UPC · Album
The Firebird / Petrouchka
Stravinsky, Boston Symphony Orchestra, Seiji Ozawa
Last verified:
4975769371790 is the Universal Product Code (UPC barcode) for the release “The Firebird / Petrouchka” by Stravinsky, Boston Symphony Orchestra, Seiji Ozawa, released 2009-03-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include USBC16900165, USBC16900166, USBC16900167.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (46)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Suite from "The Firebird" (1919) - I. Introduction | Boston Symphony Orchestra, Seiji Ozawa | USBC16900165 |
| Suite from "The Firebird" (1919) - II.The Firebird and Its Dance | Boston Symphony Orchestra, Seiji Ozawa | USBC16900166 |
| Suite from "The Firebird" (1919) - III. Varietion of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | USBC16900167 |
| Suite from "The Firebird" (1919) - IV. The Round of the Princesses | Boston Symphony Orchestra, Seiji Ozawa | USBC16900168 |
| Suite from "The Firebird" (1919) - V. Infernal Dance of King Kastchei | Boston Symphony Orchestra, Seiji Ozawa | USBC16900169 |
| Suite from "The Firebird" (1919) - VI. Lullaby | Boston Symphony Orchestra, Seiji Ozawa | USBC16900170 |
| Suite from "The Firebird" (1919) - VII. Finale | Boston Symphony Orchestra, Seiji Ozawa | USBC16900171 |
| Petrouchka (1947) - Scene I: The Shrovetide Fair - Vivace | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803293 |
| Petrouchka (1947) - Scene I: The Shrovetide Fair - The Magic Trick | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803294 |
| Petrouchka (1947) - Scene I: The Shrovetide Fair - Russian Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803295 |
| Petrouchka (1947) - Scene II: Petrouchka's Cell | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803296 |
| Petrouchka (1947) - Scene III: The Moor's Cell - L'istesso tempo | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803297 |
| Petrouchka (1947) - Scene III: The Moor's Cell - Dance of the Ballerina | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803298 |
| Petrouchka (1947) - Scene III: The Moor's Cell - Waltz | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803299 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Tempo giusto | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803300 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Wet Nurses' Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803301 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Peasant with Bear | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803303 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Gypsies and a Rake Vendor | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803304 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Dance of the Coachmen | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803305 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Masquaraders | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803306 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - The Scuffle (Moor and Petrouchka) | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803307 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Death of Petrouchka | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803308 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Appearance of Petrouchka's Ghost | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USBC19803309 |
| Suite from "The Firebird" (1919) - I. Introduction | Boston Symphony Orchestra, Seiji Ozawa | USSM12502785 |
| Suite from "The Firebird" (1919) - II.The Firebird and Its Dance | Boston Symphony Orchestra, Seiji Ozawa | USSM12502786 |
| Suite from "The Firebird" (1919) - III. Varietion of the Firebird | Boston Symphony Orchestra, Seiji Ozawa | USSM12502787 |
| Suite from "The Firebird" (1919) - IV. The Round of the Princesses | Boston Symphony Orchestra, Seiji Ozawa | USSM12502788 |
| Suite from "The Firebird" (1919) - V. Infernal Dance of King Kastchei | Boston Symphony Orchestra, Seiji Ozawa | USSM12502789 |
| Suite from "The Firebird" (1919) - VI. Lullaby | Boston Symphony Orchestra, Seiji Ozawa | USSM12502790 |
| Suite from "The Firebird" (1919) - VII. Finale | Boston Symphony Orchestra, Seiji Ozawa | USSM12502791 |
| Petrouchka (1947) - Scene I: The Shrovetide Fair - Vivace | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502798 |
| Petrouchka (1947) - Scene I: The Shrovetide Fair - The Magic Trick | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502799 |
| Petrouchka (1947) - Scene I: The Shrovetide Fair - Russian Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502800 |
| Petrouchka (1947) - Scene II: Petrouchka's Cell | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502801 |
| Petrouchka (1947) - Scene III: The Moor's Cell - L'istesso tempo | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502802 |
| Petrouchka (1947) - Scene III: The Moor's Cell - Dance of the Ballerina | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502803 |
| Petrouchka (1947) - Scene III: The Moor's Cell - Waltz | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502804 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Tempo giusto | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502805 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Wet Nurses' Dance | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502806 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Peasant with Bear | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502807 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Gypsies and a Rake Vendor | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502808 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Dance of the Coachmen | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502809 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Masquaraders | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502810 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - The Scuffle (Moor and Petrouchka) | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502811 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Death of Petrouchka | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502812 |
| Petrouchka (1947) - Scene IV: The Fair (Toward Evening) - Appearance of Petrouchka's Ghost | Michael Tilson Thomas, Boston Symphony Orchestra, Seiji Ozawa | USSM12502813 |
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What is UPC 4975769371790?
4975769371790 is a Universal Product Code (UPC) assigned to The Firebird / Petrouchka by Stravinsky, Boston Symphony Orchestra, Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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