UPC · Release
服部克久
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4988002396573 is the Universal Product Code (UPC barcode) for the release “無限のリヴァイアス: オリジナルサウンドトラック２” by 服部克久, released 2000-01-01 on Victor. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC. Tracks include JPVI00009890, JPVI09934190, JPVI00009900.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | はるかなるささやき | 服部克久 | — | |
| 2 | なにもしらなくても | 服部克久 | — | |
| 3 | 棘(トゲ) | Mica Arisaka | T-101.655.419-9 | |
| 4 | むかいあうもの | 服部克久 | — | |
| 5 | げんじつとのはざまで | 服部克久 | — | |
| 6 | こころのかけら | 服部克久 | — | |
| 7 | いとしさのなかで | 服部克久 | — | |
| 8 | はやるこころ | 服部克久 | — | |
| 9 | うつつなるもの | 服部克久 | — | |
| 10 | たわむれて | 服部克久 | — | |
| 11 | みつめて | 服部克久 | — | |
| 12 | しんじられるものは | 服部克久 | — | |
| 13 | ゆめをすぎても | 服部克久 | T-101.638.933-4 | |
| 14 | みらいへのいっぽ | 服部克久 | — | |
| 15 | あらがえぬまま | 服部克久 | — | |
| 16 | さすらいつづけて | 服部克久 | — | |
| 17 | つむがれたふあん | 服部克久 | — | |
| 18 | けついとこうどうと | 服部克久 | — | |
| 19 | とどけたいこころ | 服部克久 | — | |
| 20 | しんきろうのように | 服部克久 | — | |
| 21 | あしたがあるから | 服部克久 | — | |
| 22 | やみからのほほえみ | 服部克久 | — | |
| 23 | しりたかったこと | 服部克久 | — | |
| 24 | 夢を過ぎても | 有坂美香 | T-101.638.933-4 | |
| 26 | H, MEGA MIX | M.I.D | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| とどけたいこころ (REGGAE PHIL MIX) | M.I.D | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
4988002396573 is a Universal Product Code (UPC) assigned to 無限のリヴァイアス: オリジナルサウンドトラック２ by 服部克久. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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