UPC · Album

5 Great Operas on Deutsche Grammophon & Decca

Mozart, Weber, Verdi and 6 more

4907034219254
141 tracksReleased 2014-01-01Esoteric Company

Last verified:

4907034219254 is the Universal Product Code (UPC barcode) for the release 5 Great Operas on Deutsche Grammophon & Decca by Mozart, Weber, Verdi, Mascagni, Leoncavallo, Solti, Kubelík, Serafin, Karajan, released 2014-01-01 on Esoteric Company. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 141 tracks, each with its own ISRC. Tracks include DEF056531101, DEF056531102, DEF056531104.

Format

490GS1 prefix
7034Company prefix
21925Product
4Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPC5 Great Operas on Deutsche Grammophon & Decca
ISRC59 recordings
ISWC8 works

Track List (59)

Cavalleria rusticana: »Gli aranci olezzano« (Osterchor)
Roberto Benaglio, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Voi lo sapete, o mamma"
Mariagrazia Allegri, Fiorenza Cossotto, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: Intermezzo
Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Mamma, quel vino è generoso"
Mariagrazia Allegri, Carlo Bergonzi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: Prelude
Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Comare Santa"
Fiorenza Cossotto, Giangiacomo Guelfi, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Viva il vino spumeggiante"
Carlo Bergonzi, Coro del Teatro alla Scala di Milano, Adriana Martino, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: Siciliana. "Oh Lola ch'hai di latti la cammisa"
Carlo Bergonzi, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: Siciliana. Tempo I
Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: Allegro giocoso
Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: Scena 1. Largo
Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Dite, mamma Lucia ..."
Mariagrazia Allegri, Fiorenza Cossotto, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Il cavallo scalpita"
Coro del Teatro alla Scala di Milano, Giangiacomo Guelfi, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Beato voi, compar Alfio"
Mariagrazia Allegri, Giangiacomo Guelfi, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Regina coeli laetare"
Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Inneggiamo"
Mariagrazia Allegri, Coro del Teatro alla Scala di Milano, Fiorenza Cossotto, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Tu qui, Santuzza?"
Carlo Bergonzi, Fiorenza Cossotto, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Fior di giaggiolo"
Carlo Bergonzi, Fiorenza Cossotto, Adriana Martino, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Ah! lo vedi!"
Carlo Bergonzi, Fiorenza Cossotto, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "Oh! il Signore vi manda"
Fiorenza Cossotto, Giangiacomo Guelfi, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "A casa, a casa"
Carlo Bergonzi, Coro del Teatro alla Scala di Milano, Adriana Martino, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Cavalleria rusticana: "A voi tutti salute!"
Coro del Teatro alla Scala di Milano, Giangiacomo Guelfi, Adriana Martino, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Paillasse. "Recitar... Vesti la giubba" (Canio)
Roberto Benaglio, Carlo Bergonzi, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
Die Zauberflöte, K. 620: Ouverture
Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino)
Norbert Balatsch, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Norbert Balatsch, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
Norbert Balatsch, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht)
Konzertvereinigung Wiener Staatsopernchor, Cristina Deutekom, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino)
Norbert Balatsch, Stuart Burrows, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino)
Norbert Balatsch, Stuart Burrows, Pilar Lorengar, Hermann Prey, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Pilar Lorengar, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Zum Ziele Führt Dich Diese Bahn
Norbert Balatsch, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino)
Norbert Balatsch, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Wo Willst Du, Kühner Fremdling, Hin?
Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno)
Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Pilar Lorengar, Hermann Prey, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno)
Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Pilar Lorengar, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Herr, Ich Bin Zwar Verbrecherin
Norbert Balatsch, Stuart Burrows, Konzertvereinigung Wiener Staatsopernchor, Pilar Lorengar, Gerhard Stolze, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester
Norbert Balatsch, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester)
Konzertvereinigung Wiener Staatsopernchor, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno)
Norbert Balatsch, Stuart Burrows, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino)
Norbert Balatsch, Stuart Burrows, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos)
Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
Cristina Deutekom, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
Norbert Balatsch, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben)
Norbert Balatsch, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
Norbert Balatsch, Pilar Lorengar, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester)
Norbert Balatsch, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)
Norbert Balatsch, Stuart Burrows, Pilar Lorengar, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
Norbert Balatsch, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina)
Norbert Balatsch, Pilar Lorengar, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Du Also Bist Mein Bräutigam?
Norbert Balatsch, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina)
Stuart Burrows, Pilar Lorengar, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Tamino Mein! O Welch Ein Glück!
Stuart Burrows, Konzertvereinigung Wiener Staatsopernchor, Pilar Lorengar, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester
Norbert Balatsch, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno)
Norbert Balatsch, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Pa Pa Pa...
Konzertvereinigung Wiener Staatsopernchor, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen)
Cristina Deutekom, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti
Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro)
Martti Talvela, Wiener Philharmoniker, Sir Georg Solti

People also ask

What is UPC 4907034219254?
UPC 4907034219254 is the Universal Product Code (barcode) for "5 Great Operas on Deutsche Grammophon & Decca" by Mozart, Weber, Verdi, Mascagni, Leoncavallo, Solti, Kubelík, Serafin, Karajan, released on Esoteric Company.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 4907034219254?
UPC 4907034219254 contains 141 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 4907034219254?

4907034219254 is a Universal Product Code (UPC) assigned to 5 Great Operas on Deutsche Grammophon & Decca by Mozart, Weber, Verdi, Mascagni, Leoncavallo, Solti, Kubelík, Serafin, Karajan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 141 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm