UPC · Release
初恋地獄篇
天井桟敷
Last verified:
4948722171676 is the Universal Product Code (UPC barcode) for the release “初恋地獄篇” by 天井桟敷, released 2004-01-01 on Showboat. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (33)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 初恋体験 | — | ||
| 2 | あゝ初恋 | — | ||
| 3 | 四月 | — | ||
| 4 | ラブレター | — | ||
| 5 | 五月 | — | ||
| 6 | 海辺の会話 | — | ||
| 7 | 僕は恋してる | — | ||
| 8 | 六月 | — | ||
| 9 | 性の悩み／カウンセリング | — | ||
| 10 | 少年の詩 | — | ||
| 11 | [untitled] | — | ||
| 12 | くちづけ | — | ||
| 13 | 七月 | — | ||
| 14 | 仲違い | — | ||
| 15 | 地獄の季節 | — | ||
| 16 | ヌードスタジオ他 | — | ||
| 17 | ぼくは汚れた | — | ||
| 18 | 煙草 | — | ||
| 19 | 手相見 | — | ||
| 20 | 声の三行広告 | — | ||
| 21 | 九月 | — | ||
| 22 | かもめ | — | ||
| 23 | モノローグ | — | ||
| 24 | 短歌 | — | ||
| 25 | 十月 | — | ||
| 26 | [untitled] | — | ||
| 27 | 逢いたい | — | ||
| 28 | 十一月 | — | ||
| 29 | 歌を教える | — | ||
| 30 | あゝ初恋 | — | ||
| 31 | [untitled] | — | ||
| 32 | 十二月 | — | ||
| 33 | 初恋告白／声の署名 | — |
Credits Graph
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What is UPC 4948722171676?
4948722171676 is a Universal Product Code (UPC) assigned to 初恋地獄篇 by 天井桟敷. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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