UPC · Release
MAKOTO Original Soundtrack
川井憲次
Last verified:
4943674054985 is the Universal Product Code (UPC barcode) for the release “MAKOTO Original Soundtrack” by 川井憲次, released 2005-02-16. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include JPWP00402025, JPWP00402010, JPWP00402011.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | MAKOTO | 川井憲次 | — | |
| 2 | 空気のなかに | 川井憲次 | — | |
| 3 | 何をもとめて | 川井憲次 | — | |
| 4 | 伝えたいのに | 川井憲次 | — | |
| 5 | 小さな心を届けたい | 川井憲次 | — | |
| 6 | ひとり | 川井憲次 | — | |
| 7 | この思いは誰も知らない | 川井憲次 | — | |
| 8 | 描いてはいけない景色 | 川井憲次 | — | |
| 9 | まよい | 川井憲次 | — | |
| 10 | 心を感じる | 川井憲次 | — | |
| 11 | まさか! | 川井憲次 | — | |
| 12 | 叫んでも… | 川井憲次 | — | |
| 13 | お願い!見えないで! | 川井憲次 | — | |
| 14 | 戻りたいのに | 川井憲次 | — | |
| 15 | 信じて! 求めて! 愛して! | 川井憲次 | — | |
| 16 | 愛するために | 川井憲次 | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Verified on
Identifier Graph
People also ask
What is UPC 4943674054985?
4943674054985 is a Universal Product Code (UPC) assigned to MAKOTO Original Soundtrack by 川井憲次. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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