UPC · Release
ゆかりのグレイテスト・ヒッツ 1970–1972
伊東ゆかり
Last verified:
4948722517191 is the Universal Product Code (UPC barcode) for the release “ゆかりのグレイテスト・ヒッツ 1970–1972” by 伊東ゆかり, released 2015-11-20. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | わたしだけのもの | — | ||
| 2 | そよかぜ | — | ||
| 3 | さすらい | — | ||
| 4 | いつも昨日のように | — | ||
| 5 | 瞳の中から | — | ||
| 6 | 忘れないでパパ | — | ||
| 7 | 信頼 | — | ||
| 8 | この不実な人を | — | ||
| 9 | 明日をめざして | — | ||
| 10 | これからはじまる静かな朝へ | — | ||
| 11 | ボーイ・ハント | — | ||
| 12 | 渚のデイト | — | ||
| 13 | グリーン・ジンジャー・フライング | — | ||
| 14 | 遥かなる影 | — | ||
| 15 | 誰も知らない | — | ||
| 16 | よせばいいのに | — | ||
| 17 | 彼 | — | ||
| 18 | めぐり逢い | — | ||
| 19 | 陽はまた昇る | — | ||
| 20 | いつからか | — | ||
| 21 | 朝が来たら | — | ||
| 22 | 愛する人もなく | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 4948722517191?
4948722517191 is a Universal Product Code (UPC) assigned to ゆかりのグレイテスト・ヒッツ 1970–1972 by 伊東ゆかり. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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