UPC · Release
Perfect Complete Collection
Billie Holiday
Last verified:
4940603080060 is the Universal Product Code (UPC barcode) for the release “Perfect Complete Collection” by Billie Holiday, released 1993-01-01 on Sound Hills Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 236 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (236)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Big City Blues | — | ||
| 2 | They Can’t Take That Away From Me | — | ||
| 3 | Swing, Brother, Swing | — | ||
| 4 | I Can’t Get Started | — | ||
| 5 | I Cried for You | — | ||
| 6 | Jeepers Creepers | — | ||
| 7 | I’m Gonna Lock My Heart | — | ||
| 8 | The Man I Love | — | ||
| 9 | I Cried for You | — | ||
| 10 | Fine and Mellow | — | ||
| 11 | Travelin’ Light | — | ||
| 12 | Do Nothin’ Till You Hear From Me | — | ||
| 13 | I Love My Man | — | ||
| 14 | I’ll Get By | — | ||
| 15 | Do Nothin’ Till You Hear From Me | — | ||
| 16 | Fine and Mellow | — | ||
| 17 | All of Me | — | ||
| 18 | I’ll Be Seeing You | — | ||
| 19 | I Cover the Waterfront | — | ||
| 20 | Body and Soul | — | ||
| 21 | Strange Fruit | — | ||
| 22 | Fine and Mellow | — | ||
| 23 | All of Me | — | ||
| 24 | I Cried for You | — | ||
| 25 | Fine and Mellow | — | ||
| 26 | He’s Funny That Way | — | ||
| 2-1 | The Man I Love | — | ||
| 2-2 | Gee Baby, Ain’t I Good to You | — | ||
| 2-3 | All of Me | — | ||
| 2-4 | I Love My Man | — | ||
| 2-5 | Do You Know What It Means to Miss New Orleans? | — | ||
| 2-6 | Do You Know What It Means to Miss New Orleans? | — | ||
| 2-7 | Farewell to Storyville | — | ||
| 2-8 | The Blues Are Brewin’ | — | ||
| 2-9 | Travlin’ Light | — | ||
| 2-10 | He’s Funny That Way | — | ||
| 2-11 | The Man I Love | — | ||
| 2-12 | Do You Know What It Means to Miss New Orleans? | — | ||
| 2-13 | Don’t Explain | — | ||
| 2-14 | You Better Go Now | — | ||
| 2-15 | You’re Driving Me Crazy | — | ||
| 2-16 | There Is No Greater Love | — | ||
| 2-17 | I Cover the Waterfront | — | ||
| 2-18 | I Cover the Waterfront | — | ||
| 2-19 | [interview] | — | ||
| 2-20 | [interview] | — | ||
| 3-1 | That Ole Devil Called Love | — | ||
| 3-2 | I’ll Be Seeing You | — | ||
| 3-3 | My Man | — | ||
| 3-4 | Miss Brown to You | — | ||
| 3-5 | Lover Man | — | ||
| 3-6 | I Wonder Where Our Love Has Gone | — | ||
| 3-7 | Them There Eyes | — | ||
| 3-8 | I Love My Man | — | ||
| 3-9 | (You Ain’t Gonna Brother Me) No More | — | ||
| 3-10 | Good Morning Heartache | — | ||
| 3-11 | You’re Drivin’ Me Crazy | — | ||
| 3-12 | Maybe You’ll Be There | — | ||
| 3-13 | I Love My Man | — | ||
| 3-14 | Keeps on A-Rainin’ | — | ||
| 3-15 | Lover Man | — | ||
| 3-16 | Them There Eyes | — | ||
| 3-17 | Detour Ahead | — | ||
| 3-18 | I Cover the Waterfront | — | ||
| 3-19 | Billie Holiday Interviewed by Art Ford | — | ||
| 3-20 | All of Me | — | ||
| 3-21 | Fine and Mellow | — | ||
| 3-22 | I Lovers You Porgy | — | ||
| 3-23 | Them There Eyes | — | ||
| 3-24 | I Love My Man | — | ||
| 3-25 | Ole Miss | — | ||
| 4-1 | You’re My Thrill | — | ||
| 4-2 | God Bless the Child | — | ||
| 4-3 | Now Baby or Never | — | ||
| 4-4 | You Gotta Show Me | — | ||
| 4-5 | Crazy He Calls Me | — | ||
| 4-6 | Lover, Come Back to Me | — | ||
| 4-7 | Ain’t Nobody Bizz-Ness If I Do | — | ||
| 4-8 | You’re Driving Me Crazy | — | ||
| 4-9 | He’s Funny That Way | — | ||
| 4-10 | I Love My Man | — | ||
| 4-11 | Miss Brown to You | — | ||
| 4-12 | I Love My Man | — | ||
| 4-13 | Lover Man | — | ||
| 4-14 | Them There Eyes | — | ||
| 4-15 | My Man | — | ||
| 4-16 | I Cover the Waterfront | — | ||
| 4-17 | Crazy He Calls Me | — | ||
| 4-18 | Lover, Come Back to Me | — | ||
| 4-19 | Detour Ahead | — | ||
| 4-20 | Strange Fruit | — | ||
| 4-21 | Ain’t Nobody's Bizz-Ness If I Do | — | ||
| 4-22 | All of Me | — | ||
| 4-23 | I Lovers You, Porgy | — | ||
| 4-24 | Miss Brown to You | — | ||
| 5-1 | My Man | — | ||
| 5-2 | My Man | — | ||
| 5-3 | Fine and Mellow | — | ||
| 5-4 | I Cover the Waterfront | — | ||
| 5-5 | Lover, Come Back to Me | — | ||
| 5-6 | Tenderly | — | ||
| 5-7 | The Come Back Story | — | ||
| 5-8 | God Bless the Child | — | ||
| 5-9 | I Cover the Waterfront | — | ||
| 5-10 | Too Marvelous for Words | — | ||
| 5-11 | I Loves You, Porgy | — | ||
| 5-12 | Them There Eyes | — | ||
| 5-13 | Willow Weep for Me | — | ||
| 5-14 | I Only Have Eyes for You | — | ||
| 5-15 | You Go to My Head | — | ||
| 6-1 | Interview | — | ||
| 6-2 | I Love My Man | — | ||
| 6-3 | What a Little Moonlight Can Do | — | ||
| 6-4 | Lover, Come Back to Me | — | ||
| 6-5 | Announcement | — | ||
| 6-6 | Blue Moon | — | ||
| 6-7 | All of Me | — | ||
| 6-8 | My Man | — | ||
| 6-9 | Them There Eyes | — | ||
| 6-10 | I Cried for You | — | ||
| 6-11 | What a Little Moonlight Can Do | — | ||
| 6-12 | I Cover the Waterfront | — | ||
| 6-13 | I Love My Man | — | ||
| 6-14 | Lover, Come Back to Me | — | ||
| 7-1 | He’s Funny That Way | — | ||
| 7-2 | All of Me | — | ||
| 7-3 | My Man | — | ||
| 7-4 | Them There Eyes | — | ||
| 7-5 | Don’t Explain | — | ||
| 7-6 | I Cried for You | — | ||
| 7-7 | Fine and Mellow | — | ||
| 7-8 | What a Little Moonlight Can Do | — | ||
| 7-9 | Nice Work If You Can Get It | — | ||
| 7-10 | Willow Weep for Me | — | ||
| 7-11 | I Only Have Eyes for You | — | ||
| 7-12 | God Bless the Child | — | ||
| 7-13 | Please Don’t Talk About Me When I’m Gone | — | ||
| 7-14 | I Love My Man | — | ||
| 7-15 | All of Me | — | ||
| 7-16 | Willow Weep for Me | — | ||
| 7-17 | All of Me | — | ||
| 7-18 | Ain’t Nobody’s Bizz-Ness If I Do | — | ||
| 7-19 | Lover, Come Back to Me | — | ||
| 7-20 | My Man | — | ||
| 7-21 | Them There Eyes | — | ||
| 7-22 | Lover Man | — | ||
| 7-23 | My Man | — | ||
| 7-24 | Them There Eyes | — | ||
| 7-25 | Lover Man | — | ||
| 7-26 | Stormy Weather | — | ||
| 8-1 | I Got It Bad | — | ||
| 8-2 | Just Friends | — | ||
| 8-3 | I’m Walking Through Heaven With You | — | ||
| 8-4 | A Ghost of a Chance | — | ||
| 8-5 | Please Don’t Talk About Me When I’m Gone | — | ||
| 8-6 | I’m Restless | — | ||
| 8-7 | Moonlight in Vermont | — | ||
| 8-8 | Everything Happens to Me | — | ||
| 8-9 | Please Don’t Talk About Me When I’m Gone | — | ||
| 8-10 | I Don’t Want to Cry Anymore | — | ||
| 8-11 | Prelude to a Kiss | — | ||
| 8-12 | I Must Have That Man | — | ||
| 8-13 | Jeepers Creepers | — | ||
| 8-14 | Rappin’ About Jimmy Rowles | — | ||
| 8-15 | Please Don’t Talk About Me When I’m Gone | — | ||
| 8-16 | A Ghost of a Chance | — | ||
| 8-17 | Interview | — | ||
| 9-1 | God Bless the Child | — | ||
| 9-2 | Misery | — | ||
| 9-3 | Strange Fruit | — | ||
| 9-4 | Beer Barrel Polka | — | ||
| 9-5 | Some of These Days | — | ||
| 9-6 | My Yiddishe Mama | — | ||
| 9-7 | Lady’s Back in Town | — | ||
| 9-8 | Willow Weep for Me | — | ||
| 9-9 | I Only Have Eyes for You | — | ||
| 9-10 | My Man | — | ||
| 9-11 | Please Don’t Talk About Me When I’m Gone | — | ||
| 9-12 | Please Don’t Talk About Me When I’m Gone | — | ||
| 9-13 | I Love My Man | — | ||
| 9-14 | My Man | — | ||
| 9-15 | Nice Work If You Can Get It | — | ||
| 9-16 | God Bless the Child | — | ||
| 9-17 | Please Don’t Talk About Me When I’m Gone | — | ||
| 9-18 | Don’t Explain | — | ||
| 9-19 | You’ve Changed | — | ||
| 9-20 | My Man | — | ||
| 10-1 | [interview] | — | ||
| 10-2 | [interview] | — | ||
| 10-3 | I Loves You, Porgy | — | ||
| 10-4 | Lady Sings the Blues | — | ||
| 10-5 | Ain’t Nobody’s Bizz-Ness If I Do | — | ||
| 10-6 | I Love My Man | — | ||
| 10-7 | Body and Soul | — | ||
| 10-8 | Don’t Explain | — | ||
| 10-9 | Yesterdays | — | ||
| 10-10 | Please Don't Talk About Me When I'm Gone | — | ||
| 10-11 | I’ll Be Seeing You | — | ||
| 10-12 | My Man | — | ||
| 10-13 | I Cried for You | — | ||
| 10-14 | Fine and Mellow | — | ||
| 10-15 | I Cover the Waterfront | — | ||
| 10-16 | What a Little Moonlight Can Do | — | ||
| 11-1 | You Better Go Now | — | ||
| 11-2 | Them There Eyes | — | ||
| 11-3 | Nice Work If You Can Get It | — | ||
| 11-4 | Willow Weep for Me | — | ||
| 11-5 | My Man | — | ||
| 11-6 | Lover, Come Back to Me | — | ||
| 11-7 | Lady Sings the Blues | — | ||
| 11-8 | What a Little Moonlight Can Do | — | ||
| 11-9 | Fine and Mellow | — | ||
| 11-10 | Fine and Mellow | — | ||
| 11-11 | You’ve Changed | — | ||
| 11-12 | I Love My Man | — | ||
| 11-13 | When Your Lover Has Gone | — | ||
| 12-1 | What a Little Moonlight Can Do | — | ||
| 12-2 | Foolin’ Myself | — | ||
| 12-3 | It’s Easy to Remember | — | ||
| 12-4 | Moanin’ Low | — | ||
| 12-5 | Don’t Explain | — | ||
| 12-6 | When Your Lover Has Gone | — | ||
| 12-7 | When Your Lover Has Gone | — | ||
| 12-8 | Don’t Explain | — | ||
| 12-9 | I Wished on the Moon | — | ||
| 12-10 | Lover Man | — | ||
| 12-11 | I Love My Man | — | ||
| 12-12 | I Loves You, Porgy | — | ||
| 12-13 | Please Don’t Talk About Me When I’m Gone | — | ||
| 12-14 | Strange Fruit | — | ||
| 12-15 | Nice Work If You Can Get It | — | ||
| 12-16 | Willow Weep for Me | — | ||
| 12-17 | When Your Lover Has Gone | — | ||
| 12-18 | I Love My Man | — | ||
| 12-19 | Too Marvelous for Words | — | ||
| 12-20 | Lover, Come Back to Me | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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People also ask
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What is UPC 4940603080060?
4940603080060 is a Universal Product Code (UPC) assigned to Perfect Complete Collection by Billie Holiday. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 236 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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