UPC · Release
Ballad Classics II+1
小泉今日子
Last verified:
4988002530670 is the Universal Product Code (UPC barcode) for the release “Ballad Classics II+1” by 小泉今日子, released 2007-08-22. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include JPVI08902190, JPVI08902200, JPVI08902210.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (13)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kiss | 小泉今日子 | — | |
| 2 | 涙のMyロンリーBoy | 小泉今日子 | — | |
| 3 | 遅い夏 | 小泉今日子 | — | |
| 4 | この涙の谷間 | 小泉今日子 | T1012384368 | |
| 5 | 今をいじめて泣かないで | 小泉今日子 | — | |
| 6 | Moon Light | 小泉今日子 | — | |
| 7 | 片想い | 小泉今日子 | — | |
| 8 | 艶姿ナミダ娘 | 小泉今日子 | T-101.010.550-5 | |
| 9 | 青い夜の今ここで | 小泉今日子 | — | |
| 10 | 今年最後のシャーベット | 小泉今日子 | — | |
| 11 | Flower | 小泉今日子 | — | |
| 12 | バナナムーンで会いましょう | 小泉今日子 | — | |
| 13 | たとえばフォーエバー | 小泉今日子, 真田広之 | T-101.343.216-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 4988002530670?
4988002530670 is a Universal Product Code (UPC) assigned to Ballad Classics II+1 by 小泉今日子. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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