UPC · Release
Cinderella, op. 87 / On the Dnieper, op. 51
S. Prokofiev, Gennadi Rozhdestvensky
Last verified:
4600317009060 is the Universal Product Code (UPC barcode) for the release “Cinderella, op. 87 / On the Dnieper, op. 51” by S. Prokofiev, Gennadi Rozhdestvensky, released 2005-01-01 on Мелодия. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 62 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (62)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cinderella, op. 87: Act I. No. 1. Introduction | — | ||
| 2 | Cinderella, op. 87: Act I. No. 2. Shawl Dance | — | ||
| 3 | Cinderella, op. 87: Act I. No. 3. Cinderella | — | ||
| 4 | Cinderella, op. 87: Act I. No. 4. The Father | — | ||
| 5 | Cinderella, op. 87: Act I. No. 5. The Fairy Godmother | — | ||
| 6 | Cinderella, op. 87: Act I. No. 6. The Sistersʼ New Clothes | — | ||
| 7 | Cinderella, op. 87: Act I. No. 7. The Dancing Lesson | — | ||
| 8 | Cinderella, op. 87: Act I. No. 8. Departure of the Stepmother and Sisters for the Ball | — | ||
| 9 | Cinderella, op. 87: Act I. No. 9. Cinderella Dreams of the Ball | — | ||
| 10 | Cinderella, op. 87: Act I. No. 10. Gavotte | — | ||
| 11 | Cinderella, op. 87: Act I. No. 11. Second Appearance of the Fairy Godmother | — | ||
| 12 | Cinderella, op. 87: Act I. No. 12. Spring Fairy | — | ||
| 13 | Cinderella, op. 87: Act I. No. 13. Summer Fairy | — | ||
| 14 | Cinderella, op. 87: Act I. No. 14. Grasshoppers and Dragonflies | — | ||
| 15 | Cinderella, op. 87: Act I. No. 15. Autumn Fairy | — | ||
| 16 | Cinderella, op. 87: Act I. No. 16. Winter Fairy | — | ||
| 17 | Cinderella, op. 87: Act I. No. 17. The Interrupted Departure | — | ||
| 18 | Cinderella, op. 87: Act I. No. 18. The Clock | — | ||
| 19 | Cinderella, op. 87: Act I. No. 19. Cinderellaʼs Departure for the Ball | — | ||
| 20 | Cinderella, op. 87: Act II. No. 20. Dance of the Courtiers | — | ||
| 21 | Cinderella, op. 87: Act II. No. 21. Court Dance (Passepied) | — | ||
| 22 | Cinderella, op. 87: Act II. No. 22. Cavaliersʼ Dance (Bourree) | — | ||
| 23 | Cinderella, op. 87: Act II. No. 23. Bearcatʼs Variation | — | ||
| 24 | Cinderella, op. 87: Act II. No. 24. Maggarʼs Variation | — | ||
| 25 | Cinderella, op. 87: Act II. No. 25. Dance of the Courtiers (repeat) | — | ||
| 26 | Cinderella, op. 87: Act II. No. 26. Mazurka and Entrance of the Prince | — | ||
| 27 | Cinderella, op. 87: Act II. No. 27. Dance of the Princeʼs Four Companions | — | ||
| 28 | Cinderella, op. 87: Act II. No. 28. Mazurka (repeat) | — | ||
| 29 | Cinderella, op. 87: Act II. No. 29. Cinderellaʼs Arrival at the Ball | — | ||
| 30 | Cinderella, op. 87: Act II. No. 30. Granz Waltz | — | ||
| 31 | Cinderella, op. 87: Act II. No. 31. Promenade | — | ||
| 32 | Cinderella, op. 87: Act II. No. 32. Cinderellaʼs Dance | — | ||
| 33 | Cinderella, op. 87: Act II. No. 33. Dance of the Prince | — | ||
| 34 | Cinderella, op. 87: Act II. No. 34. Refreshments for the Guests | — | ||
| 35 | Cinderella, op. 87: Act II. No. 35. Duet of the Sisters with the Oranges | — | ||
| 36 | Cinderella, op. 87: Act II. No. 36. Duet of the Prince and Cinderella | — | ||
| 37 | Cinderella, op. 87: Act II. No. 37. Waltz-Coda | — | ||
| 38 | Cinderella, op. 87: Act II. No. 38. Midnight | — | ||
| 2-1 | Cinderella, op. 87: Act III. No. 39. The Prince and the Cobblers | — | ||
| 2-2 | Cinderella, op. 87: Act III. No. 40. First Galop of the Prince | — | ||
| 2-3 | Cinderella, op. 87: Act III. No. 41. Temptation | — | ||
| 2-4 | Cinderella, op. 87: Act III. No. 42. Second Galop of the Prince | — | ||
| 2-5 | Cinderella, op. 87: Act III. No. 43. Oriental Dance | — | ||
| 2-6 | Cinderella, op. 87: Act III. No. 44. Third Galop of the Prince | — | ||
| 2-7 | Cinderella, op. 87: Act III. No. 45. Cinderellaʼs Awakening | — | ||
| 2-8 | Cinderella, op. 87: Act III. No. 46. The Morning After the Ball | — | ||
| 2-9 | Cinderella, op. 87: Act III. No. 47. The Princeʼs Visit | — | ||
| 2-10 | Cinderella, op. 87: Act III. No. 48. The Prince Recognises Cinderella | — | ||
| 2-11 | Cinderella, op. 87: Act III. No. 49. Waltz | — | ||
| 2-12 | Cinderella, op. 87: Act III. No. 50. Amoroso: The Prince and Cinderella | — | ||
| 2-13 | On the Dnieper, op. 51: Introduction | — | ||
| 2-14 | On the Dnieper, op. 51: Scene 1: Meeting | — | ||
| 2-15 | On the Dnieper, op. 51: Scene 1: Mimic scene | — | ||
| 2-16 | On the Dnieper, op. 51: Scene 1: Pas de deux | — | ||
| 2-17 | On the Dnieper, op. 51: Scene 1: Male variation and finale | — | ||
| 2-18 | On the Dnieper, op. 51: Scene 2: Engagement | — | ||
| 2-19 | On the Dnieper, op. 51: Scene 2: Dance of the groom | — | ||
| 2-20 | On the Dnieper, op. 51: Scene 2: Dance of the bride | — | ||
| 2-21 | On the Dnieper, op. 51: Scene 2: Dance of the men | — | ||
| 2-22 | On the Dnieper, op. 51: Scene 2: The quarrel | — | ||
| 2-23 | On the Dnieper, op. 51: Scene 2: Mimic scene | — | ||
| 2-24 | On the Dnieper, op. 51: Conclusion | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 4600317009060?
4600317009060 is a Universal Product Code (UPC) assigned to Cinderella, op. 87 / On the Dnieper, op. 51 by S. Prokofiev, Gennadi Rozhdestvensky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 62 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm