UPC · Release
Emil Gilels
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The UPC for “The 100th Anniversary Edition” by Emil Gilels is 4600317024339. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Мелодия. This release contains 599 tracks, each with its own ISRC. Tracks include NLA509891035, DEF053502240, DEF054002130.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantasia on 2 themes from "Le nozze di Figaro" | Emil Gilels | — | |
| 2 | Suite: Giga | Emil Gilels | — | |
| 3 | Pastourelle in B-flat major, FP 45 | — | ||
| 4 | Fêtes from Nocturnes, L 91 no. 2 | — | ||
| 5 | Paganini Etudes S. 141: No. 5 in E major | Эмиль Григорьевич Гилельс | — | |
| 6 | Hungarian Dance no. 1 in G minor, WoO 1 | — | ||
| 7 | Ballade no. 1 in G minor, op. 23 | — | ||
| 8 | Duetto, Song Without Words, op. 38 no. 6 | — | ||
| 9 | Scherzo from Incidental Music to Shakespeare's A Midsummer Night's Dream | — | ||
| 10 | Hungarian Rhapsody no. 6 in D-flat major, S. 244/6 | — | ||
| 11 | Pastorale and Capriccio on Motives of Domenico Scarlatti's Sonatas in d minor, K. 9, and in E major, K. 20 | — | ||
| 12 | Etude-tableau in E-flat minor, op. 39 no. 5 | — | ||
| 2-1 | Nocturne in C minor, op. 48 no. 1 | — | ||
| 2-2 | Impromptu no.2 in F-sharp major, op. 36 | — | ||
| 2-3 | Fantaisie-impromptu in C-sharp minor, op. 66 | — | ||
| 2-4 | Polonaise in A-flat major, op. 53 | — | ||
| 2-5 | Piano Sonata in B minor, S. 178 | — | ||
| 2-6 | Valse oubliée no. 1, S. 215 | — | ||
| 2-7 | Images, Book I, L. 110: Reflets dans l'eau | — | ||
| 2-8 | Images, Book I, L. 110: Hommage à Rameau | — | ||
| 2-9 | Images, Book I, L. 110: Mouvement | — | ||
| 3-1 | 32 Variation for Piano in C minor, WoO 80 | — | ||
| 3-2 | Piano Sonata no. 21 in C major, op. 53: I. Allegro con brio | — | ||
| 3-3 | Piano Sonata no. 21 in C major, op. 53: II. Introduzione. Adagio molto | — | ||
| 3-4 | Piano Sonata no. 21 in C major, op. 53: III. Rondo. Allegretto moderato | — | ||
| 3-5 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo | — | ||
| 3-6 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig. Vivace alla Marcia | — | ||
| 3-7 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | — | ||
| 3-8 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwinde, doch nicht zu sehr, und mit Entschlossenheit. Allegro | — | ||
| 3-9 | Piano Sonata no. 2 in G minor, op. 22: I. Vivacissimo | — | ||
| 3-10 | Piano Sonata no. 2 in G minor, op. 22: II. Andantino | — | ||
| 3-11 | Piano Sonata no. 2 in G minor, op. 22: III. Scherzo | — | ||
| 3-12 | Piano Sonata no. 2 in G minor, op. 22: IV. Presto | — | ||
| 4-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 4-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 4-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro | — | ||
| 4-4 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 4-5 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 4-6 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 4-7 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 5-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 5-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | — | ||
| 5-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 5-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 5-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 5-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 6-1 | Violin Sonata in D major, op. 84: I. Allegro | — | ||
| 6-2 | Violin Sonata in D major, op. 84: II. Andante non troppo | — | ||
| 6-3 | Violin Sonata in D major, op. 84: III. Allegro | — | ||
| 6-4 | Piano Trio in D major: I. Allegro con brio | — | ||
| 6-5 | Piano Trio in D major: II. Andante | — | ||
| 6-6 | Piano Trio in D major: III. Intermezzo | — | ||
| 6-7 | Piano Trio in A minor: I. Allegro ma non troppo | — | ||
| 6-8 | Piano Trio in A minor: II. Adagio | — | ||
| 6-9 | Piano Trio in A minor: III. Rondo. Allegretto | — | ||
| 6-10 | Violin Sonata in E minor: I. Allegro con brio | — | ||
| 6-11 | Violin Sonata in E minor: II. Adagio cantabile | — | ||
| 6-12 | Violin Sonata in E minor: III. Rondo. Allegretto scherzando | — | ||
| 7-1 | Violin Sonata in A major, RV 31: I. Preludio a Capriccio. Presto | — | ||
| 7-2 | Violin Sonata in A major, RV 31: II. Corrente. Allegro | — | ||
| 7-3 | Violin Sonata in A major, RV 31: III. Adagio | — | ||
| 7-4 | Violin Sonata in A major, RV 31: IV. Giga. Allegro | — | ||
| 7-5 | Violin Sonata no. 8 in C major, KV 296: I. Allegro vivace | — | ||
| 7-6 | Violin Sonata no. 8 in C major, KV 296: II. Andante sostenuto | — | ||
| 7-7 | Violin Sonata no. 8 in C major, KV 296: III. Rondo. Allegro | — | ||
| 7-8 | Violin Sonata no. 35 in A major, KV 526: I. Allegro molto | — | ||
| 7-9 | Violin Sonata no. 35 in A major, KV 526: II. Andante | — | ||
| 7-10 | Violin Sonata no. 35 in A major, KV 526: III. Presto | — | ||
| 7-11 | Violin Sonata no. 1 in G major, Hob. XV:32: I. Andante | — | ||
| 7-12 | Violin Sonata no. 1 in G major, Hob. XV:32: II. Allegro | — | ||
| 8-1 | Piano Trio no. 1 in B‐flat major, K. 254: I. Allegro assai | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 8-2 | Piano Trio no. 1 in B‐flat major, K. 254: II. Adagio | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 8-3 | Piano Trio no. 1 in B‐flat major, K. 254: III. Rondo – Tempo di menuetto | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 8-4 | Piano Trio no. 8 in E‐flat major, WoO 38: I. Allegro moderato | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 8-5 | Piano Trio no. 8 in E‐flat major, WoO 38: II. Scherzo – Allegro ma non troppo | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | T-031.682.208-8 | |
| 8-6 | Piano Trio no. 8 in E‐flat major, WoO 38: III. Rondo – Allegretto | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 8-7 | Piano Quartet no. 1 in C minor, op. 15: I. Allegro molto moderato | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 8-8 | Piano Quartet no. 1 in C minor, op. 15: II. Scherzo – Allegro vivo | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 8-9 | Piano Quartet no. 1 in C minor, op. 15: III. Adagio | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 8-10 | Piano Quartet no. 1 in C minor, op. 15: IV. Allegro molto | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 9-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Эмиль Григорьевич Гилельс, USSR State Academic Symphony Orchestra, Кирилл Петрович Кондрашин | — | |
| 9-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | — | ||
| 9-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | — | ||
| 9-4 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 9-5 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice – Prestissimo | — | ||
| 9-6 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 10-1 | Chromatic Fantasia and Fugue in D minor, BWV 903 | — | ||
| 10-2 | Piano Sonata in B-flat major, KV 570: I. Allegro | — | ||
| 10-3 | Piano Sonata in B-flat major, KV 570: II. Adagio | — | ||
| 10-4 | Piano Sonata in B-flat major, KV 570: III. Allegretto | — | ||
| 10-5 | Piano Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione. Un poco Adagio. Allegro vivace | — | ||
| 10-6 | Piano Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 10-7 | Piano Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo e Intermezzo. Allegrissimo | — | ||
| 10-8 | Piano Sonata no. 1 in F-sharp minor, op. 11: IV. Finale. Allegro un poco maestoso. Presto | — | ||
| 10-9 | Valse oubliée no. 1, S. 215 | — | ||
| 10-10 | Etude no. 3 in G-sharp minor “La campanella” from Grandes études de Paganini, S. 141 | — | ||
| 11-1 | Piano Sonata in B-flat major, KV 570: I. Allegro | — | ||
| 11-2 | Piano Sonata in B-flat major, KV 570: II. Adagio | — | ||
| 11-3 | Piano Sonata in B-flat major, KV 570: III. Allegretto | — | ||
| 11-4 | Carnaval, op. 9: Préambule | — | ||
| 11-5 | Carnaval, op. 9: Pierrot | — | ||
| 11-6 | Carnaval, op. 9: Arlequin | — | ||
| 11-7 | Carnaval, op. 9: Valse noble | — | ||
| 11-8 | Carnaval, op. 9: Eusebius | — | ||
| 11-9 | Carnaval, op. 9: Florestan | — | ||
| 11-10 | Carnaval, op. 9: Coquette | — | ||
| 11-11 | Carnaval, op. 9: Réplique | — | ||
| 11-12 | Carnaval, op. 9: Sphinxes | — | ||
| 11-13 | Carnaval, op. 9: Papillons | — | ||
| 11-14 | Carnaval, op. 9: A.S.C.H.–S.C.H.A. Lettres dansantes | — | ||
| 11-15 | Carnaval, op. 9: Chiarina | — | ||
| 11-16 | Carnaval, op. 9: Chopin | — | ||
| 11-17 | Carnaval, op. 9: Estrella | — | ||
| 11-18 | Carnaval, op. 9: Reconnaissance | — | ||
| 11-19 | Carnaval, op. 9: Pantalon et Colombine | — | ||
| 11-20 | Carnaval, op. 9: Valse allemande. Paganini | — | ||
| 11-21 | Carnaval, op. 9: Aveu | — | ||
| 11-22 | Carnaval, op. 9: Promenade | — | ||
| 11-23 | Carnaval, op. 9: Pause. Marche des Davidsbündler contre les Philistins | — | ||
| 11-24 | Nocturne in C minor, op. 48 no. 1 | — | ||
| 11-25 | Impromptu no. 2 in F-sharp major, op. 36 | — | ||
| 11-26 | Fantaisie-impromptu in C-sharp minor, op. 66 | — | ||
| 11-27 | Mazurka in F minor, op. 7 no. 3 | — | ||
| 11-28 | Mazurka in E minor, op. 41 no. 2 | — | ||
| 11-29 | Le Tombeau de Couperin, M. 68: No. 1. Prélude | — | ||
| 11-30 | Le Tombeau de Couperin, M. 68: No. 3. Forlane | — | ||
| 11-31 | Le Tombeau de Couperin, M. 68: No. 6. Toccata | — | ||
| 12-1 | Chaconne in G major, HWV 435 | — | ||
| 12-2 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 12-3 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 12-4 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | — | ||
| 12-5 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 12-6 | 24 Preludes and Fugues, op. 87: No. 1 in C major | — | ||
| 12-7 | 24 Preludes and Fugues, op. 87: No. 5 in D major | — | ||
| 12-8 | 24 Preludes and Fugues, op. 87: No. 24 in D minor | — | ||
| 12-9 | Piano Sonata no. 1 in F minor, op. 6: I. Allegro con fuoco | — | ||
| 12-10 | Piano Sonata no. 1 in F minor, op. 6: II | — | ||
| 12-11 | Piano Sonata no. 1 in F minor, op. 6: III. Presto | — | ||
| 12-12 | Piano Sonata no. 1 in F minor, op. 6: IV. Funebre | — | ||
| 13-1 | Piano Sonata in B minor, S. 178 | — | ||
| 13-2 | Nocturnre in C-sharp minor, op. 19 no. 4 | — | ||
| 13-3 | Etude in A minor, op. 104b no. 3 | — | ||
| 13-4 | Danza ritual del fuego from Suite for Piano from the Ballet El Amor brujo | — | ||
| 13-5 | Etude no.11 “Harmonies du soir” from Études d’exécution transcendante, S. 139 | — | ||
| 13-6 | Hungarian Rhapsody no. 9 in E-flat major “The Carnival at Pesth, S. 244/9 | — | ||
| 13-7 | Moment musical in D-flat major, op. 16 no. 5 | — | ||
| 13-8 | Polonaise in A-flat major, op. 53 | — | ||
| 14-1 | Piano Sonata no. 2 in E minor, op. 75: I. Moderato | — | ||
| 14-2 | Piano Sonata no. 2 in E minor, op. 75: II. Scherzo. Allegretto | — | ||
| 14-3 | Piano Sonata no. 2 in E minor, op. 75: III. Finale. Allegro moderato | — | ||
| 14-4 | Piano Sonata no. 2 in D minor, op. 14: I. Allegro ma non troppo | — | ||
| 14-5 | Piano Sonata no. 2 in D minor, op. 14: II. Scherzo. Allegro marcato | — | ||
