UPC · Release
ゆかりのグレイテスト・ヒッツ 1973–1977
伊東ゆかり
Last verified:
4948722517740 is the Universal Product Code (UPC barcode) for the release “ゆかりのグレイテスト・ヒッツ 1973–1977” by 伊東ゆかり, released 2015-12-15. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include JPCO07721350.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | わかれの詩 | — | ||
| 2 | そして今は幸福 | — | ||
| 3 | 或る手紙 | — | ||
| 4 | 風が吹く道 | — | ||
| 5 | あのひと | — | ||
| 6 | それから二人は | — | ||
| 7 | 季節風 | — | ||
| 8 | 暑中見舞 | — | ||
| 9 | 深夜放送 | — | ||
| 10 | お帰りなさい | — | ||
| 11 | わたし女ですもの | — | ||
| 12 | ゆうべ | — | ||
| 13 | わかれ雪 | — | ||
| 14 | 春を待ちます | — | ||
| 15 | 悲しみの出発 | — | ||
| 16 | 星空の浜辺 | — | ||
| 17 | 逢いびき | — | ||
| 18 | 愛はなぜ終わる | — | ||
| 19 | かわいた女に雨が降る | — | ||
| 20 | 女ひとり | — | ||
| 21 | ロマンチスト | 伊東ゆかり | T-101.588.897-6 | |
| 22 | プレイボーイ・マガジン | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 4948722517740?
4948722517740 is a Universal Product Code (UPC) assigned to ゆかりのグレイテスト・ヒッツ 1973–1977 by 伊東ゆかり. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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