UPC · Release
As the Stages Burn!
Arch Enemy
Last verified:
4582352388020 is the Universal Product Code (UPC barcode) for the release “As the Stages Burn!” by Arch Enemy, released 2017-01-01 on Trooper Entertainment. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 45 tracks, each with its own ISRC. Tracks include SEVKO1700001, SEVKO1700002, SEVKO1700003.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (45)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Khaos Overture (live at Wacken 2016) | — | ||
| 2 | Yesterday Is Dead and Gone (live at Wacken 2016) | — | ||
| 3 | War Eternal (live at Wacken 2016) | — | ||
| 4 | Ravenous (live at Wacken 2016) | — | ||
| 5 | Stolen Life (live at Wacken 2016) | — | ||
| 6 | My Apocalypse (live at Wacken 2016) | — | ||
| 7 | You Will Know My Name (live at Wacken 2016) | — | ||
| 8 | Bloodstained Cross (live at Wacken 2016) | — | ||
| 9 | Under Black Flags We March (live at Wacken 2016) | — | ||
| 10 | As the Pages Burn (live at Wacken 2016) | — | ||
| 11 | Dead Eyes See No Future (live at Wacken 2016) | — | ||
| 12 | Avalanche (live at Wacken 2016) | — | ||
| 13 | No Gods, No Masters (live at Wacken 2016) | — | ||
| 14 | We Will Rise (live at Wacken 2016) | — | ||
| 15 | Nemesis (live at Wacken 2016) | — | ||
| 16 | Fields of Desolation (live at Wacken 2016) | — | ||
| 17 | Outro (live at Wacken 2016) | — | ||
| 18 | Tempore Nihil Sanat (excerpts From “Tokyo Sacrifice”) | — | ||
| 19 | Never Forgive, Never Forget (excerpts From “Tokyo Sacrifice”) | — | ||
| 20 | Bury Me an Angel (excerpts From “Tokyo Sacrifice”) | — | ||
| 21 | Taking Back My Soul (excerpts From “Tokyo Sacrifice”) | — | ||
| 22 | Burning Angel (excerpts From “Tokyo Sacrifice”) | — | ||
| 23 | The Day You Died (excerpts From “Tokyo Sacrifice”) | — | ||
| 24 | No More Regrets (excerpts From “Tokyo Sacrifice”) | — | ||
| 25 | Silverwing (excerpts From “Tokyo Sacrifice”) | — | ||
| 26 | War Eternal (music video) | — | ||
| 27 | You Will Know My Name (music video) | — | ||
| 28 | No More Regrets (music video) | — | ||
| 31 | Time Is Black (music video) | — | ||
| 2-1 | Khaos Overture | Arch Enemy | — | |
| 2-2 | Yesterday Is Dead and Gone | Arch Enemy | — | |
| 2-3 | War Eternal | Arch Enemy | — | |
| 2-4 | Ravenous | Arch Enemy | T-001.583.275-3 | |
| 2-5 | Stolen Life | Arch Enemy | — | |
| 2-6 | My Apocalypse | Arch Enemy | T-001.597.193-3 | |
| 2-7 | You Will Know My Name | Arch Enemy | — | |
| 2-8 | Bloodstained Cross | Arch Enemy | — | |
| 2-9 | Under Black Flags We March | Arch Enemy | — | |
| 2-10 | As the Pages Burn | Arch Enemy | T-914.338.748-8 | |
| 2-11 | Dead Eyes See No Future | Arch Enemy | T-001.583.259-3 | |
| 2-12 | Avalanche | Arch Enemy | T-914.277.363-5 | |
| 2-13 | No Gods, No Masters | Arch Enemy | — | |
| 2-14 | We Will Rise | Arch Enemy | T-001.583.298-0 | |
| 2-15 | Nemesis | Arch Enemy | T-001.597.181-9 | |
| 2-16 | Fields of Desolation | Arch Enemy | T-000.088.459-2 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 4582352388020?
4582352388020 is a Universal Product Code (UPC) assigned to As the Stages Burn! by Arch Enemy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 45 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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