UPC · Release
D*S 1&2 Original theme song music disc
I’ve
Last verified:
4984328575722 is the Universal Product Code (UPC barcode) for the release “D*S 1&2 Original theme song music disc” by I’ve, released 2000-05-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Days of promise | — | ||
| 2 | ガラスの月 | — | ||
| 3 | Days of promise (karaoke version) | — | ||
| 4 | ガラスの月 (karaoke version) | — | ||
| 5 | Days of promise (short version) | — | ||
| 6 | ガラスの月 (short version) | — | ||
| 7 | BGM01 | — | ||
| 8 | BGM02 | — | ||
| 9 | BGM03 | — | ||
| 10 | BGM04 | — | ||
| 11 | BGM05 | — | ||
| 12 | BGM06 | — | ||
| 13 | BGM07 | — | ||
| 14 | BGM08 | — | ||
| 15 | BGM09 | — | ||
| 16 | BGM10 | — | ||
| 17 | BGM11 | — | ||
| 18 | BGM12 | — | ||
| 19 | BGM13 | — | ||
| 20 | BGM14 | — | ||
| 21 | BGM15 | — | ||
| 22 | BGM16 | — |
Verified on
Credits Graph
People also ask
What is UPC 4984328575722?
4984328575722 is a Universal Product Code (UPC) assigned to D*S 1&2 Original theme song music disc by I’ve. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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