UPC · Release
ビデオゲーム・グラフィティ Vol.5
細江慎治, 小林智, 川田宏行, 高柳佳恵
Last verified:
4988002186334 is the Universal Product Code (UPC barcode) for the release “ビデオゲーム・グラフィティ Vol.5” by 細江慎治, 小林智, 川田宏行, 高柳佳恵, released 1989-01-01 on Victor. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (23)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | コイン～ゲームスタート | — | ||
| 2 | ラウンド1～ボス1 | — | ||
| 3 | 同2～同2 | — | ||
| 4 | 同3～ドリーム～ボス3 | — | ||
| 5 | 同4～ショップ～ボス4 | — | ||
| 6 | 同5～ボス5 | — | ||
| 7 | 同6(ゲーム)～ゲーム・オーヴァー・シーケンス | — | ||
| 8 | ボス6～ラウンド・クリアー | — | ||
| 9 | ラウンド7～ボス7 | — | ||
| 10 | エンディング・シーケンス～エンディング | — | ||
| 11 | 未発表ラウンドX～未発表ボスX | — | ||
| 12 | おまけ | — | ||
| 13 | １面～おかしの国 | — | ||
| 14 | ２面～おもちゃの国 | — | ||
| 15 | ３面～つみきの国 | — | ||
| 16 | ４面～きかいの国 | — | ||
| 17 | ５面～そらの国 | — | ||
| 18 | ６面～びっくりの国 | — | ||
| 19 | ７面～むしの国 | — | ||
| 20 | ８面～へいたいの国 | — | ||
| 21 | ９面～女王の国 | — | ||
| 22 | ギャラガ’88 (アレンジ・ヴァージョン) | — | ||
| 23 | ロンバーズ (アレンジ・ヴァージョン) | — |
Credits Graph
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What is UPC 4988002186334?
4988002186334 is a Universal Product Code (UPC) assigned to ビデオゲーム・グラフィティ Vol.5 by 細江慎治, 小林智, 川田宏行, 高柳佳恵. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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