UPC · Release
「上を向いて歩こう!」オリジナル・サウンドトラック
広瀬香美
Last verified:
4988002295012 is the Universal Product Code (UPC barcode) for the release “「上を向いて歩こう!」オリジナル・サウンドトラック” by 広瀬香美, released 1994-05-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (15)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | オープニング〜マンデー21のテーマ〜 | — | ||
| 2 | 青空のように〜千晶のテーマ〜 | — | ||
| 3 | Cool Guy〜鮫島のテーマ〜 | — | ||
| 4 | ドラマティックに恋して | — | ||
| 5 | 哀愁のキャリアガール〜涼のテーマ〜 | — | ||
| 6 | Trouble Makers | — | ||
| 7 | Dangerous | — | ||
| 8 | American Right〜椿のテーマ〜 | — | ||
| 9 | ドラマティックに恋して〜Slow Version〜 | — | ||
| 10 | Give & Take〜瞳のテーマ | — | ||
| 11 | 青空のように〜Classic Version〜 | — | ||
| 12 | Cool Guy〜Jazzy Version〜 | — | ||
| 13 | To Be Continued | — | ||
| 14 | ドラマティックに恋して〜Orchestra Version〜 | — | ||
| 15 | Trouble Makers〜オルゴールVersion〜 | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Credits Graph
People also ask
Verified on
What is UPC 4988002295012?
4988002295012 is a Universal Product Code (UPC) assigned to 「上を向いて歩こう!」オリジナル・サウンドトラック by 広瀬香美. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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