UPC · Release
Various Artists
Last verified:
4976219652346 is the Universal Product Code (UPC barcode) for the release “biohazard SOUND CHRONICLE BEST TRACK BOX” by Various Artists, released 2005-01-01 on Suleputer. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 269 tracks, each with its own ISRC. Tracks include JPE100501110, JPE100501120, JPE100501130.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The evil eye | Syun Nishigaki | — | |
| 2 | The Beginning of Story | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 3 | Raccoon City | Masami Ueda | — | |
| 4 | The Front Hall | Masami Ueda | — | |
| 5 | The First Floor | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 6 | The Second Floor | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 7 | Screaming target | Masami Ueda | — | |
| 8 | Secure Place | Masami Ueda | — | |
| 9 | Leon With Claire | Masami Ueda | — | |
| 10 | The Library | Masami Ueda | — | |
| 11 | Sherry’s Theme | Shusaku Uchiyama | — | |
| 12 | The Basement of Police Station | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 13 | “T”‐A | Masami Ueda | — | |
| 14 | The First Malformation of “G” | Masami Ueda | — | |
| 15 | Annette’s Recollection | Shusaku Uchiyama, Syun Nishigaki | — | |
| 16 | Ada’s Theme | Masami Ueda | — | |
| 17 | The Marshalling Yard (The First Half) | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | T-329.440.833-2 | |
| 18 | The Marshalling Yard (The Second Half) | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 19 | The Second Malformation of "G" | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 20 | The Underground Laboratory | Naoshi Mizuta | — | |
| 21 | Is Ada Spy!? | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 22 | Wreckage of the mad experiment | Masami Ueda | — | |
| 23 | Good Bye, Leon… | Syun Nishigaki | — | |
| 24 | Mother | Syun Nishigaki | T-011.289.183-4 | |
| 25 | One More Kiss | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 26 | Escape From Laboratory | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 27 | “T”‐B | Masami Ueda | — | |
| 28 | The Third Malformation of "G" | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 29 | Normal End Title | Masami Ueda | — | |
| 30 | Special End Title | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 31 | Credit Line of Whole Staff | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 32 | And After That… | Shusaku Uchiyama | — | |
| 33 | Fearful is no word for it | Masami Ueda | — | |
| 34 | Maximize your survival instinct | Masami Ueda | — | |
| 35 | "The Ultimate Bio-Weapon" Medley | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — | |
| 2-1 | The Last Escape | 上田雅美 | — | |
| 2-2 | Her Determination | 上田雅美, 前田早織 | — | |
| 2-3 | The Opening | 上田雅美 | — | |
| 2-4 | The Beginning Of Nightmare | 前田早織 | — | |
| 2-5 | Free From Fear | 前田早織 | — | |
| 2-6 | Cold Sweat | 前田早織 | — | |
| 2-7 | The City Of Ruin | 上田雅美 | — | |
| 2-8 | Imminent Slaughter | 上田雅美 | — | |
| 2-9 | Nemesis’ Theme | 上田雅美 | — | |
| 2-10 | Feel The Tense… | 上田雅美 | — | |
| 2-11 | Well Dressed Up | 前田早織 | — | |
| 2-12 | The City Without Hope | 上田雅美 | — | |
| 2-13 | Carlos’ Theme | 前田早織 | — | |
| 2-14 | Never Give Up The Escape | 上田雅美 | — | |
| 2-15 | Nicholai’s Theme | 前田早織 | — | |
| 2-16 | Pride And Valor | 前田早織 | — | |
| 2-17 | The Clock Tower | 前田早織 | — | |
| 2-18 | Mysterious Orgel (Correct) | 上田雅美 | — | |
| 2-19 | From Relief To Terror | 上田雅美 | — | |
| 2-20 | Unstoppable Nemesis | 上田雅美 | — | |
| 2-21 | Bring Back Her Consciousness | 前田早織 | — | |
| 2-22 | The Hospital | 上田雅美, 前田早織 | — | |
| 2-23 | Nemesis Again | 上田雅美 | — | |
| 2-24 | The Grave Digger | 前田早織 | — | |
| 2-25 | The Park | 前田早織 | — | |
| 2-26 | The Disused Plant | 前田早織 | — | |
| 2-27 | The Last Argument | 前田早織 | — | |
| 2-28 | Four Minutes Before The Treatment | 上田雅美 | — | |
| 2-29 | Nemesis Doesn’t Give Up | 上田雅美 | — | |
| 2-30 | Missile Approaching | 前田早織 | — | |
| 2-31 | Emergency Level D | 前田早織 | — | |
| 2-32 | Nemesis Final Metamorphosis | 上田雅美 | — | |
| 2-33 | The Last Decision | 上田雅美 | — | |
| 2-34 | Euthanasia of Raccoon City | 上田雅美, 前田早織 | — | |
| 2-35 | Unfortunate Event | 上田雅美 | — | |
| 2-36 | Staffs & Credits | 上田雅美 | — | |
| 2-37 | Ever After | 前田早織 | — | |
| 2-38 | Choose The Best One | 上田雅美 | — | |
| 2-39 | The Doomed City | 前田早織 | — | |
| 2-40 | Hellish Agony | 上田雅美 | — | |
| 2-41 | Freedom Obtained | 前田早織 | — | |
| 2-42 | Reward And Result | 前田早織 | — | |
| 3-1 | The Movie | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-2 | Prologue | Takeshi Miura, Hijiri Anze, Sanae Kasahara | T-327.735.676-6 | |
| 3-3 | Opening: Claire Version | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-4 | Thrown Into Despair | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-5 | Death Siege | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-6 | Incoming | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-7 | The Palace of Insane | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-8 | A Moment of Relief | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-9 | Infants | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-10 | Through the Scope | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-11 | Piano Roll | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-12 | Greetings | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-13 | Here Comes the Knight | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-14 | Entrapment | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-15 | Curiosity | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-16 | Lacrymal | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-17 | The Suspended Doll | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-18 | Pandora’s Box | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-19 | A State of Emergency | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-20 | The Theme of Tyrant 3: Ver. B | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-21 | Midnight Sun | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-22 | Blanc | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-23 | The Theme of Nosferatu | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-24 | The Ending of the Beginning | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-25 | The Opening: Chris Version | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-26 | Still Alive | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-27 | To Antarctica | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-28 | Subzero | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-29 | Deja Vu | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-30 | At Last | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-31 | Not Steve | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-32 | Love? | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-33 | You Want It | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-34 | T‐Veronica | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-35 | Murderous Eyes | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-36 | The Theme of Alexia Type 1 | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-37 | Silence of the Air | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-38 | The Code Is Veronica | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-39 | Transformation | Takeshi Miura, Hijiri Anze, Sanae Kasahara | T-329.294.517-2 | |
| 3-40 | The Theme of Alexia Type 2 | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-41 | For S.T.A.R.S. | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-42 | Awesome Powers | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-43 | Invincible!? | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-44 | Velocity | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 3-46 | Set Free | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — | |
| 4-1 | Nightmare | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-2 | Prologue | 内山修作, Misao Senbongi, 友澤眞 | T-327.735.676-6 | |
| 4-3 | Shot in the Silence | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-4 | Evil Dead | 内山修作, Misao Senbongi, 友澤眞 | T-330.022.004-2 | |
| 4-5 | Terror 1 | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-6 | Hunted! | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-7 | Disappearance | 内山修作, Misao Senbongi, 友澤眞 | T-330.034.513-1 | |
| 4-8 | Deathtrap | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-9 | Terror 2 | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-10 | Lost in Darkness | 内山修作, Misao Senbongi, 友澤眞 | T-330.022.089-3 | |
| 4-11 | Terror 3 | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-12 | A Casualty | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-13 | Terror 4 | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-14 | Save Theme | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-15 | Vacant Room | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-16 | Narrow and Close | 内山修作, Misao Senbongi, 友澤眞 | T-330.042.766-7 | |
| 4-17 | Sigh of Relief | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-18 | The Encounter | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-19 | Ivies' Domain | 内山修作, Misao Senbongi, 友澤眞 | T-330.022.028-0 | |
| 4-20 | Talking to Yourself? | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-21 | Cold Water | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-22 | Sacrifice | 内山修作, Misao Senbongi, 友澤眞 | T-330.022.071-3 | |
| 4-23 | Neptune | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-24 | Vines of Wrath | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-25 | Plant 42 | 内山修作, Misao Senbongi, 友澤眞 | T-330.042.769-0 | |
| 4-26 | Deception | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-27 | New Threat | 内山修作, Misao Senbongi, 友澤眞 | T-330.022.020-2 | |
| 4-28 | Rush of Fear | 内山修作, Misao Senbongi, 友澤眞 | T-330.022.073-5 | |
| 4-29 | Rush of Horror | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-30 | Underground | 内山修作, Misao Senbongi, 友澤眞 | T-330.022.043-9 | |
| 4-31 | Bravo Captain | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-32 | Room of Lisa | 内山修作, Misao Senbongi, 友澤眞 | T-330.022.081-5 | |
| 4-33 | Question of Trust | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-34 | Memento | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-35 | The Depth | 内山修作, Misao Senbongi, 友澤眞 | T-330.022.055-3 | |
| 4-36 | Concrete Bound | 内山修作, Misao Senbongi, 友澤眞 | T-330.042.771-4 | |
| 4-37 | Secret Revealed | 内山修作, Misao Senbongi, 友澤眞 | T-330.022.063-3 | |
| 4-38 | Double Cross | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-39 | The Awakening | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-40 | Tyrant 1 | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-41 | Countdown | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-42 | Tyrant 2 | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-43 | Epilogue | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 4-44 | Ending Credits | 内山修作, Misao Senbongi, 友澤眞 | — | |
| 5-1 | advertize | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-2 | ZERO | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-3 | Lullaby 1 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-4 | 狂気の底へ | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-5 | 誘い | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-6 | 1st ZOMBIE | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-7 | 遭遇 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-8 | ZOMBIE DOG | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-9 | 懐疑 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-10 | 擬態 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-11 | Lullaby 2 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-12 | LEECHMAN-1 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-13 | SCP-BATTLE | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-14 | 孵化 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-15 | 這い寄るヒルたち1 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-16 | 焦燥 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-17 | MISSION | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | T-324.174.218-3 | |
| 5-18 | 悪夢 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-19 | ED-ZOMBIE | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-20 | 臨界点 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-21 | 養成所メインテーマ | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-22 | LEECHMAN-1 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-23 | 痙攣と彎曲 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-24 | 養成所II | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-25 | Catch&Hang | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-26 | centipede | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-27 | 養成所III | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-28 | チェス | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-29 | 寄宿舎メインテーマ | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-30 | 拷問室にて | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-31 | マーカスの策略 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-32 | Predator | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-33 | SAVE REB | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-34 | 氷解 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-35 | 灼熱忌夢 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-36 | 養成所IV | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-37 | 虐殺 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-38 | 檻部屋にて | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-39 | 寄宿舎〜礼拝堂 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-40 | lament 〜成功 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-41 | lament 〜失敗 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-42 | 礼拝堂メインテーマ | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-43 | Air Raid | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-44 | 安息 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-45 | 礼拝堂III | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-46 | マーカスの記憶 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-47 | 礼拝堂II | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-48 | 強襲 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-49 | 這い寄るヒルたち2 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-50 | LEECHMAN-2 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-51 | 凶刃 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-52 | P-TYRANT01 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-53 | ビリーの回想 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-54 | 暴君、再び | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-55 | P-TYRANT02 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-56 | 寄宿舎〜処理場 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-57 | 威嚇 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-58 | D·A·L·I | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-59 | 最後のささやき | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-60 | ZERO ver.2 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-61 | マーカスとの対峙 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-62 | QUEEN LEECH | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-63 | 秒読み | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-64 | 奇塊 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-65 | ESCAPE | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-66 | 活路 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-67 | 一閃 | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-68 | END-ROLL | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-69 | EX-GAME | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-70 | RESULT | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 5-71 | BEGINNING | 講本一朗, 衣笠理洋, 高木了慧, 片岡真悟, 村井歩, 本多高士, 小渕世子 | — | |