| 14-6 | Piano Sonata no. 2 in D minor, op. 14: III. Andante | — | ||
| 14-7 | Piano Sonata no. 2 in D minor, op. 14: IV. Vivace | — | ||
| 14-8 | Islamey, an Oriental Fantasy, op. 18 | — | ||
| 14-9 | Moment musical in D-flat major, op. 16 no. 5 | — | ||
| 14-10 | Polichinelle from Morceaux de fantaisie, op. 3 no. 4 | — | ||
| 14-11 | March from the Opera The Love for Three Oranges, op. 33ter | — | ||
| 15-1 | Six Pieces, op. 19: 1. Rêverie du soir | — | ||
| 15-2 | Six Pieces, op. 19: 2. Scherzo humoristique | — | ||
| 15-3 | Six Pieces, op. 19: 3. Feuillet d'album | — | ||
| 15-4 | Six Pieces, op. 19: 4. Nocturne | — | ||
| 15-5 | Six Pieces, op. 19: 5. Capriccioso | — | ||
| 15-6 | Six Pieces, op. 19: 6. Thème original et variations | — | ||
| 15-7 | Piano Sonata no. 4 in F-sharp major, op. 30: I. Andante | — | ||
| 15-8 | Piano Sonata no. 4 in F-sharp major, op. 30: II. Prestissimo volando | — | ||
| 15-9 | Piano Sonata no. 3 in A minor, op. 28 | — | ||
| 15-10 | Piano Sonata in B minor, S. 178 | — | ||
| 15-11 | Valse oubliée no. 1 in F-sharp | Эмиль Григорьевич Гилельс | — | |
| 15-12 | Rumores de la Caleta (Malagueña) from Recuerdos de viaje, op. 71 | — | ||
| 15-13 | Danza ritual del fuego from Suite for Piano from the Ballet El Amor brujo | — | ||
| 16-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 16-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 16-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 16-4 | Piano Concerto no. 4 in G minor, op. 40: II. Largo | — | ||
| 16-5 | Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace | — | ||
| 16-6 | Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco | — | ||
| 16-7 | Piano Concerto no. 1 in G minor, op. 25: II. Andante | — | ||
| 16-8 | Piano Concerto no. 1 in G minor, op. 25: III. Presto – Molto allegro e vivace | — | ||
| 17-1 | Symphonic Variations for Piano and Orchestra, FWV 46 | — | ||
| 17-2 | Andante spianato and Grande polonaise for Piano Orchestra in E-flat major, op. 22 | — | ||
| 17-3 | Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | — | ||
| 17-4 | Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | — | ||
| 17-5 | Piano Concerto no. 2 in G minor, op. 22: III. Presto | — | ||
| 17-6 | Etude no. 3 in G-sharp minor “La campanella” from Grandes études de Paganini, S. 141 | — | ||
| 18-1 | Variations for Piano and Orchestra in B-flat major on “Là ci darem la mano” from W.A. Mozart's Don Giovanni, op. 2 | — | ||
| 18-2 | Piano Concerto for the Left Hand no. 2 in D major, M. 82 | — | ||
| 18-3 | Heroic Ballade for Piano and Orchestra | — | ||
| 18-4 | Presto from Piano Concerto no. 2 in G minor, op. 22 | — | ||
| 19-1 | Piano Sonata in B-flat major, KV 570: I. Allegro | — | ||
| 19-2 | Piano Sonata in B-flat major, KV 570: II. Adagio | — | ||
| 19-3 | Piano Sonata in B-flat major, KV 570: III. Allegretto | — | ||
| 19-4 | Images, Book I, L. 110: 1. Reflets dans l'eau | — | ||
| 19-5 | Images, Book I, L. 110: 2. Hommage à Rameau | — | ||
| 19-6 | Images, Book I, L. 110: 3. Mouvement | — | ||
| 19-7 | Estampes, L. 100: 1. Pagodes | — | ||
| 19-8 | Estampes, L. 100: 2. La soirée dans Grenade | — | ||
| 19-9 | Estampes, L. 100: 3. Jardins sous la pluie | — | ||
| 19-10 | Piano Sonata no. 2 in D minor, op. 14: I. Allegro ma non troppo | — | ||
| 19-11 | Piano Sonata no. 2 in D minor, op. 14: II. Scherzo. Allegro marcato | — | ||
| 19-12 | Piano Sonata no. 2 in D minor, op. 14: III. Andante | — | ||
| 19-13 | Piano Sonata no. 2 in D minor, op. 14: IV. Vivace | — | ||
| 19-14 | Visions fugitives, op. 22: No. 1. Lentamente | — | ||
| 19-15 | Visions fugitives, op. 22: No. 2. Andante | — | ||
| 19-16 | Visions fugitives, op. 22: No. 3. Allegretto | — | ||
| 19-17 | Visions fugitives, op. 22: No. 5. Molto giocoso | — | ||
| 19-18 | Visions fugitives, op. 22: No. 6. Con eleganza | — | ||
| 19-19 | Visions fugitives, op. 22: No. 7. Pittoresco (Arpa) | — | ||
| 19-20 | Visions fugitives, op. 22: No. 11. Con vivacità | — | ||
| 19-21 | Visions fugitives, op. 22: No. 18. Con una dolce lentezza | — | ||
| 19-22 | Visions fugitives, op. 22: No. 14. Feroce | — | ||
| 19-23 | Visions fugitives, op. 22: No. 17. Poetico | — | ||
| 19-24 | Toccata in D minor, op. 11 | — | ||
| 19-25 | March from the Opera The Love for Three Oranges, op. 33ter | — | ||
| 20-1 | Sonata in D minor, L. 422, K. 141 | — | ||
| 20-2 | Sonata in B minor, L. 449, K. 27 | — | ||
| 20-3 | Sonata in G major, L. 487, K. 125 | — | ||
| 20-4 | Sonata in C-sharp minor, L. 256, K. 247 | — | ||
| 20-5 | Sonata in A major, L. 395, K. 533 | — | ||
| 20-6 | Piano Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione. Un poco adagio – Allegro vivace | — | ||
| 20-7 | Piano Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 20-8 | Piano Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo. Allegrissimo – Intermezzo. Lento | — | ||
| 20-9 | Piano Sonata no. 1 in F-sharp minor, op. 11: IV. Finale. Allegro un poco maestoso | — | ||
| 20-10 | Five Fragments from the Ballet Petrushka: 1. Russian Dance | — | ||
| 20-11 | Five Fragments from the Ballet Petrushka: 2. Petrushka's Room | — | ||
| 20-12 | Five Fragments from the Ballet Petrushka: 3. The Moor's Room | — | ||
| 20-13 | Five Fragments from the Ballet Petrushka: 4. Dance of the Ballerine | — | ||
| 20-14 | Five Fragments from the Ballet Petrushka: 5. The Shrovetide Fair | — | ||
| 21-1 | Romance in F major, op. 118 no. 5 | — | ||
| 21-2 | Etude in A minor, op 104b no. 3 | — | ||
| 21-3 | Six Pieces, op. 19: 1. Rêverie du soir | — | ||
| 21-4 | Six Pieces, op. 19: 2. Scherzo humoristique | — | ||
| 21-5 | Six Pieces, op. 19: 3. Feuillet d'album | — | ||
| 21-6 | Six Pieces, op. 19: 4. Nocturne | — | ||
| 21-7 | Six Pieces, op. 19: 5. Capriccioso | — | ||
| 21-8 | Six Pieces, op. 19: 6. Thème original et variations | — | ||
| 21-9 | Piano Sonata no. 4 in B minor, op. 56: I. Allegro | — | ||
| 21-10 | Piano Sonata no. 4 in B minor, op. 56: II. Allegro | — | ||
| 21-11 | Piano Sonata no. 4 in B minor, op. 56: III. Adagio | — | ||
| 21-12 | Piano Sonata no. 4 in B minor, op. 56: IV. Allegro | — | ||
| 21-13 | Arabesque in G major, L. 66 no. 2 | — | ||
| 21-14 | Rumores de la Caleta (Malagueña) from Recuerdos de Viaje, op. 71 | — | ||
| 22-1 | Piano Concerto in D major, Hob. XVIII:11: I. Vivace | — | ||
| 22-2 | Piano Concerto in D major, Hob. XVIII:11: II. Un poco adagio | — | ||
| 22-3 | Piano Concerto in D major, Hob. XVIII:11: III. Rondo all'Ungarese. Allegro assai | — | ||
| 22-4 | Rondo for Piano and Orchestra in D major, KV 382 | — | ||
| 22-5 | Piano Concerto in G major no. 4, op. 58: I. Allegro moderato | — | ||
| 22-6 | Piano Concerto in G major no. 4, op. 58: II. Andante con moto | — | ||
| 22-7 | Piano Concerto in G major no. 4, op. 58: III. Rondo. Vivace | — | ||
| 23-1 | Andante spianato et Grande polonaise brillante for Piano and Prchestra in E-flat majo, op. 22 | — | ||
| 23-2 | Piano Concerto no. 21 in C major, KV 467: I. Allegro maestoso | — | ||
| 23-3 | Piano Concerto no. 21 in C major, KV 467: II. Andante | — | ||
| 23-4 | Piano Concerto no. 21 in C major, KV 467: III. Allegro vivace assai | — | ||
| 23-5 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante | — | ||
| 23-6 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 23-7 | Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | — | ||
| 24-1 | Aria variata alla maniera italiana in A minor, BWV 989 | — | ||
| 24-2 | Impromptu in F minor, D. 935 no. 1 | — | ||
| 24-3 | Piano Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione. Un poco adagio – Allegro vivace | — | ||
| 24-4 | Piano Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 24-5 | Piano Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo. Allegrissimo – Intermezzo. Lento | — | ||
| 24-6 | Piano Sonata no. 1 in F-sharp minor, op. 11: IV. Finale. Allegro, un poco maestoso | — | ||
| 24-7 | Piano Sonata no. 2 in E-flat major, op. 45: I. Allegro moderato. Festivamente | — | ||
| 24-8 | Piano Sonata no. 2 in E-flat major, op. 45: II. Andante sostenuto | — | ||
| 24-9 | Piano Sonata no. 2 in E-flat major, op. 45: III. Presto assai | — | ||
| 25-1 | Sonata in D minor, K. 422, L. 141 | — | ||
| 25-2 | Sonata in F major, K. 116, L. 518 | — | ||
| 25-3 | Sonata in D minor, K. 423, L. 32 | — | ||
| 25-4 | Sonata in F minor, K. 118, L. 466 | — | ||
| 25-5 | Sonata in A major, K. 395, L. 533 | — | ||
| 25-6 | Sonata in B minor, K. 449, L. 27 | — | ||
| 25-7 | Sonata in G major, K. 487, L. 125 | — | ||
| 25-8 | Sonata in A major, H. 186: I. Allegro assai | — | ||
| 25-9 | Sonata in A major, H. 186: II. Poco adagio | — | ||
| 25-10 | Sonata in A major, H. 186: III. Allegro | — | ||
| 25-11 | Sonata in C minor, Hob. XVI:20: I. Moderato | — | ||
| 25-12 | Sonata in C minor, Hob. XVI:20: II. Andante con moto | — | ||
| 25-13 | Sonata in C minor, Hob. XVI:20: III. Finale. Allegro | — | ||
| 26-1 | Piano Sonata in B minor, S. 178 | — | ||
| 26-2 | Piano Sonata no. 2 in B-flat minor, op. 35: I. Grave. Doppio movimento | — | ||
| 26-3 | Piano Sonata no. 2 in B-flat minor, op. 35: II. Scherzo | — | ||
| 26-4 | Piano Sonata no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento | — | ||
| 26-5 | Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale. Presto. Sotto voce e legato | — | ||
| 26-6 | Piano Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione. Un poco adagio – Allegro vivace | — | ||
| 26-7 | Piano Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 26-8 | Piano Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo. Allegrissimo – Intermezzo. Lento | — | ||
| 26-9 | Piano Sonata no. 1 in F-sharp minor, op. 11: IV. Finale. Allegro un poco maestoso | — | ||
| 27-1 | Piano Sonata in C-sharp minor, op. 80: I. Allegro con fuoco | — | ||
| 27-2 | Piano Sonata in C-sharp minor, op. 80: II. Andante | — | ||
| 27-3 | Piano Sonata in C-sharp minor, op. 80: III. Scherzo. Allegro vivo | — | ||
| 27-4 | Piano Sonata in C-sharp minor, op. 80: IV. Allegro vivo | — | ||
| 27-5 | Five Fragments from the Ballet Petrushka: 1. Russian Dance | — | ||
| 27-6 | Five Fragments from the Ballet Petrushka: 2. Petrushka's Room | — | ||
| 27-7 | Five Fragments from the Ballet Petrushka: 3. The Moor's Room | — | ||
| 27-8 | Five Fragments from the Ballet Petrushka: 4. Dance of the Ballerine | — | ||
| 27-9 | Five Fragments from the Ballet Petrushka: 5. The Shrovetide Fair | — | ||
| 27-10 | Piano Sonata no. 8 in B-flat major, op. 84: I. Andante dolce | — | ||
| 27-11 | Piano Sonata no. 8 in B-flat major, op. 84: II. Andante sognando | — | ||
| 27-12 | Piano Sonata no. 8 in B-flat major, op. 84: III. Vivace | — | ||
| 28-1 | Valses nobles et sentimentales, M. 61: Modéré, très franc | — | ||
| 28-2 | Valses nobles et sentimentales, M. 61: Assez lent, avec une expression intense | — | ||
| 28-3 | Valses nobles et sentimentales, M. 61: Modéré | — | ||
| 28-4 | Valses nobles et sentimentales, M. 61: Assez animé | — | ||
| 28-5 | Valses nobles et sentimentales, M. 61: Presque lent, dans un sentiment intime | — | ||
