UPC · Release
Akashic Records Official Sampler
Sweet Robots Against the Machine
Last verified:
4945817180681 is the Universal Product Code (UPC barcode) for the release “Akashic Records Official Sampler” by Sweet Robots Against the Machine, released 2004-01-01 on Akashic Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 77 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (77)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Audio Sex - Loop | — | ||
| 2 | Audio Sex - Seq #1 | — | ||
| 3 | Audio Sex - Seq #2 | — | ||
| 4 | Audio Sex - Seq #3 | — | ||
| 5 | Audio Sex - Bass #1 | — | ||
| 6 | Audio Sex - Bass #2 | — | ||
| 7 | Audio Sex - Java | — | ||
| 8 | Audio Sex - Tabla Loop | — | ||
| 9 | Audio Sex - Tabla #1 | — | ||
| 10 | Audio Sex - Tabla #2 | — | ||
| 11 | Wake Up - Loop | — | ||
| 12 | Wake Up - Seq #1 | — | ||
| 13 | Wake Up - Seq #2 | — | ||
| 14 | Wake Up - Seq #3 | — | ||
| 15 | Wake Up - Seq #4 | — | ||
| 16 | Wake Up - Bass #1 | — | ||
| 17 | Wake Up - Bass #2 | — | ||
| 18 | Wake Up - Bass #3 | — | ||
| 19 | Wake Up - Beep #1 | — | ||
| 20 | Wake Up - Beep #2 | — | ||
| 21 | Wake Up - Bell #1 | — | ||
| 22 | Wake Up - Bell #2 | — | ||
| 23 | Wake Up - Drum Loop | — | ||
| 24 | Wake Up - Kick #1 | — | ||
| 25 | Wake Up - Kick #2 | — | ||
| 26 | Wake Up - Kick #3 | — | ||
| 27 | Wake Up - Kick #4 | — | ||
| 28 | Wake Up - Kick #5 | — | ||
| 29 | Wake Up - Snare #1 | — | ||
| 30 | Wake Up - Snare #2 | — | ||
| 31 | Wake Up - HH & Tom #1 | — | ||
| 32 | Wake Up - HH & Tom #2 | — | ||
| 33 | Wake Up - HH & Tom #3 | — | ||
| 34 | Tikus - Loop | — | ||
| 35 | Tikus - Bass #1 | — | ||
| 36 | Tikus - Bass #2 | — | ||
| 37 | Tikus - Bass #3 | — | ||
| 38 | Tikus - Percussion | — | ||
| 39 | Tikus - Kick & HH | — | ||
| 40 | Tikus - Kick #1 | — | ||
| 41 | Tikus - Kick #2 | — | ||
| 42 | Tikus - Snare #1 | — | ||
| 43 | Tikus - Snare #2 | — | ||
| 44 | Tikus - Snare #3 | — | ||
| 45 | Tikus - HH #1 | — | ||
| 46 | Tikus - HH #2 | — | ||
| 47 | Tikus - HH #3 | — | ||
| 48 | Tikus - Clap | — | ||
| 49 | Hawaiian - Loop | — | ||
| 50 | Hawaiian - Seq | — | ||
| 51 | Hawaiian - Bell | — | ||
| 52 | Hawaiian - Shalang | — | ||
| 53 | Hawaiian - Vibe | — | ||
| 54 | Hawaiian - Noise #1 | — | ||
| 55 | Hawaiian - Noise #2 | — | ||
| 56 | Hawaiian - Tabla Loop | — | ||
| 57 | Hawaiian - Tabla #1 | — | ||
| 58 | Hawaiian - Tabla #2 | — | ||
| 59 | Hawaiian - Tabla #3 | — | ||
| 60 | Hawaiian - Tabla #4 | — | ||
| 61 | Hawaiian - Tabla #5 | — | ||
| 62 | Hawaiian - Tabla #6 | — | ||
| 63 | Manis - Loop | — | ||
| 64 | Manis - Seq #1 | — | ||
| 65 | Manis - Seq #2 | — | ||
| 66 | Manis - Seq #3 | — | ||
| 67 | Manis - Seq #4 | — | ||
| 68 | Manis - Whistle | — | ||
| 69 | Manis - Beep | — | ||
| 70 | Manis - Noise Drum | — | ||
| 71 | Manis - Drum Loop | — | ||
| 72 | Manis - Kick | — | ||
| 73 | Manis - Snare #1 | — | ||
| 74 | Manis - Snare #2 | — | ||
| 75 | Manis - Snare #3 | — | ||
| 76 | Manis - Snare #4 | — | ||
| 77 | Manis - Snare #5 | — |
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People also ask
What is UPC 4945817180681?
4945817180681 is a Universal Product Code (UPC) assigned to Akashic Records Official Sampler by Sweet Robots Against the Machine. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 77 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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