| 6-1 | End of Umbrella | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-2 | The Drive ~ First Contact | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-3 | Ganado I | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-4 | A Strange Pasture | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-5 | Ganado II | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-6 | Serenity | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-7 | Echo in the Night | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-8 | Ganado III | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-9 | El Gigante | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-10 | Bitores Mendez | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-11 | Game Over | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-12 | Catapult | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-13 | Garrador | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-14 | Ganado IV | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-15 | Cold Sweat | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-16 | Central Hall | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-17 | Bad Vibes | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-18 | Verdugo | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-19 | Tower of Death | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-20 | Salazar | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-21 | Save Theme | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-22 | Infiltration | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-23 | Ganado V | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-24 | Evil Malaise | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-25 | Regenerador | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-26 | Path to Closure | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-27 | Krauser | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-28 | Back-Up | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-29 | Final Battle | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-30 | The Escape | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-31 | Horizon | Misao Senbongi, Shusaku Uchiyama | — | |
| 6-32 | Sorrow (Ending Credits) | Misao Senbongi, Shusaku Uchiyama | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| End Credits (complete version) | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — |
| The Drive ~ First Contact | Misao Senbongi, Shusaku Uchiyama | — |
| Garrador | Misao Senbongi, Shusaku Uchiyama | — |
| Central Hall | Misao Senbongi, Shusaku Uchiyama | — |
| Salazar | Misao Senbongi, Shusaku Uchiyama | — |
| Horizon | Misao Senbongi, Shusaku Uchiyama | — |
| Sorrow (Ending Credits) | Misao Senbongi, Shusaku Uchiyama | — |
| Annette’s Recollection | Shusaku Uchiyama, Syun Nishigaki | — |
| Normal End Title | Masami Ueda | — |
| Raccoon City | Masami Ueda | — |
| The Front Hall | Masami Ueda | — |
| Secure Place | Masami Ueda | — |
| Leon With Claire | Masami Ueda | — |
| The Library | Masami Ueda | — |
| Sherry’s Theme | Shusaku Uchiyama | — |
| “T”‐A | Masami Ueda | — |
| The First Malformation of “G” | Masami Ueda | — |
| Ada’s Theme | Masami Ueda | — |
| The Underground Laboratory | Naoshi Mizuta | — |
| Good Bye, Leon… | Syun Nishigaki | — |
| “T”‐B | Masami Ueda | — |
| And After That… | Shusaku Uchiyama | — |
| Terror 2 | 内山修作, Misao Senbongi, 友澤眞 | — |
| New Threat | 内山修作, Misao Senbongi, 友澤眞 | — |
| Raccoon City | Masami Ueda | — |
| The Basement of Police Station | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | — |
| Escape From Laboratory | Masami Ueda, Shusaku Uchiyama, Syun Nishigaki | T-101.973.242-2 |
| Her Determination | 上田雅美, 前田早織 | — |
| Nemesis’ Theme | 上田雅美 | — |
| Mysterious Orgel (Correct) | 上田雅美 | — |
| The Hospital | 上田雅美, 前田早織 | — |
| Euthanasia of Raccoon City | 上田雅美, 前田早織 | — |
| Murderous Eyes | Takeshi Miura, Hijiri Anze, Sanae Kasahara | — |
| Krauser | Misao Senbongi, Shusaku Uchiyama | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
4976219652346 is a Universal Product Code (UPC) assigned to biohazard SOUND CHRONICLE BEST TRACK BOX by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 269 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
4976219652346 is the Universal Product Code (UPC barcode) for the release “biohazard SOUND CHRONICLE BEST TRACK BOX” by Various Artists, released 2005-01-01 on Suleputer. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 269 tracks, each with its own ISRC. Tracks include JPE100501110, JPE100501120, JPE100501130.