| 28-6 | Valses nobles et sentimentales, M. 61: Vif | — | ||
| 28-7 | Valses nobles et sentimentales, M. 61: Moins vif | — | ||
| 28-8 | Valses nobles et sentimentales, M. 61: Épilogue. Lent | — | ||
| 28-9 | Hungarian Rhapsody no. 15 in A minor “Rákóczi-Marsch”, S. 244/15 | — | ||
| 28-10 | Adagio from the Ballet Apollon musagète | — | ||
| 28-11 | Fantaisie-impromptu in C-sharp minor, op. 66 | — | ||
| 28-12 | Russian Dance from the Ballet Petrushka | — | ||
| 28-13 | Piano Sonata in C major, op. 34 no. 1: I. Allegro con spirito | — | ||
| 28-14 | Piano Sonata in C major, op. 34 no. 1: II. Un poco andante, quasi allegretto | — | ||
| 28-15 | Piano Sonata in C major, op. 34 no. 1: III. Finale. Allegro | — | ||
| 28-16 | La villageoise (Rondeau) from Suite Pièces de clavecin in E minor, RCT 2 | — | ||
| 28-17 | Tambourin from Suite Pièces de clavecin in E minor, RCT 2 | — | ||
| 28-18 | Alborada del gracioso from Miroirs, M. 43 | — | ||
| 28-19 | Prelude in B Minor | Эмиль Григорьевич Гилельс | — | |
| 28-20 | Adagio from the Ballet Apollon musagète | — | ||
| 28-21 | Russian Dance from the Ballet Petrushka | — | ||
| 28-22 | Prelude in G minor, op. 23 no. 5 | — | ||
| 29-1 | Sonata in C minor, Hob. XVI:20: I. Moderato | — | ||
| 29-2 | Sonata in C minor, Hob. XVI:20: II. Andante con moto | — | ||
| 29-3 | Sonata in C minor, Hob. XVI:20: III. Finale. Allegro | — | ||
| 29-4 | Variations for Piano in B-flat major on Là ci darem la mano from W.A. Mozart's Don Giovanni, op. 2 | — | ||
| 29-5 | Nocturne in E-flat major, op. 55 no. 2 | — | ||
| 29-6 | Ballade no. 1 in G minor, op. 23 | — | ||
| 29-7 | Piano Sonata in E-flat major: I. Allegro vivace | — | ||
| 29-8 | Piano Sonata in E-flat major: II. Andante tranquillo | — | ||
| 29-9 | Piano Sonata in E-flat major: III. Allegro assai | — | ||
| 30-1 | En bateau from Petite suite, L. 65 | — | ||
| 30-2 | Arabesque no. 2 in G major, L. 66 | — | ||
| 30-3 | Alborada del gracioso from Miroirs, M. 43 | — | ||
| 30-4 | Fantaisie-impromptu in C-sharp minor, op. 66 | — | ||
| 30-5 | Pastourelle in B-flat major, FP 45 | — | ||
| 30-6 | Prelude in B-flat major, op. 23 no. 2 | — | ||
| 30-7 | 24 Preludes, op. 28: No. 1 in C major | — | ||
| 30-8 | 24 Preludes, op. 28: No. 2 in A minor | — | ||
| 30-9 | 24 Preludes, op. 28: No. 3 in G major | — | ||
| 30-10 | 24 Preludes, op. 28: No. 4 in E minor | — | ||
| 30-11 | 24 Preludes, op. 28: No. 5 in D major | — | ||
| 30-12 | 24 Preludes, op. 28: No. 6 in B minor | — | ||
| 30-13 | 24 Preludes, op. 28: No. 7 in A major | — | ||
| 30-14 | 24 Preludes, op. 28: No. 8 in F-sharp minor | — | ||
| 30-15 | 24 Preludes, op. 28: No. 9 in E major | — | ||
| 30-16 | 24 Preludes, op. 28: No. 10 in C-sharp minor | — | ||
| 30-17 | 24 Preludes, op. 28: No. 11 in B major | — | ||
| 30-18 | 24 Preludes, op. 28: No. 12 in G-sharp minor | — | ||
| 30-19 | 24 Preludes, op. 28: No. 13 in F-sharp major | — | ||
| 30-20 | 24 Preludes, op. 28: No. 14 in E-flat minor | — | ||
| 30-21 | 24 Preludes, op. 28: No. 15 in D-flat major | — | ||
| 30-22 | 24 Preludes, op. 28: No. 16 in B-flat minor | — | ||
| 30-23 | 24 Preludes, op. 28: No. 17 in A-flat major | — | ||
| 30-24 | 24 Preludes, op. 28: No. 18 in F minor | — | ||
| 30-25 | 24 Preludes, op. 28: No. 19 in E-flat major | — | ||
| 30-26 | 24 Preludes, op. 28: No. 20 in C minor | — | ||
| 30-27 | 24 Preludes, op. 28: No. 21 in B-flat major | — | ||
| 30-28 | 24 Preludes, op. 28: No. 22 in G minor | — | ||
| 30-29 | 24 Preludes, op. 28: No. 23 in F major | — | ||
| 30-30 | 24 Preludes, op. 28: No. 24 in D minor | — | ||
| 31-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegretto maestoso | — | ||
| 31-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | — | ||
| 31-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 31-4 | Concert champêtre in d major, FP 49: I. Adagio – Allegro molto | — | ||
| 31-5 | Concert champêtre in d major, FP 49: II. Andante. Mouvement de Sicilienne | — | ||
| 31-6 | Concert champêtre in d major, FP 49: III. Finale. Presto très gai | — | ||
| 32-1 | Fantaisie in F minor, D. 940 | — | ||
| 32-2 | Le carnaval des animaux, R. 125: I. Introduction et Marche royale du lion | — | ||
| 32-3 | Le carnaval des animaux, R. 125: II. Poules et coqs | — | ||
| 32-4 | Le carnaval des animaux, R. 125: III. Hémiones (Animaux véloces) | — | ||
| 32-5 | Le carnaval des animaux, R. 125: IV. Tortues | — | ||
| 32-6 | Le carnaval des animaux, R. 125: V. L’éléphant | — | ||
| 32-7 | Le carnaval des animaux, R. 125: VI. Kangourous | — | ||
| 32-8 | Le carnaval des animaux, R. 125: VII. Aquarium | — | ||
| 32-9 | Le carnaval des animaux, R. 125: VIII. Personnages à longues oreilles | — | ||
| 32-10 | Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois | — | ||
| 32-11 | Le carnaval des animaux, R. 125: X. Volière | — | ||
| 32-12 | Le carnaval des animaux, R. 125: XI. Pianistes | — | ||
| 32-13 | Le carnaval des animaux, R. 125: XII. Fossiles | — | ||
| 32-14 | Le carnaval des animaux, R. 125: XIII. Le cygne | — | ||
| 32-15 | Le carnaval des animaux, R. 125: XIV. Finale | — | ||
| 32-16 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 32-17 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | — | ||
| 32-18 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto vivace. Allegro animato | — | ||
| 32-19 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | — | ||
| 33-1 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo | — | ||
| 33-2 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig. Vivace alla marcia | — | ||
| 33-3 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | — | ||
| 33-4 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwinde, doch nicht zu sehr, und mit Entschlossenheit. Allegro | — | ||
| 33-5 | Fantasien, op. 116: 1. Capriccio in D minor | — | ||
| 33-6 | Fantasien, op. 116: 2. Intermezzo in a minor | — | ||
| 33-7 | Fantasien, op. 116: 3. Capriccio in G minor | — | ||
| 33-8 | Fantasien, op. 116: 4. Intermezzo in E major | — | ||
| 33-9 | Fantasien, op. 116: 5. Intermezzo in E minor | — | ||
| 33-10 | Fantasien, op. 116: 6. Intermezzo in E major | — | ||
| 33-11 | Fantasien, op. 116: 7. Capriccio in D minor | — | ||
| 33-12 | Piano Sonata in B minor, S. 178 | — | ||
| 33-13 | Valse oubliée no. 1, S. 215 | — | ||
| 33-14 | Arabeske in C major, op. 18 | — | ||
| 34-1 | Piano Sonata in A minor, D. 784: I. Allegro giusto | — | ||
| 34-2 | Piano Sonata in A minor, D. 784: II. Andante | — | ||
| 34-3 | Piano Sonata in A minor, D. 784: III. Allegro vivace | — | ||
| 34-4 | Six moments musicaux, D. 780: No. 1. Moderato | — | ||
| 34-5 | Six moments musicaux, D. 780: No. 2. Andantino | — | ||
| 34-6 | Six moments musicaux, D. 780: No. 3. Allegretto moderato | — | ||
| 34-7 | Six moments musicaux, D. 780: No. 4. Moderato | — | ||
| 34-8 | Six moments musicaux, D. 780: No. 5. Allegro vivace | — | ||
| 34-9 | Six moments musicaux, D. 780: No. 6. Allegretto | — | ||
| 34-10 | Ballade no. 1 in G minor, op. 23 | — | ||
| 35-1 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 35-2 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 35-3 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 35-4 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 35-5 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 35-6 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 36-1 | Piano Sonata no. 14 in A minor, D. 784: I. Allegro giusto | — | ||
| 36-2 | Piano Sonata no. 14 in A minor, D. 784: II. Andante | — | ||
| 36-3 | Piano Sonata no. 14 in A minor, D. 784: III. Allegro vivace | — | ||
| 36-4 | Moments musicaux, D .780: No. 1 in C major. Moderato | — | ||
| 36-5 | Moments musicaux, D .780: No. 2 in A-flat major. Andantino | — | ||
| 36-6 | Moments musicaux, D .780: No. 3 in F minor. Allegro moderato | — | ||
| 36-7 | Moments musicaux, D .780: No. 4 in C-sharp minor. Moderato | — | ||
| 36-8 | Moments musicaux, D .780: No. 5 in F minor. Allegro vivace | — | ||
| 36-9 | Moments musicaux, D .780: No. 6 in A-flat major. Allegretto | — | ||
| 36-10 | Piano Sonata no. 2 in B minor, op. 61: 1. Allegretto | — | ||
| 36-11 | Piano Sonata no. 2 in B minor, op. 61: 2. Largo | — | ||
| 36-12 | Piano Sonata no. 2 in B minor, op. 61: 3. Moderato | — | ||
| 37-1 | Piano Sonata no. 8 in C minor “Pathetique”, op. 13: I. Grave. Allegro di molto e con brio | — | ||
| 37-2 | Piano Sonata no. 8 in C minor “Pathetique”, op. 13: II. Adagio cantabile | — | ||
| 37-3 | Piano Sonata no. 8 in C minor “Pathetique”, op. 13: III. Rondo. Allegro | — | ||
| 37-4 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 (Moonlight Sonata): I. Adagio sostenuto | — | ||
| 37-5 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 (Moonlight Sonata): II. Allegretto | — | ||
| 37-6 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 (Moonlight Sonata): III. Presto agitato | — | ||
| 37-7 | Impromptu in F minor, D. 935 no. 1 | — | ||
| 37-8 | Pavane pour une infante défunte, M. 19 | — | ||
| 37-9 | Jeux d'eau, M. 30 | — | ||
| 37-10 | Sonata reminiscenza in A minor, op. 38 no. 1 | Emil Gilels | — | |
| 37-11 | Nouvelle étude no. 2 in A-flat major, B. 130 | — | ||
| 37-12 | Etude in F minor, op. 25 no. 2 | — | ||
| 37-13 | March and Scherzo from the Opera The Love for Three Oranges, op. 33ter: No. 2. Scherzo | — | ||
| 37-14 | March and Scherzo from the Opera The Love for Three Oranges, op. 33ter: No. 1. March | — | ||
| 38-1 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo | — | ||
| 38-2 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig. Vivace alla Marcia | — | ||
| 38-3 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | — | ||
| 38-4 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwinde, doch nicht zu sehr, und mit Entschlossenheit. Allegro | — | ||
| 38-5 | Presto passionato (original finale of Piano Sonata no.2 in G minor, op. 22) | — | ||
| 38-6 | Nachtstücke, op. 23: 1. Mehr langsam, oft zurückhaltend | — | ||
| 38-7 | Nachtstücke, op. 23: 2. Markiert und lebhaft | — | ||
| 38-8 | Nachtstücke, op. 23: 3. Mit großer Lebhaftigkeit | — | ||
| 38-9 | Nachtstücke, op. 23: 4. Ad libitum. Einfach | — | ||
| 38-10 | Piano Sonata no. 8 in B-flat major, op. 84: I. Andante dolce | — | ||
| 38-11 | Piano Sonata no. 8 in B-flat major, op. 84: II. Andante sognando | — | ||
| 38-12 | Piano Sonata no. 8 in B-flat major, op. 84: III. Vivace | — | ||
| 39-1 | Piano Sonata no. 21 in C major, op. 53: I. Allegro con brio | — | ||
| 39-2 | Piano Sonata no. 21 in C major, op. 53: II. Introduzione. Adagio molto | — | ||
| 39-3 | Piano Sonata no. 21 in C major, op. 53: III. Rondo. Allegretto moderato | — | ||
| 39-4 | 12 Variations for Piano in A major on the Russian Dance from the Ballet Das Waldmädchen by P. Wranitzky, WoO 71 | — | ||
| 39-5 | 32 Variations for Piano in C minor, WoO 80 | — | ||
| 39-6 | Piano Sonata no.2 A-flat major, op. 39: I. Allegro moderato, con spirito ed assai legato | — | ||
