UPC · Release
DEVIL MAY CRY 4 ORIGINAL SOUNDTRACK
Various Artists
Last verified:
4976219025034 is the Universal Product Code (UPC barcode) for the release “DEVIL MAY CRY 4 ORIGINAL SOUNDTRACK” by Various Artists, released 2008-01-01 on Suleputer. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 104 tracks, each with its own ISRC. Tracks include JP92L2407260, JP92L2407270, JP92L2407280.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (104)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Devil May Cry 4 Title (タイトル画面) | 内山修作 | — | |
| 2 | Out of Darkness (プロローグ) | 柴田徹也 | — | |
| 3 | Genocide (オープニング) | 内山修作 | — | |
| 4 | Mission Start 1 (ミッションスタート1) | 内山修作 | — | |
| 5 | 赤の男 -銃と剣とで- | 内山修作 | — | |
| 6 | Blackened Angel (ダンテ戦闘1) | 内山修作 | — | |
| 7 | 赤の男 -悪魔の右腕- | 内山修作 | — | |
| 8 | 赤の男 -似た者同士- | 内山修作 | — | |
| 9 | 赤の男 -謎を残して- | 内山修作 | — | |
| 10 | Mission Clear (ミッションクリア) | 内山修作 | — | |
| 11 | The Hell Gate -悪魔襲来- | 鈴木幸太, 成田暁彦 | — | |
| 12 | StageI (オペラハウス前) | 内山修作 | — | |
| 13 | The Time Has Come (ネロ汎用戦闘) | 柴田徹也 | — | |
| 14 | Stage II (屋内~倉庫) | 内山修作 | — | |
| 15 | Stage III (屋外~市街1) | 内山修作 | — | |
| 16 | Stage IV (教会) | 内山修作 | — | |
| 17 | The idol of the Time and Space (時空神像) | 柴田徹也 | — | |
| 18 | Stage V (洞窟) | 内山修作 | — | |
| 19 | ベリアル登場 | 内山修作 | — | |
| 20 | Sworn Through Swords (ベリアル戦闘) | 柴田徹也, 長谷川憲人 | — | |
| 21 | Game Over (ゲームオーバー) | 内山修作 | — | |
| 22 | ベリアル撤退 | 鈴木幸太 | — | |
| 23 | Stage VI (雪山) | 内山修作 | — | |
| 24 | The Voluptuous Gloria (妖艶のグロリア) | 石川チャミィ | — | |
| 25 | Stage VII (フォルトゥナ城) | 成田暁彦 | — | |
| 26 | Baroque and Beats (ビアンコアンジェロ戦闘) | 石川チャミィ | — | |
| 27 | ビアンコアンジェロ崩壊 | 内山修作 | — | |
| 28 | Secret Mission (シークレットミッション) | 内山修作 | — | |
| 29 | 吹雪のダンス | 近藤 嶺 | — | |
| 30 | Temptation (バエル触手戦闘) | 近藤 嶺 | — | |
| 31 | バエル登場 | 近藤 嶺 | — | |
| 32 | Frozen Frog (バエル戦闘) | 近藤 嶺 | — | |
| 33 | バエル倒す | 石川チャミィ | — | |
| 2-1 | The Return of the King (王の帰還) | 内山修作 | — | |
| 2-2 | Stage VIII (地下研究施設) | 内山修作 | — | |
| 2-3 | 閻魔刀1 | 成田暁彦 | — | |
| 2-4 | Irregularity Attacks (アグナス戦闘) | 石川チャミィ | — | |
| 2-5 | 閻魔刀2 -awaken- | 成田暁彦 | — | |
| 2-6 | To The Forest (森へ) | 内山修作 | — | |
| 2-7 | Conspiracy (陰謀) | 内山修作 | — | |
| 2-8 | Stage IX (ミティスの森) | 内山修作 | — | |
| 2-9 | キメラシード登場~戦闘 | 成田暁彦 | — | |
| 2-10 | Imminence (樹海の龍) | 内山修作 | — | |
| 2-11 | エキドナ登場 | 鈴木幸太 | — | |
| 2-12 | The Viper (エキドナ戦闘) | 近藤 嶺 | — | |
| 2-13 | エキドナ撤退 | 鈴木幸太 | — | |
| 2-14 | アサルト登場~戦闘 | 成田暁彦 | — | |
| 2-15 | Stage X (迷いの森) | — | ||
| 2-16 | 忠節のクレド | — | ||
| 2-17 | Swipe of Sword (クレド戦闘) | 石川チャミィ | — | |
| 2-18 | クレド倒す~受難のキリエ | — | ||
| 2-19 | アルトアンジェロ登場~戦闘 | — | ||
| 2-20 | Stage XI (教団本部) | — | ||
| 2-21 | アグナス再び | — | ||
| 2-22 | Science will never die (アンジェロアグナス戦闘) | 成田暁彦 | — | |
| 2-23 | Just Out Of Reach (届かぬその手) | — | ||
| 2-24 | ファウスト登場~戦闘 | — | ||
| 2-25 | Dante's Party Crashing (ダンテ推参) | — | ||
| 2-26 | Forza del Destino (ダンテ戦闘2) | 内山修作 | — | |
| 2-27 | The Dying Wish (家族の遺志を) | — | ||
| 2-28 | Stage XII (神建造現場) | — | ||
| 2-29 | 教皇との対峙1 | — | ||
| 2-30 | Chorus in the Darkness (教皇戦闘1) | 鈴木幸太 | — | |
| 2-31 | 終幕 | — | ||
| 3-1 | Nero and Kyrie (胎内) | — | ||
| 3-2 | 神起動~誇り高き死 | — | ||
| 3-3 | Lock and Load -Blackened Angel mix- (ダンテ汎用戦) | 上田雅美 | — | |
| 3-4 | The Gate is Opened (開闢) | — | ||
| 3-5 | Mission Start 2 (ミッションスタート2) | 内山修作 | — | |
| 3-6 | メガ スケアクロウ登場~戦闘 | — | ||
| 3-7 | Time Attack (教団本部脱出) | — | ||
| 3-8 | 教団本部破壊 | — | ||
| 3-9 | The Beginning-Lady's Request- (レディの依頼) | — | ||
| 3-10 | エキドナ再び~戦闘 | — | ||
| 3-11 | エキドナ倒す~衝撃鋼ギルガメス | — | ||
| 3-12 | ダゴン登場~戦闘 | — | ||
| 3-13 | ダゴン倒す~災厄兵器パンドラ | — | ||
| 3-14 | バジリスク登場~戦闘 | — | ||
| 3-15 | ベリアル再び~戦闘 | — | ||
| 3-16 | ベリアル倒す~無尽剣ルシフェル | — | ||
| 3-17 | Stage XIII (屋外~市街2) | — | ||
| 3-18 | アグナス三度1~戦闘 | 成田暁彦 | — | |
| 3-19 | アグナス三度2-And the rest is silence- | 成田暁彦 | — | |
| 3-20 | 閻魔刀奪回 | — | ||
| 3-21 | 地獄門破壊 | — | ||
| 3-22 | 神を見下ろす者 | — | ||
| 3-23 | Power of Destroyer (神戦闘1) | — | ||
| 3-24 | Divine Power (神の力) | — | ||
| 3-25 | Power of Destroyer -Limit Break mix- (神戦闘2) | 鈴木幸太 | — | |
| 3-26 | The Penetrating Voice (この声よ届け) | — | ||
| 3-27 | Send in the New Star (主役交代) | — | ||
| 3-28 | 試練の階段へ | — | ||
| 3-29 | Stage XIV (神内部) | — | ||
| 3-30 | The Recital (競演) | — | ||
| 3-31 | 教皇との対峙2 | — | ||
| 3-32 | The Vicious Flames (教皇戦闘2) | 佐藤真一郎 | — | |
| 3-33 | スパーダの遺志~キリエ救出 | — | ||
| 3-34 | 最後の戦いへ | — | ||
| 3-35 | The Last Blow (神最終戦闘) | 内山修作 | — | |
| 3-36 | The Real Reason -この右腕はそのために- | — | ||
| 3-37 | La Vita Nuova -新生- | — | ||
| 3-38 | Shall Never Surrender (スタッフロール) | 柴田徹也 | — | |
| 3-39 | Standard Daytime -日常- | — | ||
| 3-40 | Total Result (トータルリザルト) | — |
Additional database matches (9)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Out of Darkness (プロローグ) | 柴田徹也 | — |
| Mission Start 1 (ミッションスタート1) | 内山修作 | — |
| Blackened Angel (ダンテ戦闘1) | 内山修作 | — |
| The Time Has Come (ネロ汎用戦闘) | 柴田徹也 | — |
| Sworn Through Swords (ベリアル戦闘) | 柴田徹也, 長谷川憲人 | — |
| Baroque and Beats (ビアンコアンジェロ戦闘) | 石川チャミィ | — |
| Frozen Frog (バエル戦闘) | 近藤 嶺 | — |
| Irregularity Attacks (アグナス戦闘) | 石川チャミィ | — |
| The Viper (エキドナ戦闘) | 近藤 嶺 | — |
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People also ask
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What is UPC 4976219025034?
4976219025034 is a Universal Product Code (UPC) assigned to DEVIL MAY CRY 4 ORIGINAL SOUNDTRACK by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 104 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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