UPC · Release
STARTING OVER
INGRY'S
Last verified:
4988002252503 is the Universal Product Code (UPC barcode) for the release “STARTING OVER” by INGRY'S, released 1992-03-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include JPVI09202850, JPVI09202860, JPVI09202870.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (13)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 抱きしめたい | INGRY'S | T-101.034.665-1 | |
| 2 | Back Shot Girl | INGRY'S | — | |
| 3 | Right Hand Lovers | INGRY'S | — | |
| 4 | 君って…… | INGRY'S | — | |
| 5 | 1000ピースのジグソーパズル | INGRY'S | — | |
| 6 | Happy Birthday | INGRY'S | — | |
| 7 | 野放しプリンセス | INGRY'S | — | |
| 8 | もっと | INGRY'S | — | |
| 9 | Smile Again | INGRY'S | — | |
| 10 | This is Heavy Worker in Japan | INGRY'S | — | |
| 11 | 君を失くさないために | INGRY'S | — | |
| 12 | 離れていても | INGRY'S | — | |
| 13 | 笑おう! | INGRY'S | T-101.034.186-1 |
What other identifiers does this connect to?
Musical Works (ISWC)
Identifier Graph
People also ask
Verified on
What is UPC 4988002252503?
4988002252503 is a Universal Product Code (UPC) assigned to STARTING OVER by INGRY'S. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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