| 39-7 | Piano Sonata no.2 A-flat major, op. 39: II. Andante | — | ||
| 39-8 | Piano Sonata no.2 A-flat major, op. 39: III. Menuetto capriccioso. Presto assai | — | ||
| 39-9 | Piano Sonata no.2 A-flat major, op. 39: IV. Rondo. Moderato e molto grazioso | — | ||
| 40-1 | Piano Sonata in B-flat major, KV 281: I. Allegro | — | ||
| 40-2 | Piano Sonata in B-flat major, KV 281: II. Andante amoroso | — | ||
| 40-3 | Piano Sonata in B-flat major, KV 281: III. Rondo. Allegro | — | ||
| 40-4 | Six Variations for Piano in F major on Salve, tu Domine from the Opera I filosofi immaginari by G. Paisiello, KV 398 | — | ||
| 40-5 | Ten Variation for Piano in G major on Unser dummer Pöbel meint from the Opera La rencontre imprévue, ou Les pèlerins de la Mecque by C.W. Gluck, KV 455 | — | ||
| 40-6 | Fantasia in D minor, KV 397 | — | ||
| 40-7 | Piano Sonata in A Minor, KV 310: I. Allegro maestoso | — | ||
| 40-8 | Piano Sonata in A Minor, KV 310: II. Andante cantabile con espressione | — | ||
| 40-9 | Piano Sonata in A Minor, KV 310: III. Presto | — | ||
| 41-1 | Piano Sonata in F major, KV 533/494: I. Allegro | — | ||
| 41-2 | Piano Sonata in F major, KV 533/494: II. Andante | — | ||
| 41-3 | Piano Sonata in F major, KV 533/494: III. Rondo | — | ||
| 41-4 | Polonaise in C minor, op. 40 no. 2 | — | ||
| 41-5 | Rhapsodie espagnole, S. 254 | — | ||
| 41-6 | Visions fugitives, op. 22: No. 1. Lentamente | — | ||
| 41-7 | Visions fugitives, op. 22: No. 3. Allegretto | — | ||
| 41-8 | Visions fugitives, op. 22: No. 5. Molto giocoso | — | ||
| 41-9 | Visions fugitives, op. 22: No. 11. Con vivacità | — | ||
| 41-10 | March from the Opera The Love for Three Oranges, op. 33ter | — | ||
| 41-11 | Etude in C-sharp minor, op. 2 no. 1 | — | ||
| 41-12 | Prelude in G minor, op. 23 no. 5 | — | ||
| 41-13 | Ballade no. 1 in G minor, op. 23 | — | ||
| 41-14 | Arabeske in C major, op. 18 | — | ||
| 42-1 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante | — | ||
| 42-2 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 42-3 | Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | — | ||
| 42-4 | Piano Concerto no. 3 in E-flat major, op. 75: I. Allegro brillante | — | ||
| 42-5 | Rehearsal of Piano Concerto no. 3 in E-flat major, op. 75 | — | ||
| 43-1 | Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con Variazioni | — | ||
| 43-2 | Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo. Allegro molto | — | ||
| 43-3 | Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un Eroe. Maestoso andante | — | ||
| 43-4 | Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro | — | ||
| 43-5 | Piano Sonata no. 3 in A minor, op. 28 | — | ||
| 43-6 | Prelude in C major, op. 12 no. 7 | — | ||
| 43-7 | Visions fugitives, op. 22: No. 1. Lentamente | — | ||
| 43-8 | Visions fugitives, op. 22: No. 3. Allegretto | — | ||
| 43-9 | Visions fugitives, op. 22: No. 5. Molto giocoso | — | ||
| 43-10 | Visions fugitives, op. 22: No. 7. Pittoresco (Arpa) | — | ||
| 43-11 | Visions fugitives, op. 22: No. 8. Commodo | — | ||
| 43-12 | Visions fugitives, op. 22: No. 10. Ridicolosamente | — | ||
| 43-13 | Visions fugitives, op. 22: No. 11. Con vivacità | — | ||
| 43-14 | Visions fugitives, op. 22: No. 17. Poetico | — | ||
| 43-15 | Daisies, op. 38 no. 3 | — | ||
| 43-16 | Prelude in C-sharp minor, op. 3 no. 2 | — | ||
| 43-17 | Vocalise, op. 34 no. 14 | — | ||
| 43-18 | Prelude in B-flat major, op. 23 no. 2 | — | ||
| 43-19 | Prelude in G-flat major, op. 23 no. 10 | — | ||
| 43-20 | Prelude in B major, op. 32 no. 11 | — | ||
| 43-21 | Prelude in G minor, op. 23 no. 5 | — | ||
| 43-22 | Etude in C-sharp minor, op. 2 no. 1 | — | ||
| 43-23 | Prelude in B minor, BWV 855a | — | ||
| 44-1 | Piano Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 44-2 | Piano Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 44-3 | Piano Sonata no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | — | ||
| 44-4 | Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con Variazioni | — | ||
| 44-5 | Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo. Allegro molto | — | ||
| 44-6 | Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un Eroe. Maestoso andante | — | ||
| 44-7 | Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro | — | ||
| 44-8 | Toccata in C major, op. 7 | — | ||
| 44-9 | Hungarian Rhapsody no. 2 in C-sharp minor, S. 244/2 | — | ||
| 45-1 | Four Pieces for Piano, op. 32: 1. Scherzo | — | ||
| 45-2 | Four Pieces for Piano, op. 32: 2. Gigue | — | ||
| 45-3 | Four Pieces for Piano, op. 32: 3. Romance | — | ||
| 45-4 | Four Pieces for Piano, op. 32: 4. Fughette | — | ||
| 45-5 | Four Ballades for Piano, op. 10: No. 1 in D minor. Andante | — | ||
| 45-6 | Four Ballades for Piano, op. 10: No. 2 in D major. Andante | — | ||
| 45-7 | Four Ballades for Piano, op. 10: No. 3 in B minor. Intermezzo. Allegro | — | ||
| 45-8 | Four Ballades for Piano, op. 10: No. 4 in B major. Andante con moto | — | ||
| 45-9 | Polonaise in C minor, op. 40 no. 2 | — | ||
| 45-10 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 45-11 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo. Molto vivace | — | ||
| 45-12 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 45-13 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale. Presto non tanto. Agitato | — | ||
| 46-1 | Piano Sonata No. 7 in D major Op. 10 No. 3 I. Presto | Emil Gilels | — | |
| 46-2 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 46-3 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | — | ||
| 46-4 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | — | ||
| 46-5 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | — | ||
| 46-6 | Piano Sonata no. 25 in G major, op. 79: II. Andante | — | ||
| 46-7 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | — | ||
| 46-8 | Piano Sonata no. 26 in E-flat major, op. 81: I. Das Lebewohl. Adagio | — | ||
| 46-9 | Piano Sonata no. 26 in E-flat major, op. 81: II. Abwesenheit. Andante espressivo | — | ||
| 46-10 | Piano Sonata no. 26 in E-flat major, op. 81: III. Das Wiedersehen. Vivacissimamente | — | ||
| 46-11 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 46-12 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 46-13 | Etude no. 6 in F-sharp major “Si oiseau j'étais” from 12 Études caractéristiques, op. 2 | — | ||
| 46-14 | Etude no. 5 in E major “La chasse” from Grandes études de Paganini, S. 141 | — | ||
| 47-1 | 15 Variations and Fugue on an Original Theme in E-flat major “Eroica Variations”, op. 35 | — | ||
| 47-2 | Four Ballades for Piano, op. 10: No. 1 in D minor. Andante | — | ||
| 47-3 | Four Ballades for Piano, op. 10: No. 2 in D major. Andante | — | ||
| 47-4 | Four Ballades for Piano, op. 10: No. 3 in B minor. Intermezzo. Allegro | — | ||
| 47-5 | Four Ballades for Piano, op. 10: No. 4 in B major. Andante con moto | — | ||
| 47-6 | Arabeske in C major, op. 18 | — | ||
| 47-7 | Toccata in C major, op. 7 | — | ||
| 47-8 | Nouvelle étude no. 2 in A-flat major, B. 130 | — | ||
| 47-9 | Polonaise in A-flat major, op. 53 | — | ||
| 48-1 | Variations on a Theme by Paganini in A minor, op. 35, Book I | — | ||
| 48-2 | Seven Fantasien for Piano, op. 116: 1. Capriccio in D minor | — | ||
| 48-3 | Seven Fantasien for Piano, op. 116: 2. Intermezzo in A minor | — | ||
| 48-4 | Seven Fantasien for Piano, op. 116: 3. Capriccio in G minor | — | ||
| 48-5 | Seven Fantasien for Piano, op. 116: 4. Intermezzo in E major | — | ||
| 48-6 | Seven Fantasien for Piano, op. 116: 5. Intermezzo in E minor | — | ||
| 48-7 | Seven Fantasien for Piano, op. 116: 6. Intermezzo in E major | — | ||
| 48-8 | Seven Fantasien for Piano, op. 116: 7. Capriccio in D minor | — | ||
| 48-9 | Symphonic Etudes, op. 13: Theme | — | ||
| 48-10 | Symphonic Etudes, op. 13: Etude I | — | ||
| 48-11 | Symphonic Etudes, op. 13: Etude II | — | ||
| 48-12 | Symphonic Etudes, op. 13: Etude III | — | ||
| 48-13 | Symphonic Etudes, op. 13: Etude IV | — | ||
| 48-14 | Symphonic Etudes, op. 13: Etude V | — | ||
| 48-15 | Symphonic Etudes, op. 13: Etude VI | — | ||
| 48-16 | Symphonic Etudes, op. 13: Etude VII | — | ||
| 48-17 | Symphonic Etudes, op. 13: Etude VIII | — | ||
| 48-18 | Symphonic Etudes, op. 13: Etude IX | — | ||
| 48-19 | Symphonic Etudes, op. 13: Etude X | — | ||
| 48-20 | Symphonic Etudes, op. 13: Etude XI | — | ||
| 48-21 | Symphonic Etudes, op. 13: Etude XII (Finale) | — | ||
| 49-1 | Four Pieces for Piano, op. 32: 1. Scherzo | — | ||
| 49-2 | Four Pieces for Piano, op. 32: 2. Gigue | — | ||
| 49-3 | Four Pieces for Piano, op. 32: 3. Romance | — | ||
| 49-4 | Four Pieces for Piano, op. 32: 4. Fughette | — | ||
| 49-5 | Duetto, Song Without Words, op. 38 no. 6 | — | ||
| 49-6 | Etude in A minor, op. 104b no. 3 | — | ||
| 49-7 | Piano Sonata no. 3 in F-sharp minor, op. 23: I. Drammatico | — | ||
| 49-8 | Piano Sonata no. 3 in F-sharp minor, op. 23: II. Allegretto | — | ||
| 49-9 | Piano Sonata no. 3 in F-sharp minor, op. 23: III. Andante | — | ||
| 49-10 | Piano Sonata no. 3 in F-sharp minor, op. 23: IV. Presto con fuoco | — | ||
| 49-11 | Five Preludes, op. 74: 1. Douloureux, déchirant | — | ||
| 49-12 | Five Preludes, op. 74: 2. Très lent, contemplatif | — | ||
| 49-13 | Five Preludes, op. 74: 3. Allegro drammatico | — | ||
| 49-14 | Five Preludes, op. 74: 4. Lent, vague, indécis | — | ||
| 49-15 | Five Preludes, op. 74: 5. Fier, belliqueux | — | ||
| 49-16 | Piano Sonata no. 3 in A minor, op. 28 | — | ||
| 50-1 | Piano Sonata no. 29 in B-flat major “Hammerklavier”, op. 106: I. Allegro | — | ||
| 50-2 | Piano Sonata no. 29 in B-flat major “Hammerklavier”, op. 106: II. Scherzo. Assai vivace | — | ||
| 50-3 | Piano Sonata no. 29 in B-flat major “Hammerklavier”, op. 106: III. Adagio sostenuto | — | ||
| 50-4 | Piano Sonata no. 29 in B-flat major “Hammerklavier”, op. 106: IV. Introduzione. Largo – Fuga. Allegro risoluto | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
4600317024339 is a Universal Product Code (UPC) assigned to The 100th Anniversary Edition by Emil Gilels. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 599 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Prelude in B Minor | Эмиль Григорьевич Гилельс | — |
| Piano Trio no. 8 in E‐flat major, WoO 38: I. Allegro moderato | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — |
| Piano Trio no. 8 in E‐flat major, WoO 38: II. Scherzo – Allegro ma non troppo | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — |
| Piano Trio no. 8 in E‐flat major, WoO 38: III. Rondo – Allegretto | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — |
| Piano Quartet no. 1 in C minor, op. 15: I. Allegro molto moderato | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — |
| Piano Quartet no. 1 in C minor, op. 15: II. Scherzo – Allegro vivo | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — |
| Piano Quartet no. 1 in C minor, op. 15: III. Adagio | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — |
| Piano Quartet no. 1 in C minor, op. 15: IV. Allegro molto | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — |
The UPC for “The 100th Anniversary Edition” by Emil Gilels is 4600317024339. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Мелодия. This release contains 599 tracks, each with its own ISRC. Tracks include NLA509891035, DEF053502240, DEF054002130.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fantasia on 2 themes from "Le nozze di Figaro" | Emil Gilels | — | |
| 2 | Suite: Giga | Emil Gilels | — | |
| 3 | Pastourelle in B-flat major, FP 45 | — | ||
| 4 | Fêtes from Nocturnes, L 91 no. 2 | — | ||
| 5 | Paganini Etudes S. 141: No. 5 in E major | Эмиль Григорьевич Гилельс | — | |
| 6 | Hungarian Dance no. 1 in G minor, WoO 1 | — | ||
| 7 | Ballade no. 1 in G minor, op. 23 | — | ||
| 8 | Duetto, Song Without Words, op. 38 no. 6 | — | ||
| 9 | Scherzo from Incidental Music to Shakespeare's A Midsummer Night's Dream | — | ||
| 10 | Hungarian Rhapsody no. 6 in D-flat major, S. 244/6 | — | ||
| 11 | Pastorale and Capriccio on Motives of Domenico Scarlatti's Sonatas in d minor, K. 9, and in E major, K. 20 | — | ||
| 12 | Etude-tableau in E-flat minor, op. 39 no. 5 | — | ||
| 2-1 | Nocturne in C minor, op. 48 no. 1 | — | ||
| 2-2 | Impromptu no.2 in F-sharp major, op. 36 | — | ||
| 2-3 | Fantaisie-impromptu in C-sharp minor, op. 66 | — | ||
| 2-4 | Polonaise in A-flat major, op. 53 | — | ||
| 2-5 | Piano Sonata in B minor, S. 178 | — | ||
| 2-6 | Valse oubliée no. 1, S. 215 | — | ||
| 2-7 | Images, Book I, L. 110: Reflets dans l'eau | — | ||
| 2-8 | Images, Book I, L. 110: Hommage à Rameau | — | ||
| 2-9 | Images, Book I, L. 110: Mouvement | — | ||
| 3-1 | 32 Variation for Piano in C minor, WoO 80 | — | ||
| 3-2 | Piano Sonata no. 21 in C major, op. 53: I. Allegro con brio | — | ||
| 3-3 | Piano Sonata no. 21 in C major, op. 53: II. Introduzione. Adagio molto | — | ||
| 3-4 | Piano Sonata no. 21 in C major, op. 53: III. Rondo. Allegretto moderato | — | ||
| 3-5 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo | — | ||
| 3-6 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig. Vivace alla Marcia | — | ||
| 3-7 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | — | ||
| 3-8 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwinde, doch nicht zu sehr, und mit Entschlossenheit. Allegro | — | ||
| 3-9 | Piano Sonata no. 2 in G minor, op. 22: I. Vivacissimo | — | ||
| 3-10 | Piano Sonata no. 2 in G minor, op. 22: II. Andantino | — | ||
| 3-11 | Piano Sonata no. 2 in G minor, op. 22: III. Scherzo | — | ||
| 3-12 | Piano Sonata no. 2 in G minor, op. 22: IV. Presto | — | ||
| 4-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 4-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 4-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro | — | ||
| 4-4 | Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo | — | ||
| 4-5 | Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato | — | ||
| 4-6 | Piano Concerto no. 2 in B-flat major, op. 83: III. Andante | — | ||
| 4-7 | Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | — | ||
| 5-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 5-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | — | ||
| 5-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 5-4 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 5-5 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 5-6 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 6-1 | Violin Sonata in D major, op. 84: I. Allegro | — | ||
| 6-2 | Violin Sonata in D major, op. 84: II. Andante non troppo | — | ||
| 6-3 | Violin Sonata in D major, op. 84: III. Allegro | — | ||
| 6-4 | Piano Trio in D major: I. Allegro con brio | — | ||
| 6-5 | Piano Trio in D major: II. Andante | — | ||
| 6-6 | Piano Trio in D major: III. Intermezzo | — | ||
| 6-7 | Piano Trio in A minor: I. Allegro ma non troppo | — | ||
| 6-8 | Piano Trio in A minor: II. Adagio | — | ||
| 6-9 | Piano Trio in A minor: III. Rondo. Allegretto | — | ||
| 6-10 | Violin Sonata in E minor: I. Allegro con brio | — | ||
| 6-11 | Violin Sonata in E minor: II. Adagio cantabile | — | ||
| 6-12 | Violin Sonata in E minor: III. Rondo. Allegretto scherzando | — | ||
| 7-1 | Violin Sonata in A major, RV 31: I. Preludio a Capriccio. Presto | — | ||
| 7-2 | Violin Sonata in A major, RV 31: II. Corrente. Allegro | — | ||
| 7-3 | Violin Sonata in A major, RV 31: III. Adagio | — | ||
| 7-4 | Violin Sonata in A major, RV 31: IV. Giga. Allegro | — | ||
| 7-5 | Violin Sonata no. 8 in C major, KV 296: I. Allegro vivace | — | ||
| 7-6 | Violin Sonata no. 8 in C major, KV 296: II. Andante sostenuto | — | ||
| 7-7 | Violin Sonata no. 8 in C major, KV 296: III. Rondo. Allegro | — | ||
| 7-8 | Violin Sonata no. 35 in A major, KV 526: I. Allegro molto | — | ||
| 7-9 | Violin Sonata no. 35 in A major, KV 526: II. Andante | — | ||
| 7-10 | Violin Sonata no. 35 in A major, KV 526: III. Presto | — | ||
| 7-11 | Violin Sonata no. 1 in G major, Hob. XV:32: I. Andante | — | ||
| 7-12 | Violin Sonata no. 1 in G major, Hob. XV:32: II. Allegro | — | ||
| 8-1 | Piano Trio no. 1 in B‐flat major, K. 254: I. Allegro assai | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 8-2 | Piano Trio no. 1 in B‐flat major, K. 254: II. Adagio | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 8-3 | Piano Trio no. 1 in B‐flat major, K. 254: III. Rondo – Tempo di menuetto | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 8-4 | Piano Trio no. 8 in E‐flat major, WoO 38: I. Allegro moderato | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 8-5 | Piano Trio no. 8 in E‐flat major, WoO 38: II. Scherzo – Allegro ma non troppo | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | T-031.682.208-8 | |
| 8-6 | Piano Trio no. 8 in E‐flat major, WoO 38: III. Rondo – Allegretto | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — | |
| 8-7 | Piano Quartet no. 1 in C minor, op. 15: I. Allegro molto moderato | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 8-8 | Piano Quartet no. 1 in C minor, op. 15: II. Scherzo – Allegro vivo | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 8-9 | Piano Quartet no. 1 in C minor, op. 15: III. Adagio | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 8-10 | Piano Quartet no. 1 in C minor, op. 15: IV. Allegro molto | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — | |
| 9-1 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | Эмиль Григорьевич Гилельс, USSR State Academic Symphony Orchestra, Кирилл Петрович Кондрашин | — | |
| 9-2 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio | — | ||
| 9-3 | Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve | — | ||
| 9-4 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | — | ||
| 9-5 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice – Prestissimo | — | ||
| 9-6 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | — | ||
| 10-1 | Chromatic Fantasia and Fugue in D minor, BWV 903 | — | ||
| 10-2 | Piano Sonata in B-flat major, KV 570: I. Allegro | — | ||
| 10-3 | Piano Sonata in B-flat major, KV 570: II. Adagio | — | ||
| 10-4 | Piano Sonata in B-flat major, KV 570: III. Allegretto | — | ||
| 10-5 | Piano Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione. Un poco Adagio. Allegro vivace | — | ||
| 10-6 | Piano Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 10-7 | Piano Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo e Intermezzo. Allegrissimo | — | ||
| 10-8 | Piano Sonata no. 1 in F-sharp minor, op. 11: IV. Finale. Allegro un poco maestoso. Presto | — | ||
| 10-9 | Valse oubliée no. 1, S. 215 | — | ||
| 10-10 | Etude no. 3 in G-sharp minor “La campanella” from Grandes études de Paganini, S. 141 | — | ||
| 11-1 | Piano Sonata in B-flat major, KV 570: I. Allegro | — | ||
| 11-2 | Piano Sonata in B-flat major, KV 570: II. Adagio | — | ||
| 11-3 | Piano Sonata in B-flat major, KV 570: III. Allegretto | — | ||
| 11-4 | Carnaval, op. 9: Préambule | — | ||
| 11-5 | Carnaval, op. 9: Pierrot | — | ||
| 11-6 | Carnaval, op. 9: Arlequin | — | ||
| 11-7 | Carnaval, op. 9: Valse noble | — | ||
| 11-8 | Carnaval, op. 9: Eusebius | — | ||
| 11-9 | Carnaval, op. 9: Florestan | — | ||
| 11-10 | Carnaval, op. 9: Coquette | — | ||
| 11-11 | Carnaval, op. 9: Réplique | — | ||
| 11-12 | Carnaval, op. 9: Sphinxes | — | ||
| 11-13 | Carnaval, op. 9: Papillons | — | ||
| 11-14 | Carnaval, op. 9: A.S.C.H.–S.C.H.A. Lettres dansantes | — | ||
| 11-15 | Carnaval, op. 9: Chiarina | — | ||
| 11-16 | Carnaval, op. 9: Chopin | — | ||
| 11-17 | Carnaval, op. 9: Estrella | — | ||
| 11-18 | Carnaval, op. 9: Reconnaissance | — | ||
| 11-19 | Carnaval, op. 9: Pantalon et Colombine | — | ||
| 11-20 | Carnaval, op. 9: Valse allemande. Paganini | — | ||
| 11-21 | Carnaval, op. 9: Aveu | — | ||
| 11-22 | Carnaval, op. 9: Promenade | — | ||
| 11-23 | Carnaval, op. 9: Pause. Marche des Davidsbündler contre les Philistins | — | ||
| 11-24 | Nocturne in C minor, op. 48 no. 1 | — | ||
| 11-25 | Impromptu no. 2 in F-sharp major, op. 36 | — | ||
| 11-26 | Fantaisie-impromptu in C-sharp minor, op. 66 | — | ||
| 11-27 | Mazurka in F minor, op. 7 no. 3 | — | ||
| 11-28 | Mazurka in E minor, op. 41 no. 2 | — | ||
| 11-29 | Le Tombeau de Couperin, M. 68: No. 1. Prélude | — | ||
| 11-30 | Le Tombeau de Couperin, M. 68: No. 3. Forlane | — | ||
| 11-31 | Le Tombeau de Couperin, M. 68: No. 6. Toccata | — | ||
| 12-1 | Chaconne in G major, HWV 435 | — | ||
| 12-2 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | — | ||
| 12-3 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | — | ||
| 12-4 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | — | ||
| 12-5 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | — | ||
| 12-6 | 24 Preludes and Fugues, op. 87: No. 1 in C major | — | ||
| 12-7 | 24 Preludes and Fugues, op. 87: No. 5 in D major | — | ||
| 12-8 | 24 Preludes and Fugues, op. 87: No. 24 in D minor | — | ||
| 12-9 | Piano Sonata no. 1 in F minor, op. 6: I. Allegro con fuoco | — | ||
| 12-10 | Piano Sonata no. 1 in F minor, op. 6: II | — | ||
| 12-11 | Piano Sonata no. 1 in F minor, op. 6: III. Presto | — | ||
| 12-12 | Piano Sonata no. 1 in F minor, op. 6: IV. Funebre | — | ||
| 13-1 | Piano Sonata in B minor, S. 178 | — | ||
| 13-2 | Nocturnre in C-sharp minor, op. 19 no. 4 | — | ||
| 13-3 | Etude in A minor, op. 104b no. 3 | — | ||
| 13-4 | Danza ritual del fuego from Suite for Piano from the Ballet El Amor brujo | — | ||
| 13-5 | Etude no.11 “Harmonies du soir” from Études d’exécution transcendante, S. 139 | — | ||
| 13-6 | Hungarian Rhapsody no. 9 in E-flat major “The Carnival at Pesth, S. 244/9 | — | ||
| 13-7 | Moment musical in D-flat major, op. 16 no. 5 | — | ||
| 13-8 | Polonaise in A-flat major, op. 53 | — | ||
| 14-1 | Piano Sonata no. 2 in E minor, op. 75: I. Moderato | — | ||
| 14-2 | Piano Sonata no. 2 in E minor, op. 75: II. Scherzo. Allegretto | — | ||
| 14-3 | Piano Sonata no. 2 in E minor, op. 75: III. Finale. Allegro moderato | — | ||
| 14-4 | Piano Sonata no. 2 in D minor, op. 14: I. Allegro ma non troppo | — | ||
