UPC · Album
Bach Adagios
Bach
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4605026703117 is the Universal Product Code (UPC barcode) for the release “Bach Adagios” by Bach, released 2009-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include GBF077710390, NLA506300688, NLA506400071.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (38)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Sheep May Safely Graze (Cantata no. 208) | Stuttgart Chamber Orchestra, Karl Münchinger | GBF077710390 |
| Sonata in G major, BWV 1027: III. Andante | János Starker, György Sebök | NLA506300688 |
| Violin Concerto no. 1 in A minor, BWV 1041: II. Andante | Arthur Grumiaux, English Chamber Orchestra, Raymond Leppard | NLA506400071 |
| Violin Concerto no. 2 in E, BWV 1042: Adagio | Arthur Grumiaux, English Chamber Orchestra, Raymond Leppard | NLA506400074 |
| Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | I Musici | NLA506500002 |
| Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | Maria Teresa Garatti, János Scholz, I Musici | NLA506500019 |
| Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | Maria Teresa Garatti, János Scholz, I Musici | NLA506500484 |
| Brandenburg Concerto no. 1 in F, BWV 1046: II. Adagio | I Musici | NLA506500486 |
| Concerto for Violin and Oboe in D minor, BWV 1060 (arr. Giegling) | Arthur Grumiaux, Heinz Holliger, New Philharmonia Orchestra, Edo de Waart | NLA507000076 |
| Christmas Oratorio, BWV 248: Part II. Sinfonia | Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | NLA507201030 |
| Suite no. 1 in C, BWV 1066: II. Courante | Academy of St Martin in the Fields, Neville Marriner | NLA507712012 |
| Suite no. 1 in C, BWV 1066: III. Gavotte I-II | Academy of St Martin in the Fields, Neville Marriner | NLA507712013 |
| Suite no. 1 in C, BWV 1066: IV. Forlane | Academy of St Martin in the Fields, Neville Marriner | NLA507712014 |
| Suite no. 1 in C, BWV 1066: V. Menuet I-II | Academy of St Martin in the Fields, Neville Marriner | NLA507712015 |
| Suite no. 1 in C, BWV 1066: VI. Bourrée I-II | Academy of St Martin in the Fields, Neville Marriner | NLA507712016 |
| Suite no. 1 in C, BWV 1066: VII. Passepied I-II | Academy of St Martin in the Fields, Neville Marriner | NLA507712017 |
| Suite no. 2 in B minor, BWV 1067: II. Rondeau | William Bennett, Academy of St Martin in the Fields, Neville Marriner | NLA507712019 |
| Suite no. 2 in B minor, BWV 1067: III. Sarabande | William Bennett, Academy of St Martin in the Fields, Neville Marriner | NLA507712020 |
| Suite no. 2 in B minor, BWV 1067: VI. Menuet | William Bennett, Academy of St Martin in the Fields, Neville Marriner | NLA507712023 |
| Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043:: II. Largo, ma non tanto | Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz | NLA507803708 |
| Brandenburg Concerto no. 5 in D, BWV 1050: II. Affettuoso | George Malcolm, Jean-Pierre Rampal, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | NLA507921514 |
| Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | Michala Petri, Elisabeth Selin, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner | NLA507921519 |
| Partita no. 2 for Solo Violin in D minor, BWV 1004 (transcr. Romero): Sarabande | Pepe Romero | NLA508101703 |
| Suite no. 3 for Solo Cello in C major, BWV 1009 (transcr. Romero): Sarabande | Pepe Romero | NLA508101709 |
| Oboe Concerto in F major (adapted from Harpsichord Concerto no. 2, BWV 1053): Siciliano | Heinz Holliger, Academy of St Martin in the Fields, Iona Brown | NLA508119402 |
| Oboe d'amore Concerto in A major (adapted from Harpsichord Concerto no. 3 , BWV 1055): Larghetto | Heinz Holliger, Academy of St Martin in the Fields, Iona Brown | NLA508119408 |
| Easter Oratorio, Sinfonia, BWV 249: II. Adagio | Heinz Holliger, Gidon Kremer, Academy of St Martin in the Fields | NLA508205104 |
| The Well-Tempered Clavier, Book I: Prelude in C major, BWV 846 | Friedrich Gulda | NLA508500401 |
| The Well-Tempered Clavier, Book I: Prelude in C-sharp minor, BWV 849 | Friedrich Gulda | NLA508500407 |
| The Well-Tempered Clavier, Book I: Prelude in E major, BWV 854 | Friedrich Gulda | NLA508500417 |
| The Well-Tempered Clavier, Book I: Prelude in A-flat major, BWV 862 | Friedrich Gulda | NLA508500433 |
| The Well-Tempered Clavier, Book II, Prelude and Fugue No. 7 in E-flat major, BWV 876: Prelude | Friedrich Gulda | NLA508500461 |
| The Well-Tempered Clavier, Book II, Prelude and Fugue No. 12 in F minor, BWV 881: Prelude | Friedrich Gulda | NLA508500471 |
| The Well-Tempered Clavier, Book II, Prelude and Fugue No. 19 in A major, BWV 888: Prelude | Friedrich Gulda | NLA508500485 |
| The Well-Tempered Clavier, Book II, Prelude and Fugue No. 21 in B-flat major, BWV 890: Prelude | Friedrich Gulda | NLA508500489 |
| Italian Concerto in F major, BWV 971: Andante | Jean Louis Steuerman | NLA508532702 |
| Piano Concerto no. 5 in F minor, BWV 1056: II. Largo | Jean Louis Steuerman, The Chamber Orchestra of Europe, James Judd | NLA508601208 |
| Orchestra Suite no. 2 in B minor, BWV 1067: Sarabande | Irena Grafenauer, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier | NLA509011610 |
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What is UPC 4605026703117?
4605026703117 is a Universal Product Code (UPC) assigned to Bach Adagios by Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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