| Easy Come, Easy Go! | B’z | JPBM09801104 |
| ALONE | B’z | JPBM09801105 |
| 裸足の女神 | B’z | JPBM09801106 |
| 愛のままにわがままに 僕は君だけを傷つけない | B’z | JPBM09801107 |
| LADY NAVIGATION | B’z | JPBM09801108 |
| 太陽のKomachi Angel | B’z | JPBM09801109 |
| BE THERE | B’z | JPBM09801110 |
| Don’t Leave Me | B’z | JPBM09801111 |
| HOME | B’z | JPBM09801113 |
| BLOWIN’ | B’z | JPBM09801115 |
| Liar! Liar! | B’z | JPBM09801118 |
| ねがい | B’z | JPBM09801119 |
| 愛しい人よGood Night… | B’z | JPBM09801120 |
| ミエナイチカラ 〜INVISIBLE ONE〜 | B’z | JPBM09801122 |
| FIREBALL | B’z | JPBM09801124 |
| Real Thing Shakes | B’z | JPBM09801125 |
| MOTEL | B’z | JPBM09801126 |
| MOVE | B’z | JPBM09901118 |
| LADY-GO-ROUND | B’z | JPBV09000010 |
| LADY-GO-ROUND | B’z | JPBV09000120 |
| BE THERE | B’z | JPBV09000810 |
| Easy Come, Easy Go! | B’z | JPBV09002460 |
| 愛しい人よGood Night… | B’z | JPBV09002520 |
| 愛しい人よGood Night… | B’z | JPBV09002720 |
| LADY NAVIGATION | B’z | JPBV09101080 |
| ALONE | B’z | JPBV09109050 |
| BLOWIN’ | B’z | JPBV09203660 |
| 君の中で踊りたい | B’z | JPBV09700351 |
| LADY-GO-ROUND | B’z | JPBV09700352 |
| だからその手を離して | B’z | JPBV09700358 |
What other identifiers does this connect to?
Musical Works (ISWC)
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People also ask
Verified on
What is UPC 4582283796420?
4582283796420 is a Universal Product Code (UPC) assigned to B’z The Best XXV 1988-1998 by B’z. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 55 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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