| 14-5 | Piano Sonata no. 2 in D minor, op. 14: II. Scherzo. Allegro marcato | — | ||
| 14-6 | Piano Sonata no. 2 in D minor, op. 14: III. Andante | — | ||
| 14-7 | Piano Sonata no. 2 in D minor, op. 14: IV. Vivace | — | ||
| 14-8 | Islamey, an Oriental Fantasy, op. 18 | — | ||
| 14-9 | Moment musical in D-flat major, op. 16 no. 5 | — | ||
| 14-10 | Polichinelle from Morceaux de fantaisie, op. 3 no. 4 | — | ||
| 14-11 | March from the Opera The Love for Three Oranges, op. 33ter | — | ||
| 15-1 | Six Pieces, op. 19: 1. Rêverie du soir | — | ||
| 15-2 | Six Pieces, op. 19: 2. Scherzo humoristique | — | ||
| 15-3 | Six Pieces, op. 19: 3. Feuillet d'album | — | ||
| 15-4 | Six Pieces, op. 19: 4. Nocturne | — | ||
| 15-5 | Six Pieces, op. 19: 5. Capriccioso | — | ||
| 15-6 | Six Pieces, op. 19: 6. Thème original et variations | — | ||
| 15-7 | Piano Sonata no. 4 in F-sharp major, op. 30: I. Andante | — | ||
| 15-8 | Piano Sonata no. 4 in F-sharp major, op. 30: II. Prestissimo volando | — | ||
| 15-9 | Piano Sonata no. 3 in A minor, op. 28 | — | ||
| 15-10 | Piano Sonata in B minor, S. 178 | — | ||
| 15-11 | Valse oubliée no. 1 in F-sharp | Эмиль Григорьевич Гилельс | — | |
| 15-12 | Rumores de la Caleta (Malagueña) from Recuerdos de viaje, op. 71 | — | ||
| 15-13 | Danza ritual del fuego from Suite for Piano from the Ballet El Amor brujo | — | ||
| 16-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 16-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 16-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 16-4 | Piano Concerto no. 4 in G minor, op. 40: II. Largo | — | ||
| 16-5 | Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace | — | ||
| 16-6 | Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco | — | ||
| 16-7 | Piano Concerto no. 1 in G minor, op. 25: II. Andante | — | ||
| 16-8 | Piano Concerto no. 1 in G minor, op. 25: III. Presto – Molto allegro e vivace | — | ||
| 17-1 | Symphonic Variations for Piano and Orchestra, FWV 46 | — | ||
| 17-2 | Andante spianato and Grande polonaise for Piano Orchestra in E-flat major, op. 22 | — | ||
| 17-3 | Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | — | ||
| 17-4 | Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | — | ||
| 17-5 | Piano Concerto no. 2 in G minor, op. 22: III. Presto | — | ||
| 17-6 | Etude no. 3 in G-sharp minor “La campanella” from Grandes études de Paganini, S. 141 | — | ||
| 18-1 | Variations for Piano and Orchestra in B-flat major on “Là ci darem la mano” from W.A. Mozart's Don Giovanni, op. 2 | — | ||
| 18-2 | Piano Concerto for the Left Hand no. 2 in D major, M. 82 | — | ||
| 18-3 | Heroic Ballade for Piano and Orchestra | — | ||
| 18-4 | Presto from Piano Concerto no. 2 in G minor, op. 22 | — | ||
| 19-1 | Piano Sonata in B-flat major, KV 570: I. Allegro | — | ||
| 19-2 | Piano Sonata in B-flat major, KV 570: II. Adagio | — | ||
| 19-3 | Piano Sonata in B-flat major, KV 570: III. Allegretto | — | ||
| 19-4 | Images, Book I, L. 110: 1. Reflets dans l'eau | — | ||
| 19-5 | Images, Book I, L. 110: 2. Hommage à Rameau | — | ||
| 19-6 | Images, Book I, L. 110: 3. Mouvement | — | ||
| 19-7 | Estampes, L. 100: 1. Pagodes | — | ||
| 19-8 | Estampes, L. 100: 2. La soirée dans Grenade | — | ||
| 19-9 | Estampes, L. 100: 3. Jardins sous la pluie | — | ||
| 19-10 | Piano Sonata no. 2 in D minor, op. 14: I. Allegro ma non troppo | — | ||
| 19-11 | Piano Sonata no. 2 in D minor, op. 14: II. Scherzo. Allegro marcato | — | ||
| 19-12 | Piano Sonata no. 2 in D minor, op. 14: III. Andante | — | ||
| 19-13 | Piano Sonata no. 2 in D minor, op. 14: IV. Vivace | — | ||
| 19-14 | Visions fugitives, op. 22: No. 1. Lentamente | — | ||
| 19-15 | Visions fugitives, op. 22: No. 2. Andante | — | ||
| 19-16 | Visions fugitives, op. 22: No. 3. Allegretto | — | ||
| 19-17 | Visions fugitives, op. 22: No. 5. Molto giocoso | — | ||
| 19-18 | Visions fugitives, op. 22: No. 6. Con eleganza | — | ||
| 19-19 | Visions fugitives, op. 22: No. 7. Pittoresco (Arpa) | — | ||
| 19-20 | Visions fugitives, op. 22: No. 11. Con vivacità | — | ||
| 19-21 | Visions fugitives, op. 22: No. 18. Con una dolce lentezza | — | ||
| 19-22 | Visions fugitives, op. 22: No. 14. Feroce | — | ||
| 19-23 | Visions fugitives, op. 22: No. 17. Poetico | — | ||
| 19-24 | Toccata in D minor, op. 11 | — | ||
| 19-25 | March from the Opera The Love for Three Oranges, op. 33ter | — | ||
| 20-1 | Sonata in D minor, L. 422, K. 141 | — | ||
| 20-2 | Sonata in B minor, L. 449, K. 27 | — | ||
| 20-3 | Sonata in G major, L. 487, K. 125 | — | ||
| 20-4 | Sonata in C-sharp minor, L. 256, K. 247 | — | ||
| 20-5 | Sonata in A major, L. 395, K. 533 | — | ||
| 20-6 | Piano Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione. Un poco adagio – Allegro vivace | — | ||
| 20-7 | Piano Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 20-8 | Piano Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo. Allegrissimo – Intermezzo. Lento | — | ||
| 20-9 | Piano Sonata no. 1 in F-sharp minor, op. 11: IV. Finale. Allegro un poco maestoso | — | ||
| 20-10 | Five Fragments from the Ballet Petrushka: 1. Russian Dance | — | ||
| 20-11 | Five Fragments from the Ballet Petrushka: 2. Petrushka's Room | — | ||
| 20-12 | Five Fragments from the Ballet Petrushka: 3. The Moor's Room | — | ||
| 20-13 | Five Fragments from the Ballet Petrushka: 4. Dance of the Ballerine | — | ||
| 20-14 | Five Fragments from the Ballet Petrushka: 5. The Shrovetide Fair | — | ||
| 21-1 | Romance in F major, op. 118 no. 5 | — | ||
| 21-2 | Etude in A minor, op 104b no. 3 | — | ||
| 21-3 | Six Pieces, op. 19: 1. Rêverie du soir | — | ||
| 21-4 | Six Pieces, op. 19: 2. Scherzo humoristique | — | ||
| 21-5 | Six Pieces, op. 19: 3. Feuillet d'album | — | ||
| 21-6 | Six Pieces, op. 19: 4. Nocturne | — | ||
| 21-7 | Six Pieces, op. 19: 5. Capriccioso | — | ||
| 21-8 | Six Pieces, op. 19: 6. Thème original et variations | — | ||
| 21-9 | Piano Sonata no. 4 in B minor, op. 56: I. Allegro | — | ||
| 21-10 | Piano Sonata no. 4 in B minor, op. 56: II. Allegro | — | ||
| 21-11 | Piano Sonata no. 4 in B minor, op. 56: III. Adagio | — | ||
| 21-12 | Piano Sonata no. 4 in B minor, op. 56: IV. Allegro | — | ||
| 21-13 | Arabesque in G major, L. 66 no. 2 | — | ||
| 21-14 | Rumores de la Caleta (Malagueña) from Recuerdos de Viaje, op. 71 | — | ||
| 22-1 | Piano Concerto in D major, Hob. XVIII:11: I. Vivace | — | ||
| 22-2 | Piano Concerto in D major, Hob. XVIII:11: II. Un poco adagio | — | ||
| 22-3 | Piano Concerto in D major, Hob. XVIII:11: III. Rondo all'Ungarese. Allegro assai | — | ||
| 22-4 | Rondo for Piano and Orchestra in D major, KV 382 | — | ||
| 22-5 | Piano Concerto in G major no. 4, op. 58: I. Allegro moderato | — | ||
| 22-6 | Piano Concerto in G major no. 4, op. 58: II. Andante con moto | — | ||
| 22-7 | Piano Concerto in G major no. 4, op. 58: III. Rondo. Vivace | — | ||
| 23-1 | Andante spianato et Grande polonaise brillante for Piano and Prchestra in E-flat majo, op. 22 | — | ||
| 23-2 | Piano Concerto no. 21 in C major, KV 467: I. Allegro maestoso | — | ||
| 23-3 | Piano Concerto no. 21 in C major, KV 467: II. Andante | — | ||
| 23-4 | Piano Concerto no. 21 in C major, KV 467: III. Allegro vivace assai | — | ||
| 23-5 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante | — | ||
| 23-6 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 23-7 | Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | — | ||
| 24-1 | Aria variata alla maniera italiana in A minor, BWV 989 | — | ||
| 24-2 | Impromptu in F minor, D. 935 no. 1 | — | ||
| 24-3 | Piano Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione. Un poco adagio – Allegro vivace | — | ||
| 24-4 | Piano Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 24-5 | Piano Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo. Allegrissimo – Intermezzo. Lento | — | ||
| 24-6 | Piano Sonata no. 1 in F-sharp minor, op. 11: IV. Finale. Allegro, un poco maestoso | — | ||
| 24-7 | Piano Sonata no. 2 in E-flat major, op. 45: I. Allegro moderato. Festivamente | — | ||
| 24-8 | Piano Sonata no. 2 in E-flat major, op. 45: II. Andante sostenuto | — | ||
| 24-9 | Piano Sonata no. 2 in E-flat major, op. 45: III. Presto assai | — | ||
| 25-1 | Sonata in D minor, K. 422, L. 141 | — | ||
| 25-2 | Sonata in F major, K. 116, L. 518 | — | ||
| 25-3 | Sonata in D minor, K. 423, L. 32 | — | ||
| 25-4 | Sonata in F minor, K. 118, L. 466 | — | ||
| 25-5 | Sonata in A major, K. 395, L. 533 | — | ||
| 25-6 | Sonata in B minor, K. 449, L. 27 | — | ||
| 25-7 | Sonata in G major, K. 487, L. 125 | — | ||
| 25-8 | Sonata in A major, H. 186: I. Allegro assai | — | ||
| 25-9 | Sonata in A major, H. 186: II. Poco adagio | — | ||
| 25-10 | Sonata in A major, H. 186: III. Allegro | — | ||
| 25-11 | Sonata in C minor, Hob. XVI:20: I. Moderato | — | ||
| 25-12 | Sonata in C minor, Hob. XVI:20: II. Andante con moto | — | ||
| 25-13 | Sonata in C minor, Hob. XVI:20: III. Finale. Allegro | — | ||
| 26-1 | Piano Sonata in B minor, S. 178 | — | ||
| 26-2 | Piano Sonata no. 2 in B-flat minor, op. 35: I. Grave. Doppio movimento | — | ||
| 26-3 | Piano Sonata no. 2 in B-flat minor, op. 35: II. Scherzo | — | ||
| 26-4 | Piano Sonata no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento | — | ||
| 26-5 | Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale. Presto. Sotto voce e legato | — | ||
| 26-6 | Piano Sonata no. 1 in F-sharp minor, op. 11: I. Introduzione. Un poco adagio – Allegro vivace | — | ||
| 26-7 | Piano Sonata no. 1 in F-sharp minor, op. 11: II. Aria | — | ||
| 26-8 | Piano Sonata no. 1 in F-sharp minor, op. 11: III. Scherzo. Allegrissimo – Intermezzo. Lento | — | ||
| 26-9 | Piano Sonata no. 1 in F-sharp minor, op. 11: IV. Finale. Allegro un poco maestoso | — | ||
| 27-1 | Piano Sonata in C-sharp minor, op. 80: I. Allegro con fuoco | — | ||
| 27-2 | Piano Sonata in C-sharp minor, op. 80: II. Andante | — | ||
| 27-3 | Piano Sonata in C-sharp minor, op. 80: III. Scherzo. Allegro vivo | — | ||
| 27-4 | Piano Sonata in C-sharp minor, op. 80: IV. Allegro vivo | — | ||
| 27-5 | Five Fragments from the Ballet Petrushka: 1. Russian Dance | — | ||
| 27-6 | Five Fragments from the Ballet Petrushka: 2. Petrushka's Room | — | ||
| 27-7 | Five Fragments from the Ballet Petrushka: 3. The Moor's Room | — | ||
| 27-8 | Five Fragments from the Ballet Petrushka: 4. Dance of the Ballerine | — | ||
| 27-9 | Five Fragments from the Ballet Petrushka: 5. The Shrovetide Fair | — | ||
| 27-10 | Piano Sonata no. 8 in B-flat major, op. 84: I. Andante dolce | — | ||
| 27-11 | Piano Sonata no. 8 in B-flat major, op. 84: II. Andante sognando | — | ||
| 27-12 | Piano Sonata no. 8 in B-flat major, op. 84: III. Vivace | — | ||
| 28-1 | Valses nobles et sentimentales, M. 61: Modéré, très franc | — | ||
| 28-2 | Valses nobles et sentimentales, M. 61: Assez lent, avec une expression intense | — | ||
| 28-3 | Valses nobles et sentimentales, M. 61: Modéré | — | ||
| 28-4 | Valses nobles et sentimentales, M. 61: Assez animé | — | ||
| 28-5 | Valses nobles et sentimentales, M. 61: Presque lent, dans un sentiment intime | — | ||
| 28-6 | Valses nobles et sentimentales, M. 61: Vif | — | ||
| 28-7 | Valses nobles et sentimentales, M. 61: Moins vif | — | ||
| 28-8 | Valses nobles et sentimentales, M. 61: Épilogue. Lent | — | ||
| 28-9 | Hungarian Rhapsody no. 15 in A minor “Rákóczi-Marsch”, S. 244/15 | — | ||
| 28-10 | Adagio from the Ballet Apollon musagète | — | ||
| 28-11 | Fantaisie-impromptu in C-sharp minor, op. 66 | — | ||
| 28-12 | Russian Dance from the Ballet Petrushka | — | ||
| 28-13 | Piano Sonata in C major, op. 34 no. 1: I. Allegro con spirito | — | ||
| 28-14 | Piano Sonata in C major, op. 34 no. 1: II. Un poco andante, quasi allegretto | — | ||
| 28-15 | Piano Sonata in C major, op. 34 no. 1: III. Finale. Allegro | — | ||
| 28-16 | La villageoise (Rondeau) from Suite Pièces de clavecin in E minor, RCT 2 | — | ||
| 28-17 | Tambourin from Suite Pièces de clavecin in E minor, RCT 2 | — | ||
| 28-18 | Alborada del gracioso from Miroirs, M. 43 | — | ||
| 28-19 | Prelude in B Minor | Эмиль Григорьевич Гилельс | — | |
| 28-20 | Adagio from the Ballet Apollon musagète | — | ||
| 28-21 | Russian Dance from the Ballet Petrushka | — | ||
| 28-22 | Prelude in G minor, op. 23 no. 5 | — | ||
| 29-1 | Sonata in C minor, Hob. XVI:20: I. Moderato | — | ||
| 29-2 | Sonata in C minor, Hob. XVI:20: II. Andante con moto | — | ||
| 29-3 | Sonata in C minor, Hob. XVI:20: III. Finale. Allegro | — | ||
| 29-4 | Variations for Piano in B-flat major on Là ci darem la mano from W.A. Mozart's Don Giovanni, op. 2 | — | ||
| 29-5 | Nocturne in E-flat major, op. 55 no. 2 | — | ||
| 29-6 | Ballade no. 1 in G minor, op. 23 | — | ||
| 29-7 | Piano Sonata in E-flat major: I. Allegro vivace | — | ||
| 29-8 | Piano Sonata in E-flat major: II. Andante tranquillo | — | ||
| 29-9 | Piano Sonata in E-flat major: III. Allegro assai | — | ||
| 30-1 | En bateau from Petite suite, L. 65 | — | ||
| 30-2 | Arabesque no. 2 in G major, L. 66 | — | ||
| 30-3 | Alborada del gracioso from Miroirs, M. 43 | — | ||
| 30-4 | Fantaisie-impromptu in C-sharp minor, op. 66 | — | ||
| 30-5 | Pastourelle in B-flat major, FP 45 | — | ||
| 30-6 | Prelude in B-flat major, op. 23 no. 2 | — | ||
| 30-7 | 24 Preludes, op. 28: No. 1 in C major | — | ||
| 30-8 | 24 Preludes, op. 28: No. 2 in A minor | — | ||
| 30-9 | 24 Preludes, op. 28: No. 3 in G major | — | ||
| 30-10 | 24 Preludes, op. 28: No. 4 in E minor | — | ||
| 30-11 | 24 Preludes, op. 28: No. 5 in D major | — | ||
| 30-12 | 24 Preludes, op. 28: No. 6 in B minor | — | ||
| 30-13 | 24 Preludes, op. 28: No. 7 in A major | — | ||
| 30-14 | 24 Preludes, op. 28: No. 8 in F-sharp minor | — | ||
| 30-15 | 24 Preludes, op. 28: No. 9 in E major | — | ||
| 30-16 | 24 Preludes, op. 28: No. 10 in C-sharp minor | — | ||
| 30-17 | 24 Preludes, op. 28: No. 11 in B major | — | ||
| 30-18 | 24 Preludes, op. 28: No. 12 in G-sharp minor | — | ||
| 30-19 | 24 Preludes, op. 28: No. 13 in F-sharp major | — | ||
| 30-20 | 24 Preludes, op. 28: No. 14 in E-flat minor | — | ||
| 30-21 | 24 Preludes, op. 28: No. 15 in D-flat major | — | ||
| 30-22 | 24 Preludes, op. 28: No. 16 in B-flat minor | — | ||
| 30-23 | 24 Preludes, op. 28: No. 17 in A-flat major | — | ||
| 30-24 | 24 Preludes, op. 28: No. 18 in F minor | — | ||
| 30-25 | 24 Preludes, op. 28: No. 19 in E-flat major | — | ||
| 30-26 | 24 Preludes, op. 28: No. 20 in C minor | — | ||
| 30-27 | 24 Preludes, op. 28: No. 21 in B-flat major | — | ||
| 30-28 | 24 Preludes, op. 28: No. 22 in G minor | — | ||
| 30-29 | 24 Preludes, op. 28: No. 23 in F major | — | ||
| 30-30 | 24 Preludes, op. 28: No. 24 in D minor | — | ||
| 31-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegretto maestoso | — | ||
| 31-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto | — | ||
| 31-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 31-4 | Concert champêtre in d major, FP 49: I. Adagio – Allegro molto | — | ||
| 31-5 | Concert champêtre in d major, FP 49: II. Andante. Mouvement de Sicilienne | — | ||
| 31-6 | Concert champêtre in d major, FP 49: III. Finale. Presto très gai | — | ||
| 32-1 | Fantaisie in F minor, D. 940 | — | ||
| 32-2 | Le carnaval des animaux, R. 125: I. Introduction et Marche royale du lion | — | ||
| 32-3 | Le carnaval des animaux, R. 125: II. Poules et coqs | — | ||
| 32-4 | Le carnaval des animaux, R. 125: III. Hémiones (Animaux véloces) | — | ||
| 32-5 | Le carnaval des animaux, R. 125: IV. Tortues | — | ||
| 32-6 | Le carnaval des animaux, R. 125: V. L’éléphant | — | ||
| 32-7 | Le carnaval des animaux, R. 125: VI. Kangourous | — | ||
| 32-8 | Le carnaval des animaux, R. 125: VII. Aquarium | — | ||
| 32-9 | Le carnaval des animaux, R. 125: VIII. Personnages à longues oreilles | — | ||
| 32-10 | Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois | — | ||
| 32-11 | Le carnaval des animaux, R. 125: X. Volière | — | ||
| 32-12 | Le carnaval des animaux, R. 125: XI. Pianistes | — | ||
| 32-13 | Le carnaval des animaux, R. 125: XII. Fossiles | — | ||
| 32-14 | Le carnaval des animaux, R. 125: XIII. Le cygne | — | ||
| 32-15 | Le carnaval des animaux, R. 125: XIV. Finale | — | ||
| 32-16 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | — | ||
| 32-17 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | — | ||
| 32-18 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto vivace. Allegro animato | — | ||
| 32-19 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | — | ||
| 33-1 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo | — | ||
| 33-2 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig. Vivace alla marcia | — | ||
| 33-3 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | — | ||
| 33-4 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwinde, doch nicht zu sehr, und mit Entschlossenheit. Allegro | — | ||
| 33-5 | Fantasien, op. 116: 1. Capriccio in D minor | — | ||
| 33-6 | Fantasien, op. 116: 2. Intermezzo in a minor | — | ||
| 33-7 | Fantasien, op. 116: 3. Capriccio in G minor | — | ||
| 33-8 | Fantasien, op. 116: 4. Intermezzo in E major | — | ||
| 33-9 | Fantasien, op. 116: 5. Intermezzo in E minor | — | ||
| 33-10 | Fantasien, op. 116: 6. Intermezzo in E major | — | ||
| 33-11 | Fantasien, op. 116: 7. Capriccio in D minor | — | ||
| 33-12 | Piano Sonata in B minor, S. 178 | — | ||
| 33-13 | Valse oubliée no. 1, S. 215 | — | ||
| 33-14 | Arabeske in C major, op. 18 | — | ||
| 34-1 | Piano Sonata in A minor, D. 784: I. Allegro giusto | — | ||
| 34-2 | Piano Sonata in A minor, D. 784: II. Andante | — | ||
| 34-3 | Piano Sonata in A minor, D. 784: III. Allegro vivace | — | ||
| 34-4 | Six moments musicaux, D. 780: No. 1. Moderato | — | ||
| 34-5 | Six moments musicaux, D. 780: No. 2. Andantino | — | ||
| 34-6 | Six moments musicaux, D. 780: No. 3. Allegretto moderato | — | ||
| 34-7 | Six moments musicaux, D. 780: No. 4. Moderato | — | ||
| 34-8 | Six moments musicaux, D. 780: No. 5. Allegro vivace | — | ||
| 34-9 | Six moments musicaux, D. 780: No. 6. Allegretto | — | ||
| 34-10 | Ballade no. 1 in G minor, op. 23 | — | ||
| 35-1 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 35-2 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 35-3 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 35-4 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | — | ||
| 35-5 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | — | ||
| 35-6 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | — | ||
| 36-1 | Piano Sonata no. 14 in A minor, D. 784: I. Allegro giusto | — | ||
| 36-2 | Piano Sonata no. 14 in A minor, D. 784: II. Andante | — | ||
| 36-3 | Piano Sonata no. 14 in A minor, D. 784: III. Allegro vivace | — | ||
| 36-4 | Moments musicaux, D .780: No. 1 in C major. Moderato | — | ||
| 36-5 | Moments musicaux, D .780: No. 2 in A-flat major. Andantino | — | ||
| 36-6 | Moments musicaux, D .780: No. 3 in F minor. Allegro moderato | — | ||
| 36-7 | Moments musicaux, D .780: No. 4 in C-sharp minor. Moderato | — | ||
| 36-8 | Moments musicaux, D .780: No. 5 in F minor. Allegro vivace | — | ||
| 36-9 | Moments musicaux, D .780: No. 6 in A-flat major. Allegretto | — | ||
| 36-10 | Piano Sonata no. 2 in B minor, op. 61: 1. Allegretto | — | ||
| 36-11 | Piano Sonata no. 2 in B minor, op. 61: 2. Largo | — | ||
| 36-12 | Piano Sonata no. 2 in B minor, op. 61: 3. Moderato | — | ||
| 37-1 | Piano Sonata no. 8 in C minor “Pathetique”, op. 13: I. Grave. Allegro di molto e con brio | — | ||
| 37-2 | Piano Sonata no. 8 in C minor “Pathetique”, op. 13: II. Adagio cantabile | — | ||
| 37-3 | Piano Sonata no. 8 in C minor “Pathetique”, op. 13: III. Rondo. Allegro | — | ||
| 37-4 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 (Moonlight Sonata): I. Adagio sostenuto | — | ||
| 37-5 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 (Moonlight Sonata): II. Allegretto | — | ||
| 37-6 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 (Moonlight Sonata): III. Presto agitato | — | ||
| 37-7 | Impromptu in F minor, D. 935 no. 1 | — | ||
| 37-8 | Pavane pour une infante défunte, M. 19 | — | ||
| 37-9 | Jeux d'eau, M. 30 | — | ||
| 37-10 | Sonata reminiscenza in A minor, op. 38 no. 1 | Emil Gilels | — | |
| 37-11 | Nouvelle étude no. 2 in A-flat major, B. 130 | — | ||
| 37-12 | Etude in F minor, op. 25 no. 2 | — | ||
| 37-13 | March and Scherzo from the Opera The Love for Three Oranges, op. 33ter: No. 2. Scherzo | — | ||
| 37-14 | March and Scherzo from the Opera The Love for Three Oranges, op. 33ter: No. 1. March | — | ||
| 38-1 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo | — | ||
| 38-2 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig. Vivace alla Marcia | — | ||
| 38-3 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | — | ||
| 38-4 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwinde, doch nicht zu sehr, und mit Entschlossenheit. Allegro | — | ||
| 38-5 | Presto passionato (original finale of Piano Sonata no.2 in G minor, op. 22) | — | ||
| 38-6 | Nachtstücke, op. 23: 1. Mehr langsam, oft zurückhaltend | — | ||
| 38-7 | Nachtstücke, op. 23: 2. Markiert und lebhaft | — | ||
| 38-8 | Nachtstücke, op. 23: 3. Mit großer Lebhaftigkeit | — | ||
| 38-9 | Nachtstücke, op. 23: 4. Ad libitum. Einfach | — | ||
| 38-10 | Piano Sonata no. 8 in B-flat major, op. 84: I. Andante dolce | — | ||
| 38-11 | Piano Sonata no. 8 in B-flat major, op. 84: II. Andante sognando | — | ||
| 38-12 | Piano Sonata no. 8 in B-flat major, op. 84: III. Vivace | — | ||
| 39-1 | Piano Sonata no. 21 in C major, op. 53: I. Allegro con brio | — | ||
| 39-2 | Piano Sonata no. 21 in C major, op. 53: II. Introduzione. Adagio molto | — | ||
| 39-3 | Piano Sonata no. 21 in C major, op. 53: III. Rondo. Allegretto moderato | — | ||
| 39-4 | 12 Variations for Piano in A major on the Russian Dance from the Ballet Das Waldmädchen by P. Wranitzky, WoO 71 | — | ||
| 39-5 | 32 Variations for Piano in C minor, WoO 80 | — | ||
| 39-6 | Piano Sonata no.2 A-flat major, op. 39: I. Allegro moderato, con spirito ed assai legato | — | ||
| 39-7 | Piano Sonata no.2 A-flat major, op. 39: II. Andante | — | ||
| 39-8 | Piano Sonata no.2 A-flat major, op. 39: III. Menuetto capriccioso. Presto assai | — | ||
| 39-9 | Piano Sonata no.2 A-flat major, op. 39: IV. Rondo. Moderato e molto grazioso | — | ||
| 40-1 | Piano Sonata in B-flat major, KV 281: I. Allegro | — | ||
| 40-2 | Piano Sonata in B-flat major, KV 281: II. Andante amoroso | — | ||
| 40-3 | Piano Sonata in B-flat major, KV 281: III. Rondo. Allegro | — | ||
| 40-4 | Six Variations for Piano in F major on Salve, tu Domine from the Opera I filosofi immaginari by G. Paisiello, KV 398 | — | ||
| 40-5 | Ten Variation for Piano in G major on Unser dummer Pöbel meint from the Opera La rencontre imprévue, ou Les pèlerins de la Mecque by C.W. Gluck, KV 455 | — | ||
| 40-6 | Fantasia in D minor, KV 397 | — | ||
| 40-7 | Piano Sonata in A Minor, KV 310: I. Allegro maestoso | — | ||
| 40-8 | Piano Sonata in A Minor, KV 310: II. Andante cantabile con espressione | — | ||
| 40-9 | Piano Sonata in A Minor, KV 310: III. Presto | — | ||
| 41-1 | Piano Sonata in F major, KV 533/494: I. Allegro | — | ||
| 41-2 | Piano Sonata in F major, KV 533/494: II. Andante | — | ||
| 41-3 | Piano Sonata in F major, KV 533/494: III. Rondo | — | ||
| 41-4 | Polonaise in C minor, op. 40 no. 2 | — | ||
| 41-5 | Rhapsodie espagnole, S. 254 | — | ||
| 41-6 | Visions fugitives, op. 22: No. 1. Lentamente | — | ||
| 41-7 | Visions fugitives, op. 22: No. 3. Allegretto | — | ||
| 41-8 | Visions fugitives, op. 22: No. 5. Molto giocoso | — | ||
| 41-9 | Visions fugitives, op. 22: No. 11. Con vivacità | — | ||
| 41-10 | March from the Opera The Love for Three Oranges, op. 33ter | — | ||
| 41-11 | Etude in C-sharp minor, op. 2 no. 1 | — | ||
| 41-12 | Prelude in G minor, op. 23 no. 5 | — | ||
| 41-13 | Ballade no. 1 in G minor, op. 23 | — | ||
| 41-14 | Arabeske in C major, op. 18 | — | ||
| 42-1 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante | — | ||
| 42-2 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 42-3 | Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | — | ||
| 42-4 | Piano Concerto no. 3 in E-flat major, op. 75: I. Allegro brillante | — | ||
| 42-5 | Rehearsal of Piano Concerto no. 3 in E-flat major, op. 75 | — | ||
| 43-1 | Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con Variazioni | — | ||
| 43-2 | Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo. Allegro molto | — | ||
| 43-3 | Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un Eroe. Maestoso andante | — | ||
| 43-4 | Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro | — | ||
| 43-5 | Piano Sonata no. 3 in A minor, op. 28 | — | ||
| 43-6 | Prelude in C major, op. 12 no. 7 | — | ||
| 43-7 | Visions fugitives, op. 22: No. 1. Lentamente | — | ||
| 43-8 | Visions fugitives, op. 22: No. 3. Allegretto | — | ||
| 43-9 | Visions fugitives, op. 22: No. 5. Molto giocoso | — | ||
| 43-10 | Visions fugitives, op. 22: No. 7. Pittoresco (Arpa) | — | ||
| 43-11 | Visions fugitives, op. 22: No. 8. Commodo | — | ||
| 43-12 | Visions fugitives, op. 22: No. 10. Ridicolosamente | — | ||
| 43-13 | Visions fugitives, op. 22: No. 11. Con vivacità | — | ||
| 43-14 | Visions fugitives, op. 22: No. 17. Poetico | — | ||
| 43-15 | Daisies, op. 38 no. 3 | — | ||
| 43-16 | Prelude in C-sharp minor, op. 3 no. 2 | — | ||
| 43-17 | Vocalise, op. 34 no. 14 | — | ||
| 43-18 | Prelude in B-flat major, op. 23 no. 2 | — | ||
| 43-19 | Prelude in G-flat major, op. 23 no. 10 | — | ||
| 43-20 | Prelude in B major, op. 32 no. 11 | — | ||
| 43-21 | Prelude in G minor, op. 23 no. 5 | — | ||
| 43-22 | Etude in C-sharp minor, op. 2 no. 1 | — | ||
| 43-23 | Prelude in B minor, BWV 855a | — | ||
| 44-1 | Piano Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | — | ||
| 44-2 | Piano Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | — | ||
| 44-3 | Piano Sonata no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | — | ||
| 44-4 | Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con Variazioni | — | ||
| 44-5 | Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo. Allegro molto | — | ||
| 44-6 | Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un Eroe. Maestoso andante | — | ||
| 44-7 | Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro | — | ||
| 44-8 | Toccata in C major, op. 7 | — | ||
| 44-9 | Hungarian Rhapsody no. 2 in C-sharp minor, S. 244/2 | — | ||
| 45-1 | Four Pieces for Piano, op. 32: 1. Scherzo | — | ||
| 45-2 | Four Pieces for Piano, op. 32: 2. Gigue | — | ||
| 45-3 | Four Pieces for Piano, op. 32: 3. Romance | — | ||
| 45-4 | Four Pieces for Piano, op. 32: 4. Fughette | — | ||
| 45-5 | Four Ballades for Piano, op. 10: No. 1 in D minor. Andante | — | ||
| 45-6 | Four Ballades for Piano, op. 10: No. 2 in D major. Andante | — | ||
| 45-7 | Four Ballades for Piano, op. 10: No. 3 in B minor. Intermezzo. Allegro | — | ||
| 45-8 | Four Ballades for Piano, op. 10: No. 4 in B major. Andante con moto | — | ||
| 45-9 | Polonaise in C minor, op. 40 no. 2 | — | ||
| 45-10 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 45-11 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo. Molto vivace | — | ||
| 45-12 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 45-13 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale. Presto non tanto. Agitato | — | ||
| 46-1 | Piano Sonata No. 7 in D major Op. 10 No. 3 I. Presto | Emil Gilels | — | |
| 46-2 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | — | ||
| 46-3 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | — | ||
| 46-4 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | — | ||
| 46-5 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | — | ||
| 46-6 | Piano Sonata no. 25 in G major, op. 79: II. Andante | — | ||
| 46-7 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | — | ||
| 46-8 | Piano Sonata no. 26 in E-flat major, op. 81: I. Das Lebewohl. Adagio | — | ||
| 46-9 | Piano Sonata no. 26 in E-flat major, op. 81: II. Abwesenheit. Andante espressivo | — | ||
| 46-10 | Piano Sonata no. 26 in E-flat major, op. 81: III. Das Wiedersehen. Vivacissimamente | — | ||
| 46-11 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 46-12 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 46-13 | Etude no. 6 in F-sharp major “Si oiseau j'étais” from 12 Études caractéristiques, op. 2 | — | ||
| 46-14 | Etude no. 5 in E major “La chasse” from Grandes études de Paganini, S. 141 | — | ||
| 47-1 | 15 Variations and Fugue on an Original Theme in E-flat major “Eroica Variations”, op. 35 | — | ||
| 47-2 | Four Ballades for Piano, op. 10: No. 1 in D minor. Andante | — | ||
| 47-3 | Four Ballades for Piano, op. 10: No. 2 in D major. Andante | — | ||
| 47-4 | Four Ballades for Piano, op. 10: No. 3 in B minor. Intermezzo. Allegro | — | ||
| 47-5 | Four Ballades for Piano, op. 10: No. 4 in B major. Andante con moto | — | ||
| 47-6 | Arabeske in C major, op. 18 | — | ||
| 47-7 | Toccata in C major, op. 7 | — | ||
| 47-8 | Nouvelle étude no. 2 in A-flat major, B. 130 | — | ||
| 47-9 | Polonaise in A-flat major, op. 53 | — | ||
| 48-1 | Variations on a Theme by Paganini in A minor, op. 35, Book I | — | ||
| 48-2 | Seven Fantasien for Piano, op. 116: 1. Capriccio in D minor | — | ||
| 48-3 | Seven Fantasien for Piano, op. 116: 2. Intermezzo in A minor | — | ||
| 48-4 | Seven Fantasien for Piano, op. 116: 3. Capriccio in G minor | — | ||
| 48-5 | Seven Fantasien for Piano, op. 116: 4. Intermezzo in E major | — | ||
| 48-6 | Seven Fantasien for Piano, op. 116: 5. Intermezzo in E minor | — | ||
| 48-7 | Seven Fantasien for Piano, op. 116: 6. Intermezzo in E major | — | ||
| 48-8 | Seven Fantasien for Piano, op. 116: 7. Capriccio in D minor | — | ||
| 48-9 | Symphonic Etudes, op. 13: Theme | — | ||
| 48-10 | Symphonic Etudes, op. 13: Etude I | — | ||
| 48-11 | Symphonic Etudes, op. 13: Etude II | — | ||
| 48-12 | Symphonic Etudes, op. 13: Etude III | — | ||
| 48-13 | Symphonic Etudes, op. 13: Etude IV | — | ||
| 48-14 | Symphonic Etudes, op. 13: Etude V | — | ||
| 48-15 | Symphonic Etudes, op. 13: Etude VI | — | ||
| 48-16 | Symphonic Etudes, op. 13: Etude VII | — | ||
| 48-17 | Symphonic Etudes, op. 13: Etude VIII | — | ||
| 48-18 | Symphonic Etudes, op. 13: Etude IX | — | ||
| 48-19 | Symphonic Etudes, op. 13: Etude X | — | ||
| 48-20 | Symphonic Etudes, op. 13: Etude XI | — | ||
| 48-21 | Symphonic Etudes, op. 13: Etude XII (Finale) | — | ||
| 49-1 | Four Pieces for Piano, op. 32: 1. Scherzo | — | ||
| 49-2 | Four Pieces for Piano, op. 32: 2. Gigue | — | ||
| 49-3 | Four Pieces for Piano, op. 32: 3. Romance | — | ||
| 49-4 | Four Pieces for Piano, op. 32: 4. Fughette | — | ||
| 49-5 | Duetto, Song Without Words, op. 38 no. 6 | — | ||
| 49-6 | Etude in A minor, op. 104b no. 3 | — | ||
| 49-7 | Piano Sonata no. 3 in F-sharp minor, op. 23: I. Drammatico | — | ||
| 49-8 | Piano Sonata no. 3 in F-sharp minor, op. 23: II. Allegretto | — | ||
| 49-9 | Piano Sonata no. 3 in F-sharp minor, op. 23: III. Andante | — | ||
| 49-10 | Piano Sonata no. 3 in F-sharp minor, op. 23: IV. Presto con fuoco | — | ||
| 49-11 | Five Preludes, op. 74: 1. Douloureux, déchirant | — | ||
| 49-12 | Five Preludes, op. 74: 2. Très lent, contemplatif | — | ||
| 49-13 | Five Preludes, op. 74: 3. Allegro drammatico | — | ||
| 49-14 | Five Preludes, op. 74: 4. Lent, vague, indécis | — | ||
| 49-15 | Five Preludes, op. 74: 5. Fier, belliqueux | — | ||
| 49-16 | Piano Sonata no. 3 in A minor, op. 28 | — | ||
| 50-1 | Piano Sonata no. 29 in B-flat major “Hammerklavier”, op. 106: I. Allegro | — | ||
| 50-2 | Piano Sonata no. 29 in B-flat major “Hammerklavier”, op. 106: II. Scherzo. Assai vivace | — | ||
| 50-3 | Piano Sonata no. 29 in B-flat major “Hammerklavier”, op. 106: III. Adagio sostenuto | — | ||
| 50-4 | Piano Sonata no. 29 in B-flat major “Hammerklavier”, op. 106: IV. Introduzione. Largo – Fuga. Allegro risoluto | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Prelude in B Minor | Эмиль Григорьевич Гилельс | — |
| Piano Trio no. 8 in E‐flat major, WoO 38: I. Allegro moderato | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — |
| Piano Trio no. 8 in E‐flat major, WoO 38: II. Scherzo – Allegro ma non troppo | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — |
| Piano Trio no. 8 in E‐flat major, WoO 38: III. Rondo – Allegretto | Leonid Kogan, Mstislav Rostropovich, Emil Gilels | — |
| Piano Quartet no. 1 in C minor, op. 15: I. Allegro molto moderato | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — |
| Piano Quartet no. 1 in C minor, op. 15: II. Scherzo – Allegro vivo | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — |
| Piano Quartet no. 1 in C minor, op. 15: III. Adagio | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — |
| Piano Quartet no. 1 in C minor, op. 15: IV. Allegro molto | Leonid Kogan, Rudolf Barshai, Mstislav Rostropovich, Emil Gilels | — |
