UPC · Release
弾銃フィーバロン
三沢南平
Last verified:
4949168100046 is the Universal Product Code (UPC barcode) for the release “弾銃フィーバロン” by 三沢南平, released 1998-12-04. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 銃弾フィーバロン アレンジバージョン 恋のダンシング・ボンバー[BGMステージ1] | — | ||
| 2 | ビートアタック人が舞う(BGMタイトル) | — | ||
| 3 | バトルファイター(BGMプレイヤーセレクト) | — | ||
| 4 | 恋のダンシング・ボンバー[DANCING BOMBER](BGMステージ1) | — | ||
| 5 | ハロー・ミスター・サイボーグ兵士[HELLO Mr.CYBORG](BGMステージ2) | — | ||
| 6 | 悲しきバロフィーバー[BAROFEVER](BGMステージ3) | — | ||
| 7 | ソウルスーパーマーケット[SOUL SUPERMARKET](BGMステージ4) | — | ||
| 8 | ディスコめざせ999人[DISCO 999](BGMステージ5) | — | ||
| 9 | 野望にあと一歩(BGMボス) | — | ||
| 10 | ミラーボールシャワー(BGMステージクリア) | — | ||
| 11 | 真ボス到着(BGM真のラスボス) | — | ||
| 12 | 狂ってる(BGMエンディング) | — | ||
| 13 | 魚太郎メチャ稼げるっす(BGMネームエントリー) | — | ||
| 14 | A+B押しながらStart(BGMタイムアタック) | — | ||
| 15 | 未使用曲1 | — | ||
| 16 | 未使用曲2 | — | ||
| 17 | ボイスコレクション | — | ||
| 18 | S.E.コレクション | — |
Verified on
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People also ask
What is UPC 4949168100046?
4949168100046 is a Universal Product Code (UPC) assigned to 弾銃フィーバロン by 三沢南平. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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