UPC · Album
Various Artists
Last verified:
4750329147424 is the Universal Product Code (UPC barcode) for the release “80's Lullabies” by Various Artists, released 2011-01-01 on Microphone Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GB0028230700, GBAAA0201000, GBAAA0300032.
Credit Chain
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Do You Really Want to Hurt Me | Culture Club | GB0028230700 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA0201000 |
| Joan of Arc (Maid of Orleans) | Orchestral Manoeuvres in the Dark | GBAAA0300032 |
| Kingston Town | UB40 | GBAAA0300266 |
| Slave to Love | Bryan Ferry | GBAAA0400399 |
| Kingston Town | UB40 | GBAAA0900872 |
| Over the Hillside | The Blue Nile | GBAAA1200708 |
| Joan of Arc (Maid of Orleans) | Orchestral Manoeuvres in the Dark | GBAAA8100045 |
| Joan of Arc (Maid of Orleans) | Orchestral Manoeuvres in the Dark | GBAAA8100251 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA8200005 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA8200048 |
| Kingston Town | UB40 | GBAAA8900032 |
| Kingston Town | UB40 | GBAAA9000465 |
| Slave to Love | Bryan Ferry | GBAAA9900350 |
| Some People Are Crazy | John Martyn | GBAAN8000002 |
| Everyday Is Like Sunday | Morrissey | GBAYE0703520 |
| Everyday Is Like Sunday | Morrissey | GBAYE1000844 |
| Everyday Is Like Sunday | Morrissey | GBAYE1100631 |
| Private Dancer | Tina Turner | GBAYE2401255 |
| Everyday Is Like Sunday | Morrissey | GBAYE8800104 |
| Nothing Compares 2 U | Sinéad O’Connor | GBAYE9000017 |
| Nothing Compares 2 U | Sinéad O’Connor | GBAYK0900007 |
| Friday Night, Saturday Morning | The Specials | GBAYK1400347 |
| Friday Night, Saturday Morning | The Specials | GBAYK8100022 |
| Nothing Compares 2 U | Sinéad O’Connor | GBAYK9000003 |
| Nothing Compares 2 U | Sinéad O’Connor | GBAYK9000017 |
| Nothing Compares 2 U | Sinéad O’Connor | GBAYK9000108 |
| Do You Really Want to Hurt Me | Culture Club | GBC780800053 |
| Joan of Arc (Maid of Orleans) | Orchestral Manoeuvres in the Dark | GBUM71902221 |
| Tom’s Diner (a cappella) | Suzanne Vega | USAM18790001 |
| Eye in the Sky | The Alan Parsons Project | USAR10500379 |
| Eye in the Sky | The Alan Parsons Project | USAR18200010 |
| Eye in the Sky | The Alan Parsons Project | USAR19700019 |
| Don’t Worry Be Happy | Bobby McFerrin | USBN28800005 |
| Private Dancer | Tina Turner | USCA29101021 |
| Sweet Sixteen | Billy Idol | USCH30100011 |
| Sweet Sixteen | Billy Idol | USCH38600002 |
| Don’t Worry Be Happy | Bobby McFerrin | USEM38800361 |
| Johnny & Mary | Robert Palmer | USIR28000057 |
| I’ve Seen That Face Before (Libertango) | Grace Jones | USIR28100012 |
| I’ve Seen that Face Before (Libertango) | Grace Jones | USIR28100272 |
| Ashes to Ashes | David Bowie | USJT10200035 |
| Unknown | USJT10200081 | |
| Ashes to Ashes | David Bowie | USJT10700058 |
| Ashes to Ashes | David Bowie | USJT11700046 |
| Ashes to Ashes | David Bowie | USJT19900172 |
| Do You Really Want to Hurt Me | Culture Club | USMV28200001 |
| Everyday Is Like Sunday | Morrissey | USRE18800024 |
| Nothing Compares 2 U | Sinéad O’Connor | USRHD0430823 |
| Don’t Worry Be Happy | Bobby McFerrin | USRHD0530809 |
| Sexual Healing | Marvin Gaye | USSM10414210 |
| Sexual Healing | Marvin Gaye | USSM10605879 |
| Sexual Healing | Marvin Gaye | USSM18200060 |
| Sexual Healing | Marvin Gaye | USSM18200506 |
| Sexual Healing | Marvin Gaye | USSM19803028 |
| Sexual Healing | Marvin Gaye | USSM19805454 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
4750329147424 is a Universal Product Code (UPC) assigned to 80's Lullabies by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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