UPC · Release
TOKYO
I Don't Like Mondays.
Last verified:
4988001775683 is the Universal Product Code (UPC barcode) for the release “TOKYO” by I Don't Like Mondays., released 2015-07-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include JPCO01520840, JPCO01505410, JPCO01520850.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (12)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | FIRE | I Don't Like Mondays. | — | |
| 2 | WE ARE YOUNG | I Don't Like Mondays. | — | |
| 3 | TOKYO BROTHERS | I Don't Like Mondays. | — | |
| 4 | SING | I Don't Like Mondays. | — | |
| 5 | STAR DRIVE | I Don't Like Mondays. | — | |
| 6 | FEELING | I Don't Like Mondays. | — | |
| 7 | LOVE YOURSELF | I Don't Like Mondays. | — | |
| 8 | SUPER SPECIAL | I Don't Like Mondays. | — | |
| 9 | PERFECT NIGHT | I Don't Like Mondays. | — | |
| 10 | FINAL DESTINATION | I Don't Like Mondays. | — | |
| 11 | MEMORIES | I Don't Like Mondays. | — | |
| 12 | ROAD | I Don't Like Mondays. | — |
Identifier Graph
People also ask
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What is UPC 4988001775683?
4988001775683 is a Universal Product Code (UPC) assigned to TOKYO by I Don't Like Mondays.. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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