UPC · Release
STOP, LOOK, LISTEN
DOBERMAN INC
Last verified:
4988002512249 is the Universal Product Code (UPC barcode) for the release “STOP, LOOK, LISTEN” by DOBERMAN INC, released 2006-01-01 on Victor Entertainment. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Transporter (The Return) | — | ||
| 2 | Mission Complete (Interlude) | — | ||
| 3 | D.I Anthem 2006 | — | ||
| 4 | Show Stopper | — | ||
| 5 | ハートブレイク・レストラン | — | ||
| 6 | Baby I’m Sorry | — | ||
| 7 | Departures | — | ||
| 8 | Die‐Hard Maniac | — | ||
| 9 | O‐Town Bandits | — | ||
| 10 | ELV LUV | — | ||
| 11 | The Chance Of A Lifetime | — | ||
| 12 | キー・ハンター | — | ||
| 13 | Shadow Of Doubt | — | ||
| 14 | World Baseball Classic | — | ||
| 15 | Urban Trap (Ill Biz) | — | ||
| 16 | アンガー・マネージメント | — | ||
| 17 | LOST & Found | — | ||
| 18 | STOP, LOOK, LISTEN | — | ||
| 19 | ハートブレイク・レストラン (Video Clip) | — |
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Creative Contributors (ISNI)
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What is UPC 4988002512249?
4988002512249 is a Universal Product Code (UPC) assigned to STOP, LOOK, LISTEN by DOBERMAN INC. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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