UPC · Release
アイカ オリジナル・サウンドトラック Vol.2
兼崎順一
Last verified:
4988001118398 is the Universal Product Code (UPC barcode) for the release “アイカ オリジナル・サウンドトラック Vol.2” by 兼崎順一, released 1998-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | コンディション・グリーン | — | ||
| 2 | 決戦 | — | ||
| 3 | りおん脱出 | — | ||
| 4 | スピードが命 | — | ||
| 5 | 歪んだTRIANGLE | — | ||
| 6 | 危険な匂い | — | ||
| 7 | モノクロームの想い出 | — | ||
| 8 | ラグ | — | ||
| 9 | TAKE OFF POSITION | — | ||
| 10 | ホーリーファクス号発進！ | — | ||
| 11 | BEDTIME EYES | — | ||
| 12 | THIS EVENING | — | ||
| 13 | ネーナの狂気 | — | ||
| 14 | 来るべき世界 | — | ||
| 15 | ハーゲンの野望 | — | ||
| 16 | 見えない明日 | — | ||
| 17 | 果てなき戦い | — | ||
| 18 | ネーナ、その愛 | — | ||
| 19 | オルタネート・メタル | — | ||
| 20 | 反撃！ | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 4988001118398?
4988001118398 is a Universal Product Code (UPC) assigned to アイカ オリジナル・サウンドトラック Vol.2 by 兼崎順一. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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