UPC · Release
さよならがくれたのは
笠原弘子
Last verified:
4943674803927 is the Universal Product Code (UPC barcode) for the release “さよならがくれたのは” by 笠原弘子, released 1994-06-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 9 tracks, each with its own ISRC. Tracks include JPWP09404440, JPWP09404500, JPWP09404510.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (9)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 大切な休日 | 笠原弘子 | T-101.188.260-1 | |
| 2 | シネマ・フリーク | 笠原弘子 | T-101.191.709-0 | |
| 3 | 夏物語 | 笠原弘子 | T-101.191.710-3 | |
| 4 | 少年の頃をさがして | 笠原弘子 | T-101.191.711-4 | |
| 5 | さよならがくれたのは | 笠原弘子 | T-101.191.712-5 | |
| 6 | 雨は止まない | 笠原弘子 | T-101.191.713-6 | |
| 7 | AFTERWORD | 笠原弘子 | T-101.191.714-7 | |
| 8 | VOCALが泣いている | 笠原弘子 | T-101.191.715-8 | |
| 9 | いつかきっと | 笠原弘子 | T-101.191.716-9 |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 特別な朝(ALBUM MIX) | 笠原弘子 | T-101.188.265-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
Identifier Graph
People also ask
Verified on
What is UPC 4943674803927?
4943674803927 is a Universal Product Code (UPC) assigned to さよならがくれたのは by 笠原弘子. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 9